Tenja Of The Red Paint People

Tenja of the Red Paint People tells the story of a teenage girl living long ago in what is now northeastern Canada. Tall, strong, and lanky, Tenja loves to run and has exceptional speed and stamina for her age. She also has an unusual thirst for knowledge, learning a great deal particularly from the older men and women of her extended family. She is a keen observer of the great variety of life forms around her, noting things that others might not even detect. She lives in a land of plenty with her family and relatives. Her tribe carries on the custom of painting their bodies and their possessions with red paint made from red ochre. As a result, their neighbors to the north, the Inu or Eskimos, call Tenjas tribe the Red Paint People. Small bands of marauders from the east are a threat to be reckoned with, as are the many dangers from a very wide variety of wild animals. Even though she lived thousands of years ago, Tenja tackled some of the same basic predicaments many teenagers find themselves in today. Journey in Tenjas moccasins and experience an adventure set over 8,000 years ago.

What are the most popular names of the Ambo people in Namibia? Why do so many Ambos have Finnish first names? What do the African names of these people mean? Why is the namesake so important in Ambo culture? How did the long independence struggle affect personal naming, and what are the latest name-giving trends in Namibia? This study analyses the changes in the personal naming system of the Ambo people in Namibia over the last 120 years, starting from the year 1883 when the first Ambos received biblical and European names at baptism. The central factors in this process were the German and South African colonisation and European missionary work on the one hand, and the rise of African nationalism on the other hand. Eventually, this clash between African and European naming practices led to a new and dynamic naming system which includes elements of both African and European origin.

Matsuo Basho stands today as Japan's most renowned writer, and one of the most revered. Yet despite his stature, Basho's complete haiku have never been collected under one cover. Until now. To render the writer's full body of work in English, Jane Reichhold, an American haiku poet and translator, dedicated over ten years to the present compilation. In Barbo: The Complete Haiku she accomplishes the feat with distinction. Dividing the poet's creative output into seven periods of development, Reichhold frames each period with a decisive biographical sketch of the poet's travels, creative influences, and personal triumphs and defeats. Supplementary material includes two hundred pages of scrupulously researched notes, which also contain a literal translation of the poem, the original Japanese, and a Romanized reading. A glossary, chronology, index of first lines, and explanation of Basho's haiku techniques provide additional background information. Finally in the spirit of Basho, elegant semi-e ink drawings by well-known Japanese artist Shiro Tsujimura front each chapter.

This book is much more than an analysis of the schema of domination and submission as it is played out in the social drama of jinn eviction. It is also a source of information on the history and mythology of a saintly lineage, on the day to day running of a pilgrimage centre, on popular Islam, and on traditional conceptions of jinn possession.

The Cambridge History of Japanese Literature provides, for the first time, a history of Japanese literature with comprehensive coverage of the premodern and modern eras in a single volume. The book is arranged topically in a series of short, accessible chapters for easy access and reference, giving insight into both canonical texts and many lesser known, popular genres, from centuries-old folk literature to the detective fiction of modern times. The various period introductions provide an overview of recurrent issues that span many decades, if not centuries. The book also places Japanese literature in a wider East Asian tradition of Sinitic writing and provides comprehensive coverage of women's literature as well as new popular literary forms, including manga (comic books). An extensive bibliography of works in English enables readers to continue to explore this rich tradition through translations and secondary reading.

This collection of original essays explores the historical and cultural diversity of the experience of gender reversal over an exceptional geographical and chronological range. Topics cove- red include anthropology, history, literature.Gender reversal is a perennial theme in the cultures of both East and West. It emerges in classical Chinese theatre, in the ceremony consecrating the Japanese emperor, and in Hindu mythology; in the ancient Greek rites of Dionysos, in medieval Christian thought and in the culture of the American Indians.The original essays in Gender Reversals and Gender Cultures explore the historical and cultural diversity of the experience of gender reversal over an exceptional geographical and chronological range. The contributors bring a unique mixture of perspectives to bear on the subject, with backgrounds in anthropology, history, literature, political science, comparative religion and women's studies. They reveal the complex relation of gender reversal to taboo, and show how differing attitudes reveal much about particular cultures.

Marcelina's father comes home from a trip to Manila with beautiful hand-made sleeping mats for each member of his large family, including the three daughters who died when they were very young.

Shinya Tsukamoto has become one of the most widely praised filmmakers in Japan today. Edgy, intense and overwhelming, Tsukamoto's films are nightmarish visions of a world in which man's greatest enemy is his own environment of cold concrete and twisted technology. Illustrated with hundreds of stills, behind-the-scenes pictures and rare photographs from the director's own collection, Iron Man reveals the mind, methods and madness of Japan's most unique and influential filmmaker.