Tennessee

This book explores the geography, history, people, government, and economy of the Volunteer State. Lists of key people, places, celebrations, plants and animals, cities, and political figures, plus recipes and craft projects, add to the understanding of the state that has added so much to the musical culture of this country.

Like an alchemist, Tennessee would dip his pen in reality and make fiction out of it. This journey through his life focuses on the influence of specific people and places on selected works.

National Book Critics Circle Award Winner: Biography Category National Book Award Finalist 2015 Winner of the Sheridan Morley Prize for Theatre Biography American Academy of Arts and Letters’ Harold D. Vursell Memorial Award A Chicago Tribune 'Best Books of 2014' USA Today: 10 Books We Loved Reading Washington Post, 10 Best Books of 2014 The definitive biography of America's greatest playwright from the celebrated drama critic of The New Yorker. John Lahr has produced a theater biography like no other. Tennessee Williams: Mad Pilgrimage of the Flesh gives intimate access to the mind of one of the most brilliant dramatists of his century, whose plays reshaped the American theater and the nation's sense of itself. This astute, deeply researched biography sheds a light on Tennessee Williams's warring family, his guilt, his creative triumphs and failures, his sexuality and numerous affairs, his misreported death, even the shenanigans surrounding his estate. With vivid cameos of the formative influences in Williams's life—his fierce, belittling father Cornelius; his puritanical, domineering mother Edwina; his demented sister Rose, who was lobotomized at the age of thirty-three; his beloved grandfather, the Reverend Walter Dakin—Tennessee Williams: Mad Pilgrimage of the Flesh is as much a biography of the man who created A Streetcar Named Desire, The Glass Menagerie, and Cat on a Hot Tin Roof as it is a trenchant exploration of Williams’s plays and the tortured process of bringing them to stage and screen. The portrait of Williams himself is unforgettable: a virgin until he was twenty-six, he had serial homosexual affairs thereafter as well as long-time, bruising relationships with Pancho Gonzalez and Frank Merlo. With compassion and verve, Lahr explores how Williams's relationships informed his work and how the resulting success brought turmoil to his personal life. Lahr captures not just Williams’s tempestuous public persona but also his backstage life, where his agent Audrey Wood and the director Elia Kazan play major roles, and Marlon Brando, Anna Magnani, Bette Davis, Maureen Stapleton, Diana Barrymore, and Tallulah Bankhead have scintillating walk-on parts. This is a biography of the highest order: a book about the major American playwright of his time written by the major American drama critic of his time.

Tired of the same old tourist traps? Whether you’re a visitor or a local looking for something different, let Tennessee Off the Beaten Path show you the Volunteer State you never knew existed. Enjoy a slice of vinegar pie at the summit of Clinch Mountain; check out the 110-foot-high waterfall in the Ozone Falls Natural Area; or pass the hat—a genuine Stetson—while listening to top-shelf Southern gospel music at the famous Nashville Cowboy Church. Elvis Presley’s Mercedes-Benz is just one of the thirty cars on display at the Smoky Mountain Car Museum in Pigeon Forge. Al Capone’s bullet-proof Cadillac is also here, as is one of James Bond’s 007 cars. So if you’ve “been there, done that” one too many times, get off the main road and venture Off the Beaten Path.

Few writers have brought more of their life into their works than famed playwright Thomas Lanier “Tennessee” Williams III. His characters have often served as proxies for himself, his mother, and especially his tragically unstable sister, Rose, who many consider to be the inspiration for Williams’s iconic female leads Blanche DuBois and Laura Wingfield. In this gripping new biography, Paul Ibell looks at Williams as a poet, playwright, brother, homosexual, alcoholic, drug addict, and, ultimately, a deeply passionate soul whose operatically intense plays were a vibrant reflection of life. Ibell discusses Williams’s early plays that have become household names: The Glass Menagerie, A Streetcar Named Desire, and Cat on a Hot Tin Roof. But he also rescues Williams’s later works from critical obscurity, uncovering overlooked values in them. He explores the importance of Europe on the Southerner’s imagination, following Williams and his companion—Gore Vidal—through holiday after holiday in Italy; and he looks, especially, at the theme for which Williams became most known: the power of sexual attraction and the tragedy of its loss when we—as we all must do—grow old. Punchy, accessible, and fabulously illuminating, this critical biography is a must-read for any admirer of American theater, literature, or the passionate lives of those who define them.