Tenochtitlan 1519 21

In 1519, the Conquistador Hernán Cortés landed on the mainland of the Americas. His quest to serve God, win gold, and achieve glory drove him into the heartland of what is now Mexico, where no European had ever set foot before. He marched towards to the majestic city of Tenochtitlan, floating like a jewel in the midst of Lake Texcoco. This encounter brought together cultures that had hitherto evolved in complete isolation from each other – Catholic Spain and the Aztec Empire. What ensued was the swift escalation from a clash of civilizations to a war of the worlds. At the conclusion of the Conquistador campaign of 1519–21, Tenochtitlan lay in ruins, the last Aztec Emperor was in chains, and Spanish authority over the native peoples had been definitively asserted. With the colourful personalities – Cortés, Malinche, Pedro Alvarez, Cuitláhuac, Cuauhtémoc – driving the narrative, and the vivid differences in uniforms, weapons, and fighting styles between the rival armies (displayed using stunning specially commissioned artwork), this is the fascinating story of the collapse of the Aztec Empire.

In 1519, the Conquistador Hernán Cortés landed on the mainland of the Americas. His quest to serve God, win gold, and achieve glory drove him into the heartland of what is now Mexico, where no European had ever set foot before. He marched towards to the majestic city of Tenochtitlan, floating like a jewel in the midst of Lake Texcoco. This encounter brought together cultures that had hitherto evolved in complete isolation from each other – Catholic Spain and the Aztec Empire. What ensued was the swift escalation from a clash of civilizations to a war of the worlds. At the conclusion of the Conquistador campaign of 1519–21, Tenochtitlan lay in ruins, the last Aztec Emperor was in chains, and Spanish authority over the native peoples had been definitively asserted. With the colourful personalities – Cortés, Malinche, Pedro Alvarez, Cuitláhuac, Cuauhtémoc – driving the narrative, and the vivid differences in uniforms, weapons, and fighting styles between the rival armies (displayed using stunning specially commissioned artwork), this is the fascinating story of the collapse of the Aztec Empire.

Tenochtitlan, capital of the Aztec empire before the Spanish conquest, rivaled any other great city of its time. In Europe, only Paris, Venice, and Constantinople were larger. Cradled in the Valley of Mexico, the city is unique among New World capitals in that it was well-described and chronicled by the conquistadors who subsequently demolished it. This means that, though centuries of redevelopment have frustrated efforts to access the ancient city’s remains, much can be told about its urban landscape, politics, economy, and religion. While Tenochtitlan commands a great deal of attention from archaeologists and Mesoamerican scholars, very little has been written about the city for a non-technical audience in English. In this fascinating book, eminent expert José Luis de Rojas presents an accessible yet authoritative exploration of this famous city--interweaving glimpses into its inhabitants’ daily lives with the broader stories of urbanization, culture, and the rise and fall of the Aztec empire.

Written over a seven-year period to Charles V of Spain, Hernan Cortes's letters provide a narrative account of the conquest of Mexico from the founding of the coastal town of Veracruz until Cortes's journey to Honduras in 1525. The two introductions set the letters in context.

According to one popular image, the Aztec army was a ruthless and efficient war machine, that established an empire by convincingly overwhelming its neighbors, sacrificing thousands to bloodthirsty gods along the way. From a contrasting perspective, its native warriors were no match for the modern warring methods of Cortés' greatly outnumbered Spaniards, who decisively defeated them. The reality of the Aztec warrior's ability and effectiveness lies somewhere between those two extremes, as this title makes clear. By examining the experiences of a hypothetical individual, Cuauhtli, this meticulously researched book shows that the history of Aztec warfare is much richer and far more complex than previously understood, and reveals the close relationship between social and military matters in Aztec society.

A highly readable narrative of the causes, course, and consequences of the Spanish Conquest, incorporating the perspectives of many Native groups, Black slaves, and the conquistadors, timed with the 500th anniversary of the fall of the Aztec capital of Tenochtitlan.Five hundred years ago, a flotilla landed on the coast of Yucatan under the command of the Spanish conquistador Hernan Cortes. While the official goal of the expedition was to explore and to expand the Christian faith, everyone involved knew that it was primarily about gold and the hunt for slaves.That a few hundred Spaniards destroyed the Aztec empire - a highly developed culture - is an old chestnut, because the conquistadors, who had every means to make a profit, did not succeed alone. They encountered groups such as the Tlaxcaltecs, who suffered from the Aztec rule and were ready to enterinto alliances with the foreigners to overthrow their old enemy. In addition, the conquerors benefited from the diseases brought from Europe, which killed hundreds of thousands of locals. Drawing on both Spanish and indigenous sources, this account of the conquest of Mexico from 1519 to 1521 notonly offers a dramatic narrative of these events - including the fall of the Aztec capital of Tenochtitlan and the flight of the conquerors - but also represents the individual protagonists on both sides, their backgrounds, their diplomacy, and their struggles. It vividly portrays the tens ofthousands of local warriors who faced off against each other during the fighting as they attempted to free themselves from tribute payments to the Aztecs.Written by a leading historian of Latin America, Conquistadors and Aztecs offers a timely portrayal of the fall of Tenochtitlan and the founding of an empire that would last for centuries.

A highly illustrated and detailed study of one of the most important campaigns in the colonization of the Americas, the Spanish conquest of the vast Inca Empire. In April 1532 a bloody civil war between two brothers ended with one of them, Atahualpa, as master of the mighty Inca Empire. Now the most powerful man in South America, his word was law for millions of subjects spread across thousands of square miles, from the parched deserts of the coast to the lush rainforest of the Amazon and along the spine of the soaring Andes Mountains. But the time of the Incas was coming to an end. In November of that year a handful of Spanish conquistadors led by Francisco Pizarro seized Atahualpa at Cajamarca, extorted his treasure, murdered him, and then marched on the Inca capital Cuzco to elevate a puppet, Manco, to the vacant throne. In 1536, however, Manco roused his people against the intruders, and the Spaniards found themselves isolated and fighting for their lives. This fascinating and beautifully illustrated book brings to life the background to and progress of the desperate 10-month siege of Cuzco; the opposing commanders, their fighting men, tactics, and military technologies; the key clashes, from Sacsayhuamán to Ollantaytambo; and how the outcome shaped our world today.

Between 1536 and 1601, at the request of the colonial administration of New Spain, indigenous artists crafted more than two hundred maps to be used as evidence in litigation over the allocation of land. These land grant maps, or mapas de mercedes de tierras, recorded the boundaries of cities, provinces, towns, and places; they made note of markers and ownership, and, at times, the extent and measurement of each field in a territory, along with the names of those who worked it. With their corresponding case files, these maps tell the stories of hundreds of natives and Spaniards who engaged in legal proceedings either to request land, to oppose a petition, or to negotiate its terms. Mapping Indigenous Land explores how, as persuasive and rhetorical images, these maps did more than simply record the disputed territories for lawsuits. They also enabled indigenous communities—and sometimes Spanish petitioners—to translate their ideas about contested spaces into visual form; offered arguments for the defense of these spaces; and in some cases even helped protect indigenous land against harmful requests. Drawing on her own paleography and transcription of case files, author Ana Pulido Rull shows how much these maps can tell us about the artists who participated in the lawsuits and about indigenous views of the contested lands. Considering the mapas de mercedes de tierras as sites of cross-cultural communication between natives and Spaniards, Pulido Rull also offers an analysis of medieval and modern Castilian law, its application in colonial New Spain, and the possibilities for empowerment it opened for the native population. An important contribution to the literature on Mexico's indigenous cartography and colonial art, Pulido Rull’s work suggests new ways of understanding how colonial space itself was contested, negotiated, and defined.