Testament Of War

This classic memoir of the First World War is now a major motion picture starring Alicia Vikander and Kit Harington. Includes an afterword by Kate Mosse OBE. In 1914 Vera Brittain was 20, and as war was declared she was preparing to study at Oxford. Four years later her life - and the life of her whole generation - had changed in a way that would have been unimaginable in the tranquil pre-war era. TESTAMENT OF YOUTH, one of the most famous autobiographies of the First World War, is Brittain's account of how she survived those agonising years; how she lost the man she loved; how she nursed the wounded and how she emerged into an altered world. A passionate record of a lost generation, it made Vera Brittain one of the best-loved writers of her time, and has lost none of its power to shock, move and enthral readers since its first publication in 1933.

Vera Brittain and the First World War tells the remarkable story of the author behind Testament of Youth whilst charting the book's ascent to become one of the most loved memoirs of the First World War period. Such interest is set to expand even more in this centenary year of the war's outbreak. In the midst of her studies at Oxford when war broke out across Europe, Vera Brittain left university in 1915 to become a V.A.D (Voluntary Aid Detachment) nurse, treating soldiers in London, Malta and Etaples in France. The events of the First World War were to have an enormous impact on her life. Four of Brittain's closest friends including her fiancé Roland Leighton and her brother Edward Brittain MC were killed in action, sparking a lifelong commitment to pacifism. In 1933 she published Testament of Youth, the first of three books dealing with her experience of war. In equal measures courageous, tragic and deeply fascinating, Testament of Youth is one of the most compelling and important works of war literature ever to have been written by a British woman. Mark Bostridge's Vera Brittain and the First World War, published to coincide with the film of Testament of Youth, explores the effects of the First World War on Vera Brittain, both in terms of her personal life and in terms of its effect on her development as a writer and her eventual decision to become a pacifist. Taking advantage of the interest generated by the film, it will bring her story to a new generation and incorporate the most up-to-date research. It will also include a short essay 'From Book to Film', describing the process of turning Testament of Youth into a major feature film. This will include interviews with the production staff and actors, as well as with members of Vera Brittain's family, including Shirley Williams. The film, which has been scripted by Juliette Towhidi and is being produced by BBC Films and Heyday Films, the makers of Harry Potter, is currently in production. Alicia Vikander (Anna Karenina) stars as Brittain, with Kit Harington (Game of Thrones, Pompeii) playing her fiancé Roland Leighton.

Infanticide. Holy war. Divine wrath. Violence in the Old Testament has long been a stumbling block for Christians and skeptics alike. Yet conventional efforts to understand this violence-whether by downplaying it as allegory or a relic of primitive cultures, or by dismissing the authority of Scripture altogether-tend to raise more questions than they answer. God Is a Man of War offers a fresh interpretation of Old Testament accounts of violence by exploring them through the twofold lens of Orthodox tradition and historical context. Father Stephen De Young examines what these difficult passages reveal about the nature of Christ and His creation, bearing witness to a world filled not only with pain and suffering-often of human making-but also with the love of God.

Testament is a collection of photographs and writing by late photojournalist Chris Hondros spanning over a decade of coverage from most of the world's conflicts since the late 1990s, including Kosovo, Afghanistan, the West Bank, Iraq, Liberia, Egypt, and Libya. Through Hondros' images, we witness a jubilant Liberian rebel fighter exalt during a firefight, a U.S. Marine remove Saddam Hussein's portrait from an Iraqi classroom, American troops ride confidently in a thin-skinned unarmored Humvee during the first months of the Iraq war, "the probing eyes of an Afghan village boy," and "rambunctious Iraqi schoolgirls enjoying their precious few years of relative freedom before aging into more restricted adulthoods." Hondros was not just a front-line war photographer, but also a committed observer and witness, and his work humanizes complex world events and brings to light shared human experiences. Evident in his writings, interspersed throughout, Hondros was determined to broaden our understanding of war and its consequences. This unyielding determination led Hondros to take dozens of trips to Iraq and Afghanistan, even as the news turned elsewhere. During these "routine" trips, Hondros examined and observed daily life in these war-torn societies. His inventive Humvee picture series frames the ever-changing landscapes of these countries, offering a glimpse into the daily lives of those most affected by conflict. "One of the ongoing themes in my work, I hope, and one of the things I believe in, is a sense of human nature, a sense of shared humanity above the cultural layers we place on ourselves [which don't] mean that much compared to the human experience." —Chris Hondros As a photographer working in the world's most difficult and dangerous places, Chris Hondros had the distinctive ability to connect his viewers with people embroiled in far-flung and sometimes obscure conflicts. He recognized the shared humanity among those affected by war, regardless of culture or beliefs, and he was determined to share their challenges to the wider world in the hope of provoking thought, raising awareness, and fostering understanding. In the introduction to the book, Getty Images Co-founder and CEO Jonathan Klein writes, "Chris believed that his work could and would make a difference. He dedicated and ultimately lost his life in pursuit of that belief. I have no doubt that Chris was correct. Images can and do influence public opinion, galvanize people and societies, and force governments to change. They bring much-needed focus and attention to the suffering of people who are otherwise unable to communicate their plight." Inspired by his life, work, and vision—The Chris Hondros Fund endeavors to bring light to shared human experiences by supporting and protecting photojournalists. Through their generous support, Getty Images' proceeds from the sale of the book will be donated to the Fund. For more information please visit www.chrishondrosfund.org.

Warfare in the Old Testament brides the gap between the modern reader and the world of the Old Testament by using textual and physical evidence to describe ancient military practices in Israel, Egypt, Philistia, Assyria, Babylon, and Persia. Filled with illustrations and maps, this full-color volume enriches many biblical accounts by showing how Israel and the surrounding nations did battle. Of special interest are the author's treatments of the role that religion played in ancient warfare practices.

Bobrick tells the story of Benjamin "Webb" Baker, his great-grandfather. Webb enlisted in the Union Army in 1861 and thereafter suffered through horrid conditions in camp and absolute hell in combat. Bobrick's fascinating look at the Civil War also contains a heretofore unreleased collection of Webb's letters.

The challenge of a seemingly genocidal God who commands ruthless warfare has bewildered Bible readers for generations. The theme of divine war is not limited to the Old Testament historical books, however. It is also prevalent in the prophets and wisdom literature as well. Still it doesn t stop. The New Testament book of Revelation, too, is full of such imagery. Our questions multiply. Why does God apparently tell Joshua to wipe out whole cities, tribes or nations? Is this yet another example of dogmatic religious conviction breeding violence? Did these texts help inspire or justify the Crusades? What impact do they have on Christian morality and just war theories today? How does divine warfare fit with Christ s call to "turn the other cheek"? Why does Paul employ warfare imagery in his letters? Do these texts warrant questioning the overall trustworthiness of the Bible? These controversial yet theologically vital issues call for thorough interpretation, especially given a long history of misinterpretation and misappropriaton of these texts. This book does more, however. A range of expert contributors engage in a multidisciplinary approach that considers the issue from a variety of perspectives: biblical, ethical, philosophical and theological. While the writers recognize that such a difficult and delicate topic cannot be resolved in a simplistic manner, the different threads of this book weave together a satisfying tapestry. Ultimately we find in the overarching biblical narrative a picture of divine redemption that shows the place of divine war in the salvific movement of God.