Textual Patterns And Cosmic Designs In Early China

Via a hermeneutics focused on Chinese numerology and concentric arrangements, this book offers a novel construal of the textual universe proper to early China writings. The author lays bare distinguishable patterns of textual composition while relating them to corresponding patterns of thinking. He differentiates rhetorical variants through detailed studies of the Zhuangzi’s Inner chapters, the Laozi, the Analects, and the Huainanzi. The philosophical depth and relevance of the Chinese ancient worldview appear in a fresh light when one unearths the patterns into which its content is embedded. The focus on textual patterns and rhetorical arrangements also facilitates the reading of Chinese classics alongside other traditions. The book will be a valuable reference for scholars and graduate students studying Chinese literary criticism, Chinese philosophy, and comparative philosophy.

Via a hermeneutics focused on Chinese numerology and concentric arrangements, the book offers a novel construal of the textual universe proper to early China writings. The author lays bare distinguishable patterns of textual composition while relating them to corresponding patterns of thinking. He differentiates rhetorical variants through detailed studies of the Zhuangzi's Inner chapters, the Laozi, the Analects, and the Huainanzi. The philosophical depth and relevance of the Chinese ancient worldview appear in a fresh light when one unearths the patterns into which its content is embedded. The focus on textual patterns and rhetorical arrangements also facilitates the reading of Chinese classics alongside other traditions. The book will be a valuable reference for scholars and graduate students studying Chinese literary criticism, Chinese philosophy, and comparative philosophy.

Are you curious about the diversified views in “Contention of the Hundred Schools of Thought”? What's the origin of the Chinese zodiac signs? Or the history of the Chinese tea culture that is popular around the world? As one of the few ancient civilizations in the world, China features her a multidimensional cultural deposit in consistency and unification, endowing her history with a sense of perplexity and enchantment. Would you find it quite difficult to study Chinese culture? Well, relax. Together in this book, we shall follow the historical trace of 50 national treasures of the museums through the time tunnel, and enjoy their stories buried in the past 5000 years. They would be your company to explore the magnificent world of ancient China. In this book, the Chinese history is divided into eight periods. The treasures selected as samples are precious collections from museums around the world, including ceramics, jades, bronze wares, paintings, bamboo slips, sculptures, gold wares and silver wares. Rich in photographs and illustrations, the book introduces the most representative academic thoughts, moral education, religious beliefs, and folk customs in every period of the ancient China, and describes the interaction of Chinese and foreign cultures, as well as the spirit of the times and the cultural characteristics hidden behind them. In this way, the most crucial social concepts and the most attractive anecdotes in history will be revealed, and a sketch of Chinese culture will be unfolding in front of you through the rising and falling of those ancient dynasties. The treasures will no longer be resting in silence, as they are about to tell their own stories and present you with a journey of knowledge and visual feast. Let's take a stroll along the glory years to unveil the Chinese culture.

Shows how the emerging Chinese empire purposely reconceived but was also constrained by basic spatial units such as the body, the household, the region, and the world.

In Text and Ritual in Early China, leading scholars of ancient Chinese history, literature, religion, and archaeology consider the presence and use of texts in religious and political ritual. Through balanced attention to both the received literary tradition and the wide range of recently excavated artifacts, manuscripts, and inscriptions, their combined efforts reveal the rich and multilayered interplay of textual composition and ritual performance. Drawn across disciplinary boundaries, the resulting picture illuminates two of the defining features of early Chinese culture and advances new insights into their sumptuous complexity. Beginning with a substantial introduction to the conceptual and thematic issues explored in succeeding chapters, Text and Ritual in Early China is anchored by essays on early Chinese cultural history and ritual display (Michael Nylan) and the nature of its textuality (William G. Boltz). This twofold approach sets the stage for studies of the E Jun Qi metal tallies (Lothar von Falkenhausen), the Gongyang commentary to The Spring and Autumn Annals (Joachim Gentz), the early history of The Book of Odes (Martin Kern), moral remonstration in historiography (David Schaberg), the “Liming” manuscript text unearthed at Mawangdui (Mark Csikszentmihalyi), and Eastern Han commemorative stele inscriptions (K. E. Brashier). The scholarly originality of these essays rests firmly on their authors’ control over ancient sources, newly excavated materials, and modern scholarship across all major Sinological languages. The extensive bibliography is in itself a valuable and reliable reference resource. This important work will be required reading for scholars of Chinese history, language, literature, philosophy, religion, art history, and archaeology.

Drawing on history of science and philosophy of knowledge, this wide-ranging collection of essays on varieties of diagram, schema, technical illustration and chart offers a challenging new interpretation of technical knowledge in Chinese thought and practice.

The Han dynasty Huainanzi is a compendium of knowledge. This edited volume follows a multi-disciplinary approach to explore how and why the Huainanzi was produced and how we should interpret the work.