The 100 Best Superhero Movies

A fascinating exploration of the most significant superhero films and television shows in history, from the classic serial Adventures of Captain Marvel to the Disney+ hit show WandaVision. In The 100 Greatest Superhero Films and TV Shows, Zachary Ingle and David M. Sutera celebrate over eighty years of superhero cinema and television. Featuring blockbusters such as Black Panther and The Dark Knight, Ingle and Sutera also include lesser-known yet critically acclaimed shows like The Boys, cult films such as The Toxic Avenger, and foreign series like Astro Boy to provide a well-rounded perspective of the genre. All one hundred selections are evaluated based on qualities such as plot and character development, adherence to the original source materials, technological innovations, and social impact. The entries cover both live-action and animated films and TV series, and almost a third of the entries are not associated with Marvel or DC—a testament to the genre’s variety in its eighty-year history. The 100 Greatest Superhero Films and TV Shows includes an analysis of the superhero’s evolution and its relevance to the feminist movement, auteur theory, convergence culture, critical race theory, and more. Featuring more than 80 photographs alongside the authors’ selections, the diverse entries are sure to inspire debate and entertain all fans of superhero movies and television shows.

Suffering from superhero fatigue? Superhero films are ten a penny these days and often disappoint with their cardboard characters and tiresome CGI destruction. Though this genre is increasingly the object of snooty disdain from film industry royalty there have been many great superhero films which are simply great films period - irrespective of genre. This book will hopefully remind you that not all superhero films are the same. Let's attempt to seperate the wheat from the chaff and count down the 100 best superhero movies of all time.

Suffering from superhero fatigue? Superhero films are ten a penny these days and often disappoint with their cardboard characters and tiresome CGI destruction. Though this genre is increasingly the object of snooty disdain from film industry royalty there have been many great superhero films which are simply great films period - irrespective of genre. This book will hopefully remind you that not all superhero films are the same. Let's attempt to separate the wheat from the chaff and count down the 100 best superhero movies of all time.

Comic Book Movies explores how this genre serves as a source for modern-day myths, sometimes even incorporating ancient mythic figures like Thor and Wonder Woman’s Amazons, while engaging with the questions that haunt a post-9/11 world: How do we define heroism and morality today? How far are we willing to go when fighting terror? How can we resist a dystopian state? Film scholar Blair Davis also considers how the genre’s visual style is equally important as its weighty themes, and he details how advances in digital effects have allowed filmmakers to incorporate elements of comic book art in innovative ways. As he reveals, comic book movies have inspired just as many innovations to Hollywood’s business model, with film franchises and transmedia storytelling helping to ensure that the genre will continue its reign over popular culture for years to come.

The Ultimate Superhero Movie Guide is a thrilling journey through the history of the world's favourite movie genre.

As Gotham City’s guardian, Batman has investigated nearly every kind of murder—but he’s never seen a homicide as strange as this. The death of Lamont Cranston, an Arkham Asylum employee, leads the Dark Knight Detective to an impossible conclusion: the crime was committed by a man also named Lamont Cranston, who died more than 50 years ago—a man better known as the Shadow. The Shadow is definitely alive and kicking, however, and once Batman picks up his trail he will stop at nothing to bring him to justice. But it soon becomes clear that the hunter and his quarry are both entangled in a much larger web of evil—a conspiracy that threatens everything they have sworn to protect. Now Batman and the Shadow must put aside their differences to stop a terrifying new foe called the Stag, who has set his sights first on Gotham and then the world. And this merciless monster has a partner of his own: the Clown Prince of Crime himself, the Joker. Can the Shadow and the Bat stop this unholy alliance? Or will these two brilliant crime-fighters fall victim to the twisted genius of their archnemeses? New York Times best-selling author Scott Snyder joins forces with acclaimed talents Steve Orlando and Riley Rossmo for BATMAN/THE SHADOW: THE MURDER GENIUSES—an action-packed thriller decades in the making!

Eleven-year-old Diana leads an idyllic life on the island of Themyscira. Cut off from the rest of the world, she's beginning to feel a little alone. Though she has a loving mother and many "aunties," she is an only child. In fact, she's the only child on the entire island! After an escapade goes wrong, Diana gets in trouble for not living up to the Amazonian standard. She just can't seem to measure up no matter what she does. Every other person on the island is an adult proficient in their trade and mighty in body, while she is gangly, sometimes clumsy, and not particularly good at anything. She's not Wonder Woman...yet, anyway. What Diana needs is a friend; someone her own age whom she can talk to. But when she decides to take matters into her own hands, she encounters the unexpected!

It's easy to name a superhero--Superman, Batman, Thor, Spiderman, the Green Lantern, Buffy the Vampire Slayer, Rorschach, Wolverine--but it's not so easy to define what a superhero is. Buffy has superpowers, but she doesn't have a costume. Batman has a costume, but doesn't have superpowers. What is the role of power and superpower? And what are supervillains and why do we need them? In What is a Superhero?, psychologist Robin Rosenberg and comics scholar Peter Coogan explore this question from a variety of viewpoints, bringing together contributions from nineteen comic book experts--including both scholars in such fields as cultural studies, art, and psychology as well as leading comic book writers and editors. What emerges is a kaleidoscopic portrait of this most popular of pop-culture figures. Writer Jeph Loeb, for instance, sees the desire to make the world a better place as the driving force of the superhero. Jennifer K. Stuller argues that the female superhero inspires women to stand up, be strong, support others, and most important, to believe in themselves. More darkly, A. David Lewis sees the indestructible superhero as the ultimate embodiment of the American "denial of death," while writer Danny Fingeroth sees superheroes as embodying the best aspects of humankind, acting with a nobility of purpose that inspires us. Interestingly, Fingeroth also expands the definition of superhero so that it would include characters like John McClane of the Die Hard movies: "Once they dodge ridiculous quantities of machine gun bullets they're superheroes, cape or no cape." From summer blockbusters to best-selling graphic novels, the superhero is an integral part of our culture. What is a Superhero? not only illuminates this pop-culture figure, but also sheds much light on the fantasies and beliefs of the American people.