The 1963 Operation Coldstore In Singapore

Operation Coldstore remains the most contentious event in the history of postcolonial Singapore. Despite attempts by the state to silence ex-detainees, by warning that they would not be permitted to rewrite the state’s official version of history, the authors in this volume have done just that. They have placed on record their own perspective of events. The autobiographical element in the narratives brings to life what these individuals went through as left-wing political actors who responded to the call of anti colonialism and the challenge of shaping a new society. Their accounts of life in prison are a sober reminder of the deprivations and tortures inflicted to break their spirit. These stirring accounts are supplemented by academic contributions that provide contextual depth to the historical events and a critique of history writing in Singapore.

“Revisionist” or “alternative” historians have increasingly questioned elements of the Singapore Story — the master narrative of the nation’s political and socioeconomic development since its founding by the British in 1819. Much criticism focuses especially on one defining episode of the Story: the internal security dragnet mounted on 2 February 1963 against Communist United Front elements on the island, known to posterity as Operation Coldstore. The revisionists claim that Coldstore was mounted for political rather than security reasons and actually destroyed a legitimate Progressive Left opposition — personalized by the charismatic figure of Lim Chin Siong — rather than a dangerous Communist network as the conventional wisdom holds. Relying on both declassified and some previously unseen classified sources, this book challenges revisionist claims, reiterating the historic importance of Coldstore in helping pave the way for Singapore’s remarkable journey from Third World status to First in a single generation.

"e;Revisionist"e; or "e;alternative"e; historians have increasingly questioned elements of the Singapore Story - the master narrative of the nation's political and socioeconomic development since its founding by the British in 1819. Much criticism focuses especially on one defining episode of the Story: the internal security dragnet mounted on 2 February 1963 against Communist United Front elements on the island, known to posterity as Operation Coldstore. The revisionists claim that Coldstore was mounted for political rather than security reasons and actually destroyed a legitimate Progressive Left opposition - personalized by the charismatic figure of Lim Chin Siong - rather than a dangerous Communist network as the conventional wisdom holds. Relying on both declassified and some previously unseen classified sources, this book challenges revisionist claims, reiterating the historic importance of Coldstore in helping pave the way for Singapore's remarkable journey from Third World status to First in a single generation.

This is the historical memoir of Dr Poh Soo Kai, a man of medicine and a founder member of the People’s Action Party.

Developed as an exploratory study of artworks by artists of Singapore and Malaysia, Retrospective attempts to account for contemporary artworks that engage with history. These are artworks that reference past events or narratives, of the nation and its art. Through the examination of a selection of artworks produced between 1990 and 2012, Retrospective is both an attribution and an analysis of a historiographical aesthetic within contemporary art practice. It considers that, by their method and in their assembly, these artworks perform more than a representation of a historical past. Instead, they confront history and its production, laying bare the nature and designs of the historical project via their aesthetic project. Positing an interdisciplinary approach as necessary for understanding the historiographical as aesthetic, Retrospective considers not only historical and aesthetic perspectives, but also the philosophical, by way of ontology, in order to broaden its exposition beyond the convention of historical and contextual interpretation of art. Yet, in associating these artworks with a historiographical aesthetic, this exposition may be regarded as a historiographical exercise in itself, affirming the significance of these artworks for the history of Singapore and Malaysia. In short, which history rarely is, Retrospective is about the art of historicisation and the historicisation of art.