The Abolition Of Britain

Hitchens identifies everything that he feels has gone wrong with Britain since the Second World War and makes the case for the 'many millions who feel that they have become foreigners in their own land and wish with each succeeding day that they could turn the clock back'. Writing with brilliance and flair, Hitchens targets the pernicious effects of TV culture, the corruption and decay of English language, the loss of deference and the syrupy confessional mood brought on by the death of Princess Diana. 'This is a cri de coeur from an honest, intelligent and patriotic Englishman desperately worried about the corruption of this country and the likely effects of its lurch into the clutches of a European.' The Spectator

Prominent English social critic Hitchens writes of the period between the death of Winston Churchill and the funeral of Princess Diana--a time he believes has seen disastrous changes in English life.

"How do you tell that a country has died? ... Peter Hitchens describes and regrets the abolition of Britain. In the years since Peter Hitchens first wrote The Abolition of Britain, he argues, there has been an acceleration in the decay of society and culture. Fewer people read; universities have become less and less free; more churches are closing; language has become more homogenised; the city skyline is emblematic of the triumph of Mammon; the monarchy is merely hanging on and immigration is at an unprecedented and unsustainable level, a fact accepted even by those who first welcomed its growth. Hitchens, a former revolutionary Marxist, is amazed and amused by the way in which the nominal Conservative Party has now embraced culturally and socially revolutionary ideas, especially about the family, sexual politics and education, which he would have thought ambitious in his days as a 1960s Trotskyist. As he writes, 'my only concern now is to ensure that others, in some unimaginable future, will be able to find at least one voice which will explain to them how one of the fairest, kindest civilisations ever to have existed on earth ... should in so short a time have wasted its birthright and thrown away its gifts'."--Publisher description.

This is the story of a handful of men, led by Thomas Clarkson, who defied the slave trade and ignited the first great human rights movement. Beginning in 1788, a group of Abolitionists moved the cause of anti-slavery from the floor of Parliament to the homes of 300,000 people boycotting Caribbean sugar, and gave a platform to freed slaves.

With the abolition of the slave trade in 1807 and the Emancipation Act of 1833, Britain seemed to wash its hands of slavery. Not so, according to Marika Sherwood, who sets the record straight in this provocative new book. In fact, Sherwood demonstrates that Britain continued to contribute to the slave trade well after 1807, even into the twentieth century. Drawing on government documents and contemporary reports as well as published sources, she describes how slavery remained very much a part of British investment, commerce and empire, especially in funding and supplying goods for the trade in slaves and in the use of slave-grown produce. The nancial world of the City in London also depended on slavery, which - directly and indirectly - provided employment for millions of people. "After Abolition" also examines some of the causes and repercussions of continued British involvement in slavery and describes many of the apparently respectable villains, as well as the heroes, connected with the trade - at all levels of society. It contains important revelations about a darker side of British history, previously unexplored, which will provoke real questions about Britain's perceptions of its past

Discourses of Slavery and Abolition brings together for the first time the most important strands of current thinking on the relationship between slavery and categories of writing, oratory and visual culture in the 'long' Eighteenth-century. The book begins by examining writing about slavery and race by both philosophers and by authors such as Aphra Behn. It considers self-representation in the works of Ignatius Sancho, Olaudah Equiano, James Williams and Mary Prince. The final section reads literary and cultural texts associated with the abolition movements of the Eighteenth and Nineteenth centuries, moving beyond traditional accounts of the documents of that movement to show the importance of religious writing, children's literature and the relationship between art and abolition.

SHORTLISTED FOR THE ORWELL PRIZE FOR POLITICAL WRITING A DAILY TELEGRAPH BOOK OF THE YEAR For two hundred years, the abolition of slavery in Britain has been a cause for self-congratulation - but no longer. In 1807, Parliament outlawed the slave trade in the British Empire. But for the next 25 years more than 700,000 people remained enslaved, due to the immensely powerful pro-slavery group the 'West India Interest'. This ground-breaking history discloses the extent to which the 'Interest' were supported by nearly every figure of the British establishment - fighting, not to abolish slavery, but to maintain it for profit. Gripping and unflinching, The Interest is the long-overdue expose of one of Britain's darkest, most turbulent times. 'A critical piece of history and a devastating expose' Shashi Tharoor, author of Inglorious Empire 'Thoroughly researched and potent' David Lammy MP 'Essential reading' Simon Sebag Montefiore

The abolition of the slave trade is normally understood to be the singular achievement of eighteenth-century British liberalism. Abolitionism and Imperialism in Britain, Africa, and the Atlantic expands both the temporal and the geographic framework in which the history of abolitionism is conceived. Abolitionism was a theater in which a variety of actors—slaves, African rulers, Caribbean planters, working-class radicals, British evangelicals, African political entrepreneurs—played a part. The Atlantic was an echo chamber, in which abolitionist symbols, ideas, and evidence were generated from a variety of vantage points. These essays highlight the range of political and moral projects in which the advocates of abolitionism were engaged, and in so doing it joins together geographies that are normally studied in isolation. Where empires are often understood to involve the government of one people over another, Abolitionism and Imperialism shows that British values were formed, debated, and remade in the space of empire. Africans were not simply objects of British liberals’ benevolence. They played an active role in shaping, and extending, the values that Britain now regards as part of its national character. This book is therefore a contribution to the larger scholarship about the nature of modern empires. Contributors: Christopher Leslie Brown, Seymour Drescher, Jonathon Glassman, Boyd Hilton, Robin Law, Phillip D. Morgan, Derek R. Peterson, John K. Thornton