The Acoustic Sense Of Animals

This immensely readable introduction to animal acoustics explains not only how animals hear but why they listen. It is a unique blend of audition, auditory anatomy, physics of sound, and methods of psychophysics, combined with behavior, natural history, and evolution. The Acoustic Sense of Animals is ideal for graduate and undergraduate courses, and for professionals in fields such as sensory physiology and animal behavior. In his broadly comparative approach, Stebbins explores the function of hearing for each animal in its particular ecological setting and the significance of communication for members of a species. He renders the evolution of hearing with special emphasis on the peripheral auditory system and basic auditory function. Although ample evidence is brought to bear, both from the laboratory and from field studies, the book is not burdened with excessive detail. The writing is crisp, and the references are tailored to those most useful for nonspecialists. The Acoustic Sense of Animals covers a complex field with balance and clarity within a solid evolutionary framework. Equally important, it conveys the controversy and excitement that will motivate students.

This is an unparalleled modern handbook reflecting the richly interdisciplinary nature of acoustics edited by an acknowledged master in the field. The handbook reviews the most important areas of the subject, with emphasis on current research. The authors of the various chapters are all experts in their fields. Each chapter is richly illustrated with figures and tables. The latest research and applications are incorporated throughout, including computer recognition and synthesis of speech, physiological acoustics, diagnostic imaging and therapeutic applications and acoustical oceanography. An accompanying CD-ROM contains audio and video files.

From an engineer’s perspective, how do specialized adaptations among living things really work? Writing with wit and a richly informed sense of wonder, Denny and Alan offer an expert look at animals—including humans—as works of evolutionary engineering, each exquisitely adapted to a specific manner of survival.

The collection of chapters in this book present the concept of matched filters: response characteristics “matching” the characteristics of crucially important sensory inputs, which allows detection of vital sensory stimuli while sensory inputs not necessary for the survival of the animal tend to be filtered out, or sacrificed. The individual contributions discuss that the evolution of sensing systems resulted from the necessity to achieve the most efficient sensing of vital information at the lowest possible energetic cost. Matched filters are found in all senses including vision, hearing, olfaction, mechanoreception, electroreception and infrared sensing and different cases will be referred to in detail.

How do dolphins catch fish in murky water? Why do moths drink from puddles? How do birds' eggs breathe? How do animals work? In this revised and updated edition of the acclaimed text Animal Physiology, the answers are revealed. In clear and stimulating style, Knut Schmidt-Nielsen introduces and develops the fundamental principles of animal physiology according to major environmental features - oxygen, food and energy, temperature, and water. The structure of the book is unchanged from the previous edition, but every chapter has been updated to take into account recent developments, with numerous new references and figures. Animal Physiology is suitable as a text for undergraduate and beginning graduate courses in physiology. As with previous editions, students, teachers as well as researchers will find this book a valuable and enjoyable companion to course work and research.

The last decades have brought a significant increase in research on acoustic communi cation in animals. Publication of scientific papers on both empirical and theoretical aspects of this topic has greatly increased, and a new journal, Bioacoustics, is entirely devoted to such articles. Coupled with this proliferation of work is a recognition that many of the current issues are best approached with an interdisciplinary perspective, requiring technical and theoretical contributions from a number of areas of inquiry that have traditionally been separated. With the notable exception of a collection edited by Lewis (1983), there have been fewvolumes predominatelyfocused on technical issues in comparative bioacoustics to follow up the earlyworks edited by Lanyon and Tavolga (1960) and Busnel (1963). It was the tremendous growth of expertise c:()ncerning this topic in particular that provided the initial impetus to organize this volume, which attempts to present fundamental information from both theoretical and applied aspects of current bioacoustics research. While a completely comprehensive review would be impractical, this volume offers a basic treatment of a wide variety of topics aimed at providing a conceptual framework within which researchers can address their own questions. Each presentation is designed to be useful to the broadest possible spectrum of researchers, including both those currently working in any of the many and diverse disciplines of bioacoustics, and others that may be new to such studies.

This book is a practical guide for researchers and advanced graduate students in biology and biophysics who need a quantitative understanding of acoustical systems such as hearing, sound production, and vibration detection in animals at the physiological level. It begins with an introduction to physical acoustics, covering the fundamental concepts and showing how they can be applied quantitatively to understand auditory and sound-producing systems in animals. Only after the relatively simple mechanical part of the system is explained does the author focus his attention on the underlying physiological processes. The book is written on three levels. For those wanting a brief survey of the field, each chapter begins with a nonmathematical synopsis which summarizes the content and refers to the figures, all of which are designed to be understood apart from the main text. At the next level, the reader can follow the main text, but need not give close attention to anything but the general concepts and techniques involved. At the third level, the reader should follow the mathematical arguments in detail and attempt the discussion of questions at the end of each chapter. The author has provided detailed solutions which serve to expand the discussions of particular cases.

NEW YORK TIMES BESTSELLER A “thrilling” (The New York Times), “dazzling” (The Wall Street Journal) tour of the radically different ways that animals perceive the world that will fill you with wonder and forever alter your perspective, by Pulitzer Prize–winning science journalist Ed Yong “One of this year’s finest works of narrative nonfiction.”—Oprah Daily ONE OF THE TEN BEST BOOKS OF THE YEAR: The Wall Street Journal, The New York Times, Time, People, The Philadelphia Inquirer, Slate, Reader’s Digest, Publishers Weekly, BookPage ONE OF THE BEST BOOKS OF THE YEAR: The Globe and Mail, The New Yorker, Oprah Daily, The Washington Post, The Guardian, Smithsonian Magazine, Kirkus Reviews, Library Journal The Earth teems with sights and textures, sounds and vibrations, smells and tastes, electric and magnetic fields. In An Immense World, Ed Yong coaxes us beyond the confines of our own senses to encounter beetles that are drawn to fires, turtles that can track the Earth’s magnetic fields, fish that fill rivers with electrical messages, and even humans who wield sonar like bats. We discover that a crocodile’s scaly face is as sensitive as a lover’s fingertips, that the eyes of a giant squid evolved to see sparkling whales, that plants thrum with the inaudible songs of courting bugs, and that even simple scallops have complex vision. We learn what bees see in flowers, what songbirds hear in their tunes, and what dogs smell on the street. We listen to stories of pivotal discoveries in the field, while looking ahead at the many mysteries that remain unsolved. Funny, rigorous, and suffused with the joy of discovery, An Immense World takes us on what Marcel Proust called “the only true voyage . . . not to visit strange lands, but to possess other eyes.”