The African American Experience In Nineteenth Century Connecticut

The African-American Experience in Nineteenth-Century Connecticut examines and analyzes the African-American experience in Connecticut as it was through primary sources. Theresa Vara-Dannen analyzes the language of real nineteenth-century Americans expressing the complexity of their thoughts and feelings about the racial issues of their times in a small state with very small communities of people of color. This book highlights the attitudes of ordinary people whose voices emerged, sometimes heroically, through their daily newspapers. The meshing of these voices regarding their race-related experiences provides a nuanced account of a long-gone past, but also gives us an understanding of twenty-first-century Connecticut, which leads the nation in the educational and economic gap between urban and nonurban citizens and has one of the most segregated school systems and residential patterns in the nation.

Three hundred years of black affairs in Connecticut are examined in this book. It explains and discusses the changing racial demographics, evolving race relations and civil rights, as well as current issues and possibilities.

Winner of the Connecticut League of Historic Organization Award of Merit (2015) The numerous essays by many of the state’s leading historians in African American Connecticut Explored document an array of subjects beginning from the earliest years of the state’s colonization around 1630 and continuing well into the 20th century. The voice of Connecticut’s African Americans rings clear through topics such as the Black Governors of Connecticut, nationally prominent black abolitionists like the reverends Amos Beman and James Pennington, the African American community’s response to the Amistad trial, the letters of Joseph O. Cross of the 29th Regiment of Colored Volunteers in the Civil War, and the Civil Rights work of baseball great Jackie Robinson (a twenty-year resident of Stamford), to name a few. Insightful introductions to each section explore broader issues faced by the state’s African American residents as they struggled for full rights as citizens. This book represents the collaborative effort of Connecticut Explored and the Amistad Center for Art & Culture, with support from the State Historic Preservation Office and Connecticut’s Freedom Trail. It will be a valuable guide for anyone interested in this fascinating area of Connecticut’s history. Contributors include Billie M. Anthony, Christopher Baker, Whitney Bayers, Barbara Beeching, Andra Chantim, Stacey K. Close, Jessica Colebrook, Christopher Collier, Hildegard Cummings, Barbara Donahue, Mary M. Donohue, Nancy Finlay, Jessica A. Gresko, Katherine J. Harris, Charles (Ben) Hawley, Peter Hinks, Graham Russell Gao Hodges, Eileen Hurst, Dawn Byron Hutchins, Carolyn B. Ivanoff, Joan Jacobs, Mark H. Jones, Joel Lang, Melonae’ McLean, Wm. Frank Mitchell, Hilary Moss, Cora Murray, Elizabeth J. Normen, Elisabeth Petry, Cynthia Reik, Ann Y. Smith, John Wood Sweet, Charles A. Teale Sr., Barbara M. Tucker, Tamara Verrett, Liz Warner, David O. White, and Yohuru Williams. Ebook Edition Note: One illustration has been redacted.

Painters Robert Duncanson (ca. 1821–1872) and Edward Bannister (1828–1901) and sculptor Mary Edmonia Lewis (ca. 1844–1907) each became accomplished African American artists. But as emerging art makers of color during the antebellum period, they experienced numerous incidents of racism that severely hampered their pursuits of a profession that many in the mainstream considered the highest form of social cultivation. Despite barriers imposed upon them due to their racial inheritance, these artists shared a common cause in demanding acceptance alongside their white contemporaries as capable painters and sculptors on local, regional, and international levels. Author Naurice Frank Woods Jr. provides an in-depth examination of the strategies deployed by Duncanson, Bannister, and Lewis that enabled them not only to overcome prevailing race and gender inequality, but also to achieve a measure of success that eventually placed them in the top rank of nineteenth-century American art. Unfortunately, the racism that hampered these three artists throughout their careers ultimately denied them their rightful place as significant contributors to the development of American art. Dominant art historians and art critics excluded them in their accounts of the period. In this volume, Woods restores their artistic legacies and redeems their memories, introducing these significant artists to rightful, new audiences.

Describes in rich detail African American daily life among free blacks in the North in the 1860s. Based on a treasure trove of more than two hundred personal letters written in the 1860s, Hopes and Expectations tells the story of three young African Americans in the North. Living on Maryland’s eastern shore, schoolteacher Rebecca Primus sent “home weeklies” to her parents in Hartford and also corresponded with friend Addie Brown, a domestic worker back home. Addie wrote voluminously to Rebecca, lamenting their separation and describing her struggle to achieve a semblance of security and stability. Around the same time, Rebecca’s brother, Nelson, began writing home about his new life in Boston, as he set out to make a name and a career for himself as an artist. The letters describe their daily lives and touch on race, class, gender, religion, and politics, offering rare entry into individual black lives at that time. Through extensive archival research, Barbara J. Beeching also shows how the story of the Primus family intersects with changes over time in Hartford’s black community and the country. Newspapers and census tracts, as well as probate, land, court, and vital records help her trace an arc of local black fortunes between 1830 and 1880. Seeking full equality, blacks sought refinement and respectability through home ownership, literacy, and social gains. One of the many paradoxes Beeching uncovers is that just as the Civil War was tearing the nation apart, a recognizable black middle class was emerging in Hartford. It is a story of individuals, family, and community, of expectation and disappointment, loss and endurance, change and continuity. “This is a powerful book and a truly important story. Beeching provides a richly detailed survey of life in Connecticut, the political and racial climates at various historical moments, and the web of intraracial and interracial networks that informed the Primus family experiences. Multifaceted and thoroughly absorbing, Hopes and Expectations will reintroduce people to a New England that they thought they knew.” — Lois Brown, author of Pauline Elizabeth Hopkins: Black Daughter of the Revolution

The selected correspondence of the great American abolitionist and reformer dating from the immediate post-Civil War years This third volume of Frederick Douglass's Correspondence Series exhibits Douglass at the peak of his political influence. It chronicles his struggle to persuade the nation to fulfill its promises to the former slaves and all African Americans in the tempestuous years of Reconstruction. Douglass's career changed dramatically with the end of the Civil War and the long-sought after emancipation of American slaves; the subsequent transformation in his public activities is reflected in his surviving correspondence. In these letters, from 1866 to 1880, Douglass continued to correspond with leading names in antislavery and other reform movements on both sides of the Atlantic, and political figures began to make up an even larger share of his correspondents. The Douglass Papers staff located 817 letters for this time period and selected 242, or just under 30 percent, of them for publication. The remaining 575 letters are summarized in the volume's calendar.

This book analyzes the role of Irishness in nineteenth-century constructions of race and racialization, both in the British Isles and in the United States. Focusing on the years immediately preceding the American Civil War, Patrick O’Malley interrogates the bardic verse epic, the gothic tale, the realist novel, the stage melodrama, and the political polemic to ask how many mid-nineteenth-century Irish nationalist writers with liberationist politics declined to oppose race-based chattel enslavement in the United States and the structures of white supremacy that underpinned and ultimately outlived it. Many of the writers whose work O’Malley examines drew specifically upon the image of Black suffering to generate support for their arguments for Irish political enfranchisement; yet in doing so, they frequently misrepresented the fundamental differences between Irish and Black experience under the regimes of white supremacy, which has had profound consequences.