The Aftermath Of Unrest

Explore civil unrest in the 1960s and with eyewitness accounts and commentary, learn about the differing viewpoints surrounding this time.

This edited collection offers a broad reinterpretation of the origins of Canada. Drawing on cutting-edge research in a number of fields, Violence, Order, and Unrest explores the development of British North America from the mid-eighteenth century through the aftermath of Confederation. The chapters cover an ambitious range of topics, from Indigenous culture to municipal politics, public executions to runaway slave advertisements. Cumulatively, this book examines the diversity of Indigenous and colonial experiences across northern North America and provides fresh perspectives on the crucial roles of violence and unrest in attempts to establish British authority in Indigenous territories. In the aftermath of Canada 150, Violence, Order, and Unrest offers a timely contribution to current debates over the nature of Canadian culture and history, demonstrating that we cannot understand Canada today without considering its origins as a colonial project.

The Aftermath of Unrest is a one-of-a-kind poetry collection/novella that tells an extraordinary story of poetry, art, and fate. Through a combination of poems, paintings, and short stories; it takes readers on a journey through passing time, the battle of the mind, the lessons of life and finding balance in the chaos of reality. This incredible and true story is captivating from cover to cover and encapsulates the message: Anything is possible, anyone is capable, and even in the darkest of times, there is hope. The interior contains original paintings paired beautifully with the poems and short stories. The reader is guided through the author's personal experience as she describes the incredible circumstances that led to her fate-driven collaboration with the book's artist; before and during the pandemic in New York City.

This edited volume addresses various aspects of social and political development in Turkey and the latter’s role within a global context. Paradigmatically and theoretically, it is situated in the realm of communication and/for social change. The chapters thread together to present a fresh and innovative study that explores an array of issues related to the Gezi protests and their aftermath by scholars and activists from Scandinavia, Turkey and India. Through its thorough analysis of the government’s repressive policy and the communication strategies of resistance, during the protests as well as in the dramatic on-going aftermath, the volume has wide international and interdisciplinary appeal, suitable for those with an interest in globalization, communication and media, politics, and social change.

While the legacy of Black urban rebellions during the turbulent 1960s continues to permeate throughout US histories and discourses, scholars seldom explore within scholarship examining Black Cultural Production, artist-writers of the Black Arts Movement (BAM) that addressed civil unrest, specifically riots, in their artistic writings. Start a Riot! Civil Unrest in Black Arts Movement Drama, Fiction, and Poetry analyzes riot iconography and its usefulness as a political strategy of protestation. Through a mixed-methods approach of literary close-reading, historical, and sociological analysis, Casarae Lavada Abdul-Ghani considers how BAM artist-writers like Amiri Baraka (LeRoi Jones), Ben Caldwell, Gwendolyn Brooks, Sonia Sanchez, and Henry Dumas challenge misconceptions regarding Black protest through experimental explorations in their writings. Representations of riots became more pronounced in the 1960s as pivotal leaders shaping Black consciousness, such as Malcolm X and Martin Luther King Jr., were assassinated. BAM artist-writers sought to override the public's interpretation in their literary exposés that a riot’s disjointed and disorderly methods led to more chaos than reparative justice. Start a Riot! uncovers how BAM artist-writers expose anti-Black racism and, by extension, the United States' inability to compromise with Black America on matters related to citizenship rights, housing (in)security, economic inequality, and education—tenets emphasized during the Black Power Movement. Abdul-Ghani argues that BAM artist-writers did not merely write literature that reflected a spirit of protest; in many cases, they understood their texts, themselves, as acts of protest.

The narrative of peasant unrest in Russia during 1905–1906 combines a chronology of incidents drawn from official documents, with close analysis of the villages associated with the disorders based upon detailed census materials compiled by local specialists. The analysis concentrates on a single province: Kursk Oblast, bordering the now independent Ukraine. In place of the general surveys of the revolution that dominate the literature, Miller focuses on local events and the rural populations that participated in them. Documents the degree to which the peasant community had been pushed onto the path of change by the end of the nineteenth century, how much the “peasantry” itself had become increasingly heterogeneous in outlook and occupation, and the rapidity with which these processes had begun to corrode the legitimacy of the older order. Miller concludes that unrest was concentrated mostly among peasant communities for whom the benefits the vital interactions between social unequals that had maintained a fragile social peace in the countryside had been radically eroded; he furthermore identifies the prominent role played by that spectrum of persons that retained their ties to their villages, but stood toward the margins of rural life.

"Those who do not move, do not notice their chains." - Rosa Luxemburg In this considered and polemical piece, Dan Hancox examines a world in which our fates are no longer governed by elected representatives with shirts and ties, but abstract finance. Where the problem is not so much false consciousness as blurred consciousness. He examines the 'spectacle of capitalism' that has stymied political activism for so long and how the closing months of 2010 saw a surge in rage that continues as the youth of Britain is waking up from its malaise in the face of provocation and the cuts programme. Beginning in the stifling kettle on Westminster Bridge, Hancox weaves on-the-ground reportage with political theory to describe and explain the growth of movements like UK Uncut, the University for Strategic Optimism and other actions to create a better society. An anthem for kettled youth, this ebook is a stake in the ground signalling the rebirth of the curiosity of a generation breaking free of its shackles. BRAIN SHOTS is the pre-eminent source for high quality, short-form digital non-fiction. The Summer of Unrest series brings together stellar writers to explore the issues surrounding the austerity measures in the UK, uprisings in the Middle East and the nature of the protest movements springing up all over the world.