The Age Of Promiscuity

This book presents an original and engaging look at contemporary popular culture, opening with the provocative idea that this is a day and age of complete exhaustion of ideas, images, stories, and myths. Questioning the effects of content recycling in cinema and other media, the author further elaborates on the repurposing of cultural junk, the reassembling of narratives and myths. The thought-provoking hypothesis proposed in this research is that we have entered an age of cultural promiscuity. By analyzing the mutations of myth-making practices and connecting them with larger cultural manifestations, the author explains these transformations as integral to the development of a myth-illogical imagination. Cinematic and mythological representations in mainstream Hollywood films have reached a point of amalgamation with no return, which marks the beginning of a "fourth age of representations," where signs and meanings are manifested in illogical permutations. This is more explicit in films that commingle aliens, cowboys, undead American presidents, and zombie nazis, joining together in the same narrative ghosts, werewolves, and vampires, aggregating disjoined storylines and historical fake facts, all coalesced in an orgy of empty burlesque and infantile masquerades. This interdisciplinary research combines cultural studies, film criticism, art and myth interpretations, bringing into the debate multiple concepts from related fields such as critical theory and media criticism. The book also opens up to innovative approaches from a wide array of academic disciplines, offering researchers, students and those fascinated by the transformations happening in contemporary cinema an interpretative tool based on a revised dialectic approach. The conclusion is that we are now victims of a zombie semiotics. Meaning-making in contemporary culture, politics, and aesthetics is dominated by a process of incessant desecration of significations, specific to the total mishmash of representations analyzed here.

“[A] lively account of the cultural and intellectual history of how Americans have lived with image and information since the mid-nineteenth century.” —Peter Simonson, author of Refiguring Mass Communication Sergey Brin, a cofounder of Google, once compared the perfect search engine to “the mind of God.” As the modern face of promiscuous knowledge, however, Google’s divine omniscience traffics in news, maps, weather, and porn indifferently. This book, begun by the late Kenneth Cmiel and completed by his close friend John Durham Peters, provides a genealogy of the information age from its early origins up to the reign of Google. It examines how we think about fact, image, and knowledge, centering on the different ways that claims of truth are complicated when they pass to a larger public. To explore these ideas, Cmiel and Peters focus on three main periods—the late nineteenth century, 1925 to 1945, and 1975 to 2000, with constant reference to the present. Cmiel’s original text examines the growing gulf between politics and aesthetics in postmodern architecture, the distancing of images from everyday life in magical realist cinema, the waning support for national betterment through taxation, and the inability of a single presentational strategy to contain the social whole. Peters brings Cmiel’s study into the present moment, providing the backstory to current controversies about the slipperiness of facts in a digital age. A hybrid work from two innovative thinkers, Promiscuous Knowledge enlightens our understanding of the internet and the profuse visual culture of our time. “With a clear voice and careful evidence, Promiscuous Knowledge offers fascinating glimpses into important people and practices from across the centuries.” —Fred Turner, author of From Counterculture to Cyberculture

The author of Scary Kisses delivers a shocking and powerful novel about the gay club scene in New York in the 1970s. Sean Devlin leaves Columbia University to pursue the downtown life of an avant-garde filmmaker, in the tradition of Warhol. As Sean slowly becomes a famous filmmaker, readers pass through an erotic, decadent, lost world of drugs, dim lights, and strange rooms.

This book examines cultural recycling in cinematic representations. Drawing from various disciplines including cultural studies, film studies, visual culture, and the history of ideas, Pop explains the practices of reinterpreting myths and narratives and discusses the cultural...

For a generation of gay men who came of age in the 1980s and 1990s, becoming sexually active meant confronting the dangers of catching and transmitting HIV. In the 21st century, however, the development of viral suppression treatments and preventative pills such as PrEP and nPEP has massively reduced the risk of acquiring HIV. Yet some of the stigma around gay male promiscuity and bareback sex has remained, inhibiting open dialogues about sexual desire, risk, and pleasure. A Pill for Promiscuity brings together academics, artists, and activists—from different generations, countries, ethnic backgrounds, and HIV statuses—to reflect on how gay sex has changed in a post-PrEP era. Some offer personal perspectives on the value of promiscuity and the sexual communities it fosters, while others critique unequal access to PrEP and the increased role Big Pharma now plays in gay life. With a diverse group of contributors that includes novelist Andrew Holleran, trans scholar Lore/tta LeMaster, cartoonist Steve MacIsaac, and pornographic film director Mister Pam, this book asks provocative questions about how we might reimagine queer sex and sexuality in the 21st century.

In our postmodern world, we are so driven by our emotions that in living for the moment we've forgotten to guard our most precious treasure - our hearts. Young people may not realize it, but acts that appear innocent - such as e - mail and instant messages - can entangle our emotions and lead the heart to places it should not go. Most people...

They have sex too early and for the wrong reasons. They get STDs. They get pregnant too young. They have "friends with benefits" but with no benefit to themselves. They don't get called. They get dumped. They hate themselves for being unlovable for being needy. They are loose girls they are everywhere and they need our help. In the provocative hit memoir Loose Girl, Kerry Cohen explored her own promiscuity with brutal candor and stunning clarity. Dirty Little Secrets is the eye-opening follow-up readers have been clamoring for, a riveting look at today's adolescent girls who use sex as a means to prove their worth. Cohen lays bare the hard truths about this dangerous life that reveals itself in girls you wouldn't expect and in ways you might not see—and that can seriously damage and hurt these girls. Featuring stories from self-admitted loose girls across the country, Dirty Little Secrets is an unforgettable wake-up call for our culture, ourselves, and our vulnerable daughters. "Very few people can write about teen girls' sexual promiscuity with the candor, empathy, and intelligence Kerry Cohen does...I think any girl who reads this will recognize at least one girl she knows—and that girl may be looking back at her in the mirror." —Rosalind Wiseman, new york times bestselling author of QUEEN BEES AND WANNABES and BOYS, GIRLS, AND OTHER HAZARDOUS MATERIALS "As compassionate as it is enlightening, Kerry Cohen's Dirty Little Secrets argues for female safety and desire, and provides a road map for authentically healthy, vital sexuality." —Jennifer Baumgardner, author of Look Both Ways, F 'Em, and Manifesta "A must-read, for it sheds light on the truth behind the secrets and lies teens tell themselves... Women of all ages can relate and benefit from this book—I can't recommend it enough. Dirty Little Secrets is urgently needed." —Amber Smith, model and star of Dr. Drew Pinsky's Celebrity Rehab and Celebrity Sex Rehab "Kerry Cohen has 'been there'—and it shows in her empathy, her insight, and her remarkable ability to draw out the truth...Dirty Little Secrets busts the myths, breaks down walls, and takes us where we need to go to understand the private lives of so many young women today." —Hugo Schwyzer, PhD, Pasadena City College, Coauthor, Beauty, Disrupted: the Carré Otis Story

Liking, sharing, friending, going viral: what would it mean to recognize these current modes of media interaction as promiscuous? In a contemporary network culture characterized by a proliferation of new forms of intimate mediated sociality, this book argues that promiscuity is a new standard of user engagement. Intimate relations among media users and between users and their media are increasingly structured by an entrepreneurial logic and put to work for the economic interests of media corporations. But these multiple intimacies can also be understood as technologies of promiscuous desire serving both to liberalize mediated social connection and to contain it within normative frames of value. Payne brings crucial questions of gender, sexuality, intimacy, and attention back into conversation with recent thinking on network culture and social media, identifying the queer undercurrents of these current media dynamics.