The Agitator S Daughter

During Reconstruction, Herschel V. Cashin was a radical republican legislator who championed black political enfranchisement throughout the South. His grandson, Dr. John L. Cashin, Jr., inherited that passion for social justice and formed an independent Democratic party to counter George Wallace's Dixiecrats, electing more blacks to office than in any Southern state. His "uppity" ways attracted many enemies. Twice the private plane Cashin owned and piloted was sabotaged. His dental office and boyhood home were taken by eminent domain. The IRS pursued him, as did the FBI. Ultimately his passions would lead to ruin and leave his daughter, Sheryll, wondering why he would risk so much. In following generations of Cashins through the eras of slavery, Reconstruction, Jim Crow, civil rights, and post-civil rights political struggles, Sheryll Cashin conveys how she came to embrace being an agitator's daughter with humor, honesty, and love.

Unrivalled in scope and brimming with human drama, A People’s Tragedy is the most vivid, moving and comprehensive history of the Russian Revolution available today. ‘A modern masterpiece’ Andrew Marr ‘The most moving account of the Russian Revolution since Doctor Zhivago’ Independent Opening with a panorama of Russian society, from the cloistered world of the Tsar to the brutal life of the peasants, A People’s Tragedy follows workers, soldiers, intellectuals and villagers as their world is consumed by revolution and then degenerates into violence and dictatorship. Drawing on vast original research, Figes conveys above all the shocking experience of the revolution for those who lived it, while providing the clearest and most cogent account of how and why it unfolded. Illustrated with over 100 photographs and now including a new introduction that reflects on the revolution’s centennial legacy, A People’s Tragedy is a masterful and definitive record of one of the most important events in modern history.

Los Angeles. A city that is synonymous with celebrity and mass-market culture, is also, according to David James, synonymous with social alienation and dispersal. In the communities of Los Angeles, artists, cultural institutions and activities exist in ways that are often concealed from sight, obscured by the powerful presence of Hollywood and its machinations. In this significant collection of original essays, The Sons and Daughters of Los reconstructs the city of Los Angeles with new cultural connections. Explored here are the communities that offer alternatives to the picture of L..A. as a conglomeration of studios and mass media. Each essay examines a particular piece of, or place in, Los Angeles cultural life: from the Beyond Baroque Poetry Foundation, the Woman's Building, to Highways, and LACE, as well as the achievements of these grassroots initiatives. Also included is critical commentary on important artists, including Harry Gamboa, Jr., and others whose work have done much to shape popular culture in L.A. The cumulative effect of reading this book is to see a very different city take shape, one whose cultural landscape is far more innovative and reflective of the diversity of the city's people than mainstream notions of it suggest. The Sons and Daughters of Los offers a substantive and complicated picture of the way culture plays itself it out on the smallest scale—in one of the largest metropolises on earth—contributing to a richer, more textured understanding of the vibrancy of urban life and art.

This book details the Irish socialistic tracks pursued by Bernard Shaw and Sean O’Casey, mostly after 1916, that were arguably impacted by the executed James Connolly. The historical context is carefully unearthed, stretching from its 1894 roots via W. B. Yeats’ dream of Shaw as a menacing, yet grinning sewing machine, to Shaw’s and O’Casey’s 1928 masterworks. In the process, Shaw’s War Issues for Irishmen, Annajanska, the Bolshevik Empress, The Tragedy of an Elderly Gentleman, Saint Joan, The Intelligent Woman’s Guide to Socialism and Capitalism, and O’Casey’s The Story of the Irish Citizen Army, The Shadow of a Gunman, Juno and the Paycock, The Plough and the Stars, and The Silver Tassie are reconsidered, revealing previously undiscovered textures to the masterworks. All of which provides a rethinking, a reconsideration of Ireland’s great drama of the 1920s, as well as furthering the knowledge of Shaw, O’Casey, and Connolly.

In Béarn, a region of south-west France, longstanding and resilient ideas of property and practices of inheritance control the destinies of those living in the foothills of the Pyrenees. Based on extensive fieldwork and archival research that combines ethnography and intellectual history, this study explores the long-term continuities of this particular way of life within a broad framework. These local ideas have found expression twice at the national level. First, sociological arguments about the family, proposed by Frédéric Le Play, shaped debates on social reform and the repair of national identity during the last third of the nineteenth century – and these debates would subsequently influence contemporary European thought and social policy. Second, these local ideas entered into late twentieth-century sociological categories through the influential work of Pierre Bourdieu. Through these examples and others, the author illustrates the multi-layered life of these local concepts and practices and the continuing contribution of the local to modern European national history.