The Algerian War The Algerian Revolution

“This book is an incredibly clear presentation of why the Algerian War mattered, what happened, the key contexts which produced this conflict and those that shaped it, as well as offering a brilliant entry point to teach or demonstrate how historiography works, how historians do history.”- Todd Shepard, Arthur O. Lovejoy Professor of History, John Hopkins University, USA “This is a fantastic book which fills an important gap in the historical scholarship. Natalya Vince has managed the seemingly impossible task of presenting a nuanced history of the Algerian War / Algerian Revolution in clear, concise terms.” - Sarah Frank, Associate Lecturer of History, St Andrews University, UK "This brilliant and beautifully written book achieves the seemingly impossible task of offering a lucid and nuanced guide to the massive body of historical writing on the Algerian war. The book will immediately become essential and indispensable reading not only for students at all levels but also for teachers and historians."- Julian Jackson, Professor of Modern French History, Queen Mary University of London, UK This book provides a new analysis of the contested history of one of the most violent wars of decolonisation of the twentieth century – the Algerian War/ the Algerian Revolution between 1954 and 1962. It brings together an engaging account of its origins, course and legacies with an incisive examination of how interpretations of the conflict have shifted and why it continues to provoke intense debate. Locating the war in a century-long timeframe stretching from 1914 to the present, it multiplies the perspectives from which events can be seen. The pronouncements of politicians are explored alongside the testimony of rural women who provided logistical support for guerrillas in the National Liberation Front. The broader context of decolonisation and the Cold War is considered alongside the experiences of colonised men serving in the French army. Unpacking the historiography of the end of a colonial empire, the rise of anti-colonial nationalism and their post-colonial aftermaths, it provides an accessible insight into how history is written.

“This book is an incredibly clear presentation of why the Algerian War mattered, what happened, the key contexts which produced this conflict and those that shaped it, as well as offering a brilliant entry point to teach or demonstrate how historiography works, how historians do history.”- Todd Shepard, Arthur O. Lovejoy Professor of History, John Hopkins University, USA “This is a fantastic book which fills an important gap in the historical scholarship. Natalya Vince has managed the seemingly impossible task of presenting a nuanced history of the Algerian War / Algerian Revolution in clear, concise terms.” - Sarah Frank, Associate Lecturer of History, St Andrews University, UK "This brilliant and beautifully written book achieves the seemingly impossible task of offering a lucid and nuanced guide to the massive body of historical writing on the Algerian war. The book will immediately become essential and indispensable reading not only for students at all levels but also for teachers and historians."- Julian Jackson, Professor of Modern French History, Queen Mary University of London, UK This book provides a new analysis of the contested history of one of the most violent wars of decolonisation of the twentieth century – the Algerian War/ the Algerian Revolution between 1954 and 1962. It brings together an engaging account of its origins, course and legacies with an incisive examination of how interpretations of the conflict have shifted and why it continues to provoke intense debate. Locating the war in a century-long timeframe stretching from 1914 to the present, it multiplies the perspectives from which events can be seen. The pronouncements of politicians are explored alongside the testimony of rural women who provided logistical support for guerrillas in the National Liberation Front. The broader context of decolonisation and the Cold War is considered alongside the experiences of colonised men serving in the French army. Unpacking the historiography of the end of a colonial empire, the rise of anti-colonial nationalism and their post-colonial aftermaths, it provides an accessible insight into how history is written.

The book examines the war of images between France and Algeria. Discussing the role of the United States during the war, it covers topics such the presence of American reporters in Algeria, John F. Kennedy’s support for Algerian independence while a senator, the broadcasting of documentaries on the Algerian war on public television, and reporting in the press. Even half a century after Algerian independence, there remains a need for both film and literature on the war from both sides of the Mediterranean. This might seem surprising, particularly to media professionals, given the quantity of output on the subject, but both French and Algerian portrayals of the war remain flawed and shackled to their respective ideologies. The generation of FLN leaders recognized early on the importance of images, and established a clandestine film structure that would bring the Algerian cause to the world stage. The book offers an insightful and timely contribution not just to the field of North African studies but also to other disciplines, such as film and media studies, anthropology, history, journalism, and political science. Providing a rich source of research topics and viable ideas for film and documentary projects, it is a must-read for students, scholars and media professionals alike.

Contenido: Muslim French citizens from Algeria : a short history -- Inventing decolonization -- The "tide of history" versus the laws of the republic -- Forgetting French Algeria -- Making Algerians -- Repatriation rather than aliyah : the Jews of France and the end of French Algeria -- Veiled "Muslim" women, violent pied noir men, and the family of France : gender, sexuality, and ethnic difference -- Repatriating the Europeans -- Rejecting the Muslims -- The post-Algerian republic -- Conclusion : forgetting Algerian France.

Thoroughly sharp and honest treatment of a brutal conflict.The Algerian War (1954-1962) was a savage colonial war, killing an estimated one million Muslim Algerians and expelling the same number of European settlers from their homes. It was to cause the fall of six French prime minsters and the collapse of the Fourth Repbulic. It came close to bringing down de Gaulle and - twice - to plunging France into civil war.The story told here contains heroism and tragedy, and poses issues of enduring relevance beyond the confines of either geography or time. Horne writes with the extreme intelligence and perspicacity that are his trademarks.

It is hard to convey the public impact of France's war to maintain her colonial grip on Algeria; yet in the late 1950s this ugly conflict dominated Europe's media to almost the same extent as would Vietnam ten years later. It brought France to the very verge of military coup d'etat; it destroyed thousands of careers; bitterly divided the French military and political classes for a generation; and sent hundreds of thousands of European settler families into often ruinous exile. This title details the history, organisation, equipment and uniforms of the forces involved.

Algeria sits at the crossroads of the Atlantic, European, Arab, and African worlds. Yet, unlike the wars in Korea and Vietnam, Algeria's fight for independence has rarely been viewed as an international conflict. Even forty years later, it is remembered as the scene of a national drama that culminated with Charles de Gaulle's decision to "grant" Algerians their independence despite assassination attempts, mutinies, and settler insurrection. Yet, as Matthew Connelly demonstrates, the war the Algerians fought occupied a world stage, one in which the U.S. and the USSR, Israel and Egypt, Great Britain, Germany, and China all played key roles. Recognizing the futility of confronting France in a purely military struggle, the Front de Lib ration Nationale instead sought to exploit the Cold War competition and regional rivalries, the spread of mass communications and emigrant communities, and the proliferation of international and non-governmental organizations. By harnessing the forces of nascent globalization they divided France internally and isolated it from the world community. And, by winning rights and recognition as Algeria's legitimate rulers without actually liberating the national territory, they rewrote the rules of international relations. Based on research spanning three continents and including, for the first time, the rebels' own archives, this study offers a landmark reevaluation of one of the great anti-colonial struggles as well as a model of the new international history. It will appeal to historians of post-colonial studies, twentieth-century diplomacy, Europe, Africa, and the Middle East. A Diplomatic Revolution was winner of the 2003 Stuart L. Bernath Prize of the Society for Historians of American Foreign Relations, and the Akira Iriye International History Book Award, The Foundation for Pacific Quest.

The Franco-Algerian War (1954–62) remains a powerful international symbol of Third Worldism and the finality of Empire. Through its nuanced analysis of the war's depiction in film, The Franco-Algerian War through a Twenty-First Century Lens locates an international reckoning with history that both condemns and exonerates past generations. Algerian and French production partnerships-such as Hors-la-loi, (Outside the Law, Rachid Bouchareb, 2010) and Loubia Hamra (Bloody Beans, Narimane Mari, 2013)-are one of several ways citizens collaborate to unearth a shared history and its legacy. Nicole Beth Wallenbrock probes cinematic discourse to shed new light on topics including: the media revelation of torture and atomic bomb tests; immigration's role in the evolution of the war's meaning; and the complex relationship of the intertwined film cultures. The first chapter summarizes the Franco-Algerian War in 20th-century film, thus grounding subsequent queries with Algeria's moudjahid or freedom-fighter films and the French new wave's perceived disinterest in the conflict. This book is an invaluable resource for scholars seeking to understand cinema's role in re-evaluating war and reconstructing international memory.