The Alphabet Of Nature Or Contributions Towards A More Accurate Analysis And Symbolization Of Spoken Sounds With Some Account Of The Principal Phonetical Alphabets Hitherto Proposed

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This book explores the sounds of language and the various phonetic alphabets that have been developed to represent them. It provides a comprehensive analysis of spoken sounds, making it a valuable reference for linguists and speech specialists. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from The Alphabet of Nature: Or, Contributions Towards a More Accurate Analysis and Symbolization of Spoken Sounds; With Some Account of the Principal Phonetical Alphabets Hitherto Proposed In like manner, when a wave is excited in the surface of water, as when, by throwing in a stone, one portion is violently driven down, and the surrounding part heaped up above its natural level, this subsides and fills up the vacuity; but as its pressure takes place alike on both sides of the ridge, the fluid on the outside of the ridge is also pressed on, from below upwards, by the reaction of the fluid stratum which sustains the ridge, and whose pressure is propagated equally in all directions. Thus the ridge, in subsiding, not only fills up the central vacancy, but forces up another ridge exterior to it; and this, in subsiding, another, and so on; and thus an advancing wave is formed; and, the same action taking place on all sides of the centre, the wave can advance no otherwise than in the direction of radii on all sides diverging therefrom. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

What does it mean to hear scientifically? What does it mean to see musically? This volume uncovers a new side to the long nineteenth century in London, a hidden history in which virtuosic musical entertainment and scientific discovery intersected in remarkable ways. Sound Knowledge examines how scientific truth was accrued by means of visual and aural experience, and, in turn, how musical knowledge was located in relation to empirical scientific practice. James Q. Davies and Ellen Lockhart gather work by leading scholars to explore a crucial sixty-year period, beginning with Charles Burney’s ambitious General History of Music, a four-volume study of music around the globe, and extending to the Great Exhibition of 1851, where musical instruments were assembled alongside the technologies of science and industry in the immense glass-encased collections of the Crystal Palace. Importantly, as the contributions show, both the power of science and the power of music relied on performance, spectacle, and experiment. Ultimately, this volume sets the stage for a new picture of modern disciplinarity, shining light on an era before the division of aural and visual knowledge.