The American Spectator

How conceptions of the American city changed in response to new media technologies

Donald Trump’s insurgent candidacy and subsequent presidency are larger than the man. He has ridden a wave of populist anger, conservatism, and fervor for reform that is aimed directly at The Swamp: the entrenched powers-that-be in Washington and elsewhere, the Old Order of an elite government-media-academia triad. Swamp rulers and warriors alike have set the tone for American politics virtually unchallenged for a generation; now, however, they are caught surprised and flat-footed by the populist revolt that threatens their stranglehold on our nation’s policy and politics. Predictably, the Old Order has spent the Trump presidency attempting to delegitimize the New Populism—defining legitimate popular dissent as an outgrowth of racism, sexism, and other forms of bigotry, while executing vicious personal assaults on the character of anyone who speaks for the movement, whether it’s Donald Trump, members of his administration, his few admirers in the media, or even average Trump-supporting Americans who have had the audacity to speak out. These explosive Swamp Wars, erupting almost daily in “breaking news” headlines, represent a pitched battle for the heart, soul, and future of America.

In this richly illustrated study, the first book-length exploration of illusionistic art in the early United States, Wendy Bellion investigates Americans' experiences with material forms of visual deception and argues that encounters with illusory art shaped their understanding of knowledge, representation, and subjectivity between 1790 and 1825. Focusing on the work of the well-known Peale family and their Philadelphia Museum, as well as other Philadelphians, Bellion explores the range of illusions encountered in public spaces, from trompe l'oeil paintings and drawings at art exhibitions to ephemeral displays of phantasmagoria, "Invisible Ladies," and other spectacles of deception. Bellion reconstructs the elite and vernacular sites where such art and objects appeared and argues that early national exhibitions doubled as spaces of citizen formation. Within a post-Revolutionary culture troubled by the social and political consequences of deception, keen perception signified able citizenship. Setting illusions into dialogue with Enlightenment cultures of science, print, politics, and the senses, Citizen Spectator demonstrates that pictorial and optical illusions functioned to cultivate but also to confound discernment. Bellion reveals the equivocal nature of illusion during the early republic, mapping its changing forms and functions, and uncovers surprising links between early American art, culture, and citizenship.

Alfred S. Regnery, the publisher of The American Spectator, has been a part of the American conservative movement since childhood, when his father founded The Henry Regnery Company, which subsequently became Regnery Publishing -- the preeminent conservative publishing house that, among other notable achievements, published William F. Buckley's first book, God and Man at Yale. Including many uniquely personal anecdotes and stories, Regnery himself now boldly chronicles the development of the conservative movement from 1945 to the present. The outpouring of grief at the funeral of Ronald Reagan in 2004 -- and the acknowledgment that Reagan has come to be considered one of the greatest presidents of the twentieth century -- is Regnery's opening for a fascinating insider story. Beginning at the start of the twentieth century, he shows how in the years prior to and just post World War II, expanding government power at home and the expanding Communist empire abroad inspired conservatives to band together to fight these threats. The founding of the National Review, the drive to nominate Barry Goldwater first as vice-president and later as president, the apparent defeat of the conservative movement at the hands of Lyndon Johnson, and the triumphant rise of Ronald Reagan from the ashes are all chronicled in vivid prose that shows a uniquely intimate knowledge of the key figures. Regnery shares his views on the opposition that formed in response to Earl Warren's Supreme Court rulings, the role of faith (both Roman Catholic and Evangelical) in the renewed vigor of conservatism, and the contributing role of American businessmen who attempted to oppose big government. Upstream ultimately gives perspective to how the most vibrant political and cultural force of our time has influenced American culture, politics, economics, foreign policy, and all institutions and sectors of American life.

An essential volume of essays commissioned by the American Spectator and edited by the philosopher Roger Scruton, Liberty and Civilization examines the intellectual and spiritual traditions of our belief in individual liberty, from its Judeo Christian origins on through Enlightenment philosophy. As we are confronted by belligerent atheism at home and jihadist Islam abroad, Liberty and Civilization is an invaluable tool for understanding why it is critical that we defend the cultural, religious, and intellectual institutions that have made our civilization great. As one would expect from the American Spectator, the responses are both fiery and edifying, representing a broad swath of American conservative thought. The essayists include Paul Johnson, Anne Applebaum, Robert Bork, Robert P. George, Christina Hoff Sommers, and Roger Scruton.