The Animal In Ottoman Egypt

Animals in rural Egypt became enmeshed in social relationships and made possible many tasks otherwise impossible. Rather than focus on what animals represented or symbolized, Mikhail discusses their social and economic functions, as Ottoman Egypt cannot be understood without acknowledging animals as central shapers of the early modern world.

In one of the first ever environmental histories of the Ottoman Empire, Alan Mikhail examines relations between the empire and its most lucrative province of Egypt. Based on both the local records of various towns and villages in rural Egypt and the imperial orders of the Ottoman state, this book charts how changes in the control of natural resources fundamentally altered the nature of Ottoman imperial sovereignty in Egypt and throughout the empire. In revealing how Egyptian peasants were able to use their knowledge and experience of local environments to force the hand of the imperial state, Nature and Empire in Ottoman Egypt tells a story of the connections of empire stretching from canals in the Egyptian countryside to the palace in Istanbul, from the forests of Anatolia to the shores of the Red Sea, and from a plague flea's bite to the fortunes of one of the most powerful states of the early modern world.

Açıklama : Similarly to members of other pre-industrial and industrial societies, the subjects of the Ottoman sultans depended on the animals they raised and whether they liked it or not, certain non-domestic animals sharing their home environments had a profound impact on their lives as well. Numerous topics await discussion: quite apart from milk, yoghurt and cheese, honey was in great demand, as it was one of the principal sweeteners in a world where sweet foods were popular yet cane sugar was scarce and expensive. Bee-keeping was therefore a common activity in Anatolian, Balkan and Syrian villages. For clothing and the outfitting of dwellings, animals also were indispensable: the wool from local sheep served to make cloaks and vests of different qualities, to say nothing of the kelims and carpets that made the reputation of towns like Uşak or Gördes in western Anatolia. Animals were also the principal source of motor energy: in many places horses drove the mills where the inhabitants ground their flour. Most importantly, animals were indispensable to peasants as oxen drew the plough. Throughout Anatolia moreover, ox-drawn carts were common; and in eighteenth- and nineteenth century Istanbul, women often went to the picnic grounds surrounding the city in such conveyances, gaily decorated for the occasion. In a less peaceful vein, before the late 1700s most gunpowder was also a product of horse-driven mills. Well-to-do travellers, but also the Ottoman court and army made extensive use of horses. The sultans' rapid conquest of south-eastern and a sizeable chunk of central Europe would have been impossible without the famous cavalry of sipahis. Fine horses were a source of prestige, and expensive: to celebrate these prized possessions their owners often spent a great deal of money on saddles, saddlecloth and bridles ...

"Palestine and Egypt under the Ottomans is based on Hisham Khatib's unique collection of art and printed works covering the 400-year period of Ottoman rule in the region. The core of the material here are the paintings - mainly nineteenth-century watercolours, many of them by renowned artists such as Frederick Goodall, Edward Lear, Carl Werner and Carl Haag - which concentrate on a realistic portrayal of the Holy Land (in particular Jerusalem) and Egypt, rather than basking in romantic 'Orientalism'. Images from the valuable plate books are of exceptional interest. These include rare works by Charles van de Velde, Sir David Wilkie, Louis de Forbin, Francois Paris, Achille Prisse d'Avennes and David Roberts. In these plate books the text merely served to explain the large-scale engravings, lithographs or etchings that illustrated them. The section on travel books - also frequently illustrated - includes works by Bernardino Amico, Johann Ludwig Burckhardt, Michel Nau, Adrian Reland and Walter Tyndale. Some of the oldest material discussed and illustrated here - from the earliest days of Ottoman rule in Palestine and Egypt - are the maps and views, many of them by such well known names as Abraham Ortelius and Bernhard von Breydenbach. From the later end of the Ottoman period, this volume also records some of the earliest surveys and atlases of the region, as well as original photographs." --Book Jacket.

Winner of the 2003 Ohio Academy of History Outstanding Publication Award This revisionist study reevaluates the origins and foundation myths of the Faqaris and Qasimis, two rival factions that divided Egyptian society during the seventeenth and eighteenth centuries, when Egypt was the largest province in the Ottoman Empire. In answer to the enduring mystery surrounding the factions' origins, Jane Hathaway places their emergence within the generalized crisis that the Ottoman Empire—like much of the rest of the world—suffered during the early modern period, while uncovering a symbiosis between Ottoman Egypt and Yemen that was critical to their formation. In addition, she scrutinizes the factions' foundation myths, deconstructing their tropes and symbols to reveal their connections to much older popular narratives. Drawing on parallels from a wide array of cultures, she demonstrates with striking originality how rituals such as storytelling and public processions, as well as identifying colors and emblems, could serve to reinforce factional identity.

The Ottoman Empire was a hub of flourishing intellectual fervor, geopolitical power, and enlightened pluralistic rule. At the helm of its ascent was the omnipotent Sultan Selim I (1470-1520), who, with the aid of his extraordinarily gifted mother, Gülbahar, hugely expanded the empire, propelling it onto the world stage. Aware of centuries of European suppression of Islamic history, Alan Mikhail centers Selim's Ottoman Empire and Islam as the very pivots of global history, redefining such world-changing events as Christopher Columbus's voyages - which originated, in fact, as a Catholic jihad that would come to view Native Americans as somehow "Moorish" - the Protestant Reformation, the transatlantic slave trade, and the dramatic Ottoman seizure of the Middle East and North Africa. Drawing on previously unexamined sources and written in gripping detail, Mikhail's groundbreaking account vividly recaptures Selim's life and world. An historical masterwork, God's Shadow radically reshapes our understanding of a world we thought we knew.A leading historian of his generation, Alan Mikhail, Professor of History and Chair of the Department of History at Yale University, has reforged our understandings of the past through his previous three prize-winning books on the history of Middle East.

First study to cover the whole of this period and focus on both social change and cultural/religious life The period is crucial to understanding modern Egyptian consciousness Author uses primary sources, not available anywhere else

In October 1826, a ship arrived at Marseille carrying the first giraffe ever seen in France. A royal offering from Muhammad Ali, Ottoman Viceroy of Egypt, to King Charles X, she had already traveled 2,000 miles down the Nile to Alexandria, from where she had sailed across the Mediterranean standing in the hold, her long neck and head protruding through a hole cut in the deck. In the spring of 1827, after wintering in Marseille, she was carefully walked 550 miles to Paris to the delight of thousands of onlookers. The viceroy's tribute was politically motivated: He commanded the Turkish forces then fighting the Greeks in their war of independence, and hoped his gift would persuade the French not to intervene against him. But the viceroy and his intentions were quickly forgotten as France fell in love with its "beautiful stranger." Zarafa chronicles the full story of this remarkable animal, revealing a kaleidoscope of history, science, and culture that opens an exotic window on the early nineteenth century. From the Enlightenment's blossoming fascination with science to Napoleon's ill-fated invasion of Egypt in 1798–from the eminent French naturalist Étienne Geoffroy Saint-Hilaire to Bernardino Drovetti, French consul general in Egypt and tomb robber extraordinaire–the era was full of memorable events and characters. Michael Allin deftly weaves them into the story with an appreciation for detail and an uncommon affection. The giraffe's strange and wonderful journey linked Africa and Europe in mutual discovery. Although her arrival did not keep the French out of Ali's war, she became an instant celebrity in Paris and over the next eighteen years she fascinated all of Europe. Through Michael Allin's narrative skill, Zarafa stirs the imagination as it provides a new context for the history of a distant age.