The Anti Oedipus Complex

The Anti-Oedipus Complex critically explores the post ‘68 dramatic developments in Freudo-Lacanian psychoanalysis and cultural theory. Beginning with the decline of patriarchy and the master, exemplified by Freud’s paean for the Father, the revolutionary path was blown wide open by anti-psychiatry, schizoanalysis and radical politics, the complex antimonies of which are traced here in detail with the help of philosophers, such as Nietzsche, Baudrillard, Levinas, Steiner, Žižek, Badiou, Derrida and Girard, as well as theologians, analysts, writers, musicians and film makers. In this book, Rob Weatherill, starting from the clinic, considers the end of hierarchies, the loss of the Other, new subjectivities, so-called ‘creative destruction’, the power of negative thinking, revolutionary action, divine violence and new forms of extreme control. The book raises the following questions: Does the engagement of the Radical Orthodoxy movement offer some hope? Or should we re-situate psychoanalysis within a ‘genealogy of responsibility’ (Patočka / Derrida) as it emerges out of the sacred demonic, via Plato and Christianity? The Anti-Oedipus Complex will be of interest to psychoanalysts, psychotherapists, counsellors, social workers and scholars in critical theory, philosophy, cultural theory, literary theory and theology.

The Anti-Oedipus Complex critically explores the post ‘68 dramatic developments in Freudo-Lacanian psychoanalysis and cultural theory. Beginning with the decline of patriarchy and the master, exemplified by Freud’s paean for the Father, the revolutionary path was blown wide open by anti-psychiatry, schizoanalysis and radical politics, the complex antimonies of which are traced here in detail with the help of philosophers, such as Nietzsche, Baudrillard, Levinas, Steiner, Žižek, Badiou, Derrida and Girard, as well as theologians, analysts, writers, musicians and film makers. In this book, Rob Weatherill, starting from the clinic, considers the end of hierarchies, the loss of the Other, new subjectivities, so-called ‘creative destruction’, the power of negative thinking, revolutionary action, divine violence and new forms of extreme control. The book raises the following questions: Does the engagement of the Radical Orthodoxy movement offer some hope? Or should we re-situate psychoanalysis within a ‘genealogy of responsibility’ (Patočka / Derrida) as it emerges out of the sacred demonic, via Plato and Christianity? The Anti-Oedipus Complex will be of interest to psychoanalysts, psychotherapists, counsellors, social workers and scholars in critical theory, philosophy, cultural theory, literary theory and theology.

Cover -- Half Title -- Title Page -- Copyright Page -- Epigraph -- Table of Contents -- Preface -- Acknowledgements -- 1 Lacan and the father Wanted - dead or alive -- Jouissance -- Oedipus -- Levinas and paternity -- Notes -- 2 The Anti-Oedipeans -- Machinic -- Of flowers and weeds -- A thousand rhizomes -- Perinatal potentialities -- Notes -- 3 Becoming versus being -- Inhuman excess -- War machines -- Breaking eggs -- Trans-forms -- No negation -- Mimesis -- The question of Moses -- Notes -- 4 Even your dreams are police records -- "Death to America"--"Death to Israel"--The starting point? -- Notes -- 5 Žižek - Silence and the real desert -- Basic antagonisms -- Silence -- On being no one -- No Other -- The gap of wisdom -- The Act -- Notes -- 6 The power of negative thinking Analysis against therapy -- Positive thinking -- Return to the Real -- No telling? -- Analysing -- Notes -- 7 Translation, interpretation and responsibility -- Four stages -- Responsibility -- Notes -- 8 New subjectivities in the virtual world Implications for practice -- Active nihilism -- Verleugnung -- Ressentiment -- What should the analyst do? -- Case material -- Notes -- 9 From the greatest good to the dunce's cap and revolutionary subjectivity -- Mao -- Badiou -- Saint Paul -- Notes -- 10 Materialism or Magisterium -- Subtraction -- Radical orthodoxy -- Chesterton -- Decadence or responsibility -- Notes -- Afterword -- The awakening -- Notes -- References -- Index

Eugene W. Holland provides an excellent introduction to Gilles Deleuze and Felix Guattari's Anti-Oedipus which is widely recognized as one of the most influential texts in philosophy to have appeared in the last thirty years. He lucidly presents the theoretical concerns behind Anti-Oedipus and explores with clarity the diverse influences of Marx, Freud, Nietzsche and Kant on the development of Deleuze & Guattari's thinking. He also examines the wider implications of their work in revitalizing Marxism, environmentalism, feminism and cultural studies.

‘A major philosophical work by perhaps the most brilliant philosophical mind at work in France today.' Fredric Jameson Gilles Deleuze (1925-1995) was Professor of Philosophy at the University of Paris VIII. He was a key figure in poststructuralism, and one of the most influential philosophers of the twentieth century. Félix Guattari (1930-1992) was a psychoanalyst at the la Borde Clinic, as well as being a major social theorist and radical activist. Anti-Oedipus is part of Deleuze and Guattari's landmark philosophical project, Capitalism and Schizophrenia - a project that still sets the terms of contemporary philosophical debate. Anti-Oedipus is a radical philosophical analysis of desire that shows how we can combat the compulsion to dominate ourselves and others. As Michel Foucault says in his Preface it is an ‘Introduction to Non-Fascist Living'. Preface by Michel Foucault. Translated by Robert Hurley, Mark Seem, and Helen R. Lane

In Kafka Deleuze and Guattari free their subject from his (mis)intrepreters. In contrast to traditional readings that see in Kafka's work a case of Oedipalized neurosis or a flight into transcendence, guilt, and subjectivity, Deleuze and Guattari make a case for Kafka as a man of joy, a promoter of radical politics who resisted at every turn submission to frozen hierarchies.

Schizophrenia has been one of psychiatry's most contested diagnostic categories. The Sublime object of Psychiatry studies representations of schizophrenia across a wide range of disciplines and discourses: biological and phenomenological psychiatry, psychoanalysis, critical psychology, antipsychiatry, and postmodern philosophy.

An investigation into the strange and troublesome relationship to pleasure that defines the human being, drawing on the disparate perspectives of Deleuze and Lacan. Is pleasure a rotten idea, mired in negativity and lack, which should be abandoned in favor of a new concept of desire? Or is desire itself fundamentally a matter of lack, absence, and loss? This is one of the crucial issues dividing the work of Gilles Deleuze and Jacques Lacan, two of the most formidable figures of postwar French thought. Though the encounter with psychoanalysis deeply marked Deleuze's work, we are yet to have a critical account of the very different postures he adopted toward psychoanalysis, and especially Lacanian theory, throughout his career. In The Trouble with Pleasure, Aaron Schuster tackles this tangled relationship head on. The result is neither a Lacanian reading of Deleuze nor a Deleuzian reading of Lacan but rather a systematic and comparative analysis that identifies concerns common to both thinkers and their ultimately incompatible ways of addressing them. Schuster focuses on drive and desire—the strange, convoluted relationship of human beings to the forces that move them from within—“the trouble with pleasure." Along the way, Schuster offers his own engaging and surprising conceptual analyses and inventive examples. In the “Critique of Pure Complaint” he provides a philosophy of complaining, ranging from Freud's theory of neurosis to Spinoza's intellectual complaint of God and the Deleuzian great complaint. Schuster goes on to elaborate, among other things, a theory of love as “mutually compatible symptoms”; an original philosophical history of pleasure, including a hypothetical Heideggerian treatise and a Platonic theory of true pleasure; and an exploration of the 1920s “literature of the death drive,” including Thomas Mann, Italo Svevo, and Blaise Cendrars.