The Apocryphal Adam And Eve In Medieval Europe

The apocryphal Life of Adam and Eve explores what happened to Adam and Eve after their expulsion from Paradise. Professor Murdoch considers the varied development of the apocryphal material, and presents a fascinating analysis of the flourishing medieval tradition of Adam and Eve, celebrated in European prose, verse, and drama.

What happened to Adam and Eve after their expulsion from paradise? Where the biblical narrative fell silent apocryphal writings took up this intriguing question, notably including the Early Christian Latin text, the Life of Adam and Eve. This account describes the (failed) attempt of the couple to return to paradise by fasting whilst immersed in a river, and explores how they coped with new experiences such as childbirth and death. Brian Murdoch guides the reader through the many variant versions of the Life, demonstrating how it was also adapted into most western and some eastern European languages in the Middle Ages and beyond, constantly developing and changing along the way. The study considers this development of the apocryphal texts whilst presenting a fascinating insight into the flourishing medieval tradition of Adam and Eve. A tradition that the Reformation would largely curtail, stories from the Life were celebrated in European prose, verse and drama in many different languages from Irish to Russian.

This edition, the first since 1878, offers Middle English texts accompanied by detailed notes contextualizing the poems within an apocryphal tradition and full glossary. The Introduction reviews the development of the Adam and Eve legend in medieval European vernacular. Last edited in 1878, the two poems edited in this volume are medieval English versions of the legendary lives of Adam and Eve, telling of their attempts to regain the Paradise they had just lost and their life after the Fall, and merging with the related legends of the history of the Cross before Christ. The poems are important as part of a very large European tradition of vernacular adaptations of the Adambook, known in its Latin form (the immediate source) as the Vita Adae et Evae, with analogues in many other languages. Once very well known, these stories largely disappeared after the Reformation. The works are of equal interest not only in the general area of medieval English literature, but also in the study of Old Testament apocrypha itself. This edition offers readable texts of the two poems, accompanied by a detailed set of notes which contextualise the poems within their apocryphal traditions; traditions which have echoes in a wide variety of other medieval works, ranging from continental world-chronicles to the Cornish Ordinalia and to the English mystery-cycles. The Introduction includes a substantial review of the development of the Adam and Eve legend in medieval European vernacular and is a contribution to scholarship in its own right.

"This work describes and analyzes the extensive research on the origin, date, transmission and textual histories, and interrelationships of the primary Adam and Eve books. The "primary" Adam and Eve literature includes the Greek Apocalypse of Moses, the Latin Vita Adam et Evae, the Slavonic Vita Adam et Evae, the Armenian Penitence of Adam, the Georgian Book of Adam, and a fragmentary Coptic version. Like most of the Jewish pseudepigrapha, the transmission of this literature occured primarily in Christian contexts. The question is : how did this literature function in these contexts and by what criteria are the Adam and Eve books to be identified as either Jewish or Christian? Because of the complexity of the transmission history of the Adam and Eve books, this study has far-reaching implications regarding the later use and reshaping of Jewish pseudepigrapha. Includes an extensive bibliography." -- Publisher's description.

This anthology discusses different aspects of Protestantism, past and present. Professor Tarald Rasmussen has written both on medieval and modern theologians, but his primary interest has remained the reformation and 16th century church history. In stead of a traditional «Festschrift» honouring the different fields of research he has contributed to, this will be a focused anthology treating a specific theme related to Rasmussen’s research profile. One of Professor Rasmussen's most recent publications, a little popularized book in Norwegian titled «What is Protestantism?», reveals a central aspect research interest, namely the Weberian interest for Protestantism’s cultural significance. Despite difficulties, he finds the concept useful as a Weberian «Idealtypus» enabling research on a phenomenon combining theological, historical and sociological dimensions. Thus he employs the Protestantism as an integrative concept to trace the makeup of today’s secular societies. This profiled approach is a point of departure for this anthology discussing important aspects of historiography in reformation history: Continuity and breaks surrounding the reformation, contemporary significance of reformation history research, traces of the reformation in today’s society. The book relates to current discussions on Protestantism and is relevant to everyone who want to keep up to date with the latest research in the field.

The story of the apocryphal pope and saint Gregorius was extremely popular throughout the middle ages and later in Europe and beyond. In a memorable narrative Gregorius is born from an incestuous relationship between a noble brother and sister, and is set out to sea with (unspecific) details of his origin. He is found and brought up by an abbot, but when revealed as a foundling leaves as a knight to seek his origins; he rescues his mother's land from attack, and marries her. On discovering his sin he undertakes years of penance on a rocky islet, which he survives miraculously. An angel sends emissaries from Rome to find him after the death of the pope, the key to his shackles is equally miraculously discovered, and he becomes pope. This hagiographical romance is not a variation upon Oedipus; it uses the invisible sin of incest as a parallel both for original sin (the sin of Adam and Eve) and for actual sin. It combines the universal theme of the quest for identity with the problem not of guilt as such, which is inevitable, but of how sinful humanity can cope with it. Brian Murdoch traces the story's probable origins in medieval England or France, and its later appearance in versions from Iceland and Ireland to Iraq and Egypt, in verse and prose, in full-scale literary forms or in much-reduced folktales, in theological as well as secular contexts, down to Thomas Mann and beyond.

Ambiguous Women in Medieval Art brings together the work of seven researchers who, coming from different perspectives, and in some cases different disciplines, approach the question of ambiguity in relation to different case-studies where the represented women do not follow the ever-present dichotomy exemplified by Eve and Mary. In doing so, they demonstrate the complexities of a topic that is as contemporary as it is ancient. Through them, we can get valuable insights on the understanding and experience of gender in the past and the ways in which these experiences have shaped our own understanding of this topic.

For the first time, a group of distinguished authors come together to provide an authoritative exploration of the cultural history of tragedy in the Middle Ages. Reports of the so-called death of medieval tragedy, they argue, have been greatly exaggerated; and, for the Middle Ages, the stakes couldn't be higher. Eight essays offer a blueprint for future study as they take up the extensive but much-neglected medieval engagement with tragic genres, modes, and performances from the vantage points of gender, politics, theology, history, social theory, anthropology, philosophy, economics, and media studies. The result? A recuperated medieval tragedy that is as much a branch of literature as it is of theology, politics, law, or ethics and which, at long last, rejoins the millennium-long conversation about one of the world's most enduring art forms. Each chapter takes a different theme as its focus: forms and media; sites of performance and circulation; communities of production and consumption; philosophy and social theory; religion, ritual and myth; politics of city and nation; society and family, and gender and sexuality.