The Architecture Of Hunting

As one of the most significant economic innovations in prehistory, hunting architecture radically altered life and society for hunter-gatherers. The development of these structures indicates that foragers designed their environments, had a deep knowledge of animal behavior, and interacted with each other in complex ways that reach beyond previous assumptions. Combining underwater archaeology, terrestrial archaeology, and ethnographic and historical research, The Architecture of Hunting investigates the creation and use of hunting architecture by hunter-gatherers. Hunting architecture—including blinds, drive lanes, and fishing weirs—is a global phenomenon found across a broad spectrum of cultures, time, geography, and environments. Relying on similar behaviors in species such as caribou, bison, guanacos, antelope, and gazelles, cultures as diverse as Sami reindeer herders, the Inka, and ancient bison hunters on the North American plains have employed such structures, combined with strategically situated landforms, to ensure adequate food supplies while maintaining a nomadic way of life. Using examples of hunting architecture from across the globe and how they influence forager mobility, territoriality, property, leadership, and labor aggregation, Ashley Lemke explores this architecture as a form of human niche construction and considers the myriad ways such built structures affect hunter-gatherer lifeways. Bringing together diverse sources under the single category of “hunting architecture,” The Architecture of Hunting serves as the new standard guide for anyone interested in hunter-gatherers and their built environment.

A collection of Hunt's essays, many previously unpublished, dealing with the ways in which men and women have given meaning to gardens and landscapes, especially with the ways in which gardens have represented the world of nature "picturesquely".

Both his family and his city are crumbling when thirteen-year-old Griffin Watts stumbles headlong into his estranged father’s illicit architectural salvage business in 1970s Manhattan. Griffin clambers up the façades of tenements and skyscrapers to steal their nineteenth-century architectural sculptures—gargoyles and sea monsters, goddesses and kings. As his father sees it, these evocative creatures, crafted by immigrant artisans, are an endangered species in an age of sweeping urban renewal. Desperate for money to help his artist mother keep their home, and yearning to connect with his father, Griffin fails to see that his father’s deepening obsession with preserving the treasures of Gilded Age New York endangers them all. As he struggles to hold his family together and build a first love with his girlfriend on a sturdier foundation than his parents’ marriage, Griffin must learn to develop himself into the man he wants to become, and discern which parts of his life may be salvaged—and which parts must be let go. Hilarious and poignant, this critically acclaimed debut is both a vivid love letter to a vanishing city and an intimate portrait of father and son. And it solves the mystery of a stunningly brazen architectural heist—the theft of an entire landmark building—that made the front page of The New York Times in 1974. With writing both tender and powerful, The Gargoyle Hunters brings a remarkable new voice to the canon of New York fiction.

From the classic circular Marina City tower in Chicago to the latest robotic technology employed at the Volkswagen Factory in Germany, from Frank Gehry to Rem Koolhaas to Zaha Hadid, the form and function of the parking garage has been hugely influential not only on contemporary architects but also on popular culture. This book is at once a survey of the finest examples of parking garages and a presentation of exciting and innovative design.

The hunt, like the church, courthouse, and family, played an integral role in southern society and culture during the antebellum era. Regardless of color or class, southern men hunted. Although hunters always recognized the tangible gains of their mission—meat, hides, furs—they also used the hunt to communicate ideas of gender, race, class, masculinity, and community. Hunting was very much a social activity, and for many white hunters it became a drama in which they could display their capacity for mastery over women, blacks, the natural world, and their own passions. Nicolas Proctor argues in Bathed in Blood that because slaves frequently accompanied white hunters into the field, whites often believed that hunting was a particularly effective venue for the demonstration of white supremacy. Slaves interpreted such interactions quite differently: they remained focused on the products of the hunt and considered the labor performed at the behest of their owners as an opportunity to improve their own condition. Whether acquired as a reward from a white hunter or as a result of their own independent—often illicit—efforts, game provided them with an important supplementary food source, an item for trade, and a measure of autonomy. By sharing their valuable resources with other slaves, slave hunters also strengthened the bonds within their own community. In a society predicated upon the constant degradation of African Americans, such simple acts of generosity became symbolic of resistance and had a cohesive effect on slave families. Proctor forges a new understanding of the significance of hunting in the antebellum South through his analyses of a wealth of magazine articles and private papers, diaries, and correspondence.

This book is a celebration of good new design for old buildings and the SPAB philosophy that good new architecture can sit happily alongside old and is preferable to pastiche. Endorsing the value of architects who are engaged to work in the historic environment, this book explores design, materials and technical considerations in creating the best low energy, ecological and sustainable retrofits. It has never been more important to understand how old buildings can be adapted to make them useful and sustainable in the future. Showcasing the best examples of imaginative design and best practice, this book illustrates how old buildings can be made sustainable through the best new design and puts these design exemplars into a historical and philosophical context. With illustrative case studies and interviews throughout, including formal buildings, churches, domestic buildings, commercial, industrial and agricultural from all periods in the UK, New Design for Old Buildings provides essential guidance on good, imaginative new design for old buildings.