The Arrogant Artist

Louis Marchant--artist of our generation. More like the most arrogant artist of our generation. The man looks like Michelago has carved him with his bare hands. Kissable soft lips. The perfect amount of five o'clock shadow stretched across his square jaw. Add in that delicious French accent and oh là là. And then there's his giant... Um, never mind, it's still connected to him. No amount of magnificence can take away the fact that he's the most arrogant man in the history of France--no, the world. He also happens to be my new boss.** Previously released as Love in Colour **

A quandary for John Mannering (aka ‘The Baron’). A young brash artist is found half-dead, with a noose around his neck, on the same day he had attempted to get Mannering to finance his career. The artist's terrified girlfriend desperately seeks help. Has the man tried to kill himself, or is it a case of attempted murder?

L’artiste au double visage, l’amant aux mille talents ! Anticonformiste et sexy à en mourir, Dante ne passe pas inaperçu et ne se laisse pas approcher facilement. Mais Jane, qu’il a croisée au mariage de son meilleur ami, réveille en lui des envies et des désirs enfouis. Pétillante et lumineuse, la jeune femme lui offre des nuits torrides et des étreintes brûlantes. Mais les ombres du passé de Dante ne sont jamais loin et menacent ce bonheur tout neuf… Arrogant Artist de Phoebe Campbell, histoire intégrale. Ce roman a précédemment été publié sous les titres Oui, je le veux ! et Sexy Player.

The modern artist strives to be independent of the public's taste--and yet depends on the public for a living. Petra Chu argues that the French Realist Gustave Courbet (1819-1877) understood this dilemma perhaps better than any painter before him. In The Most Arrogant Man in France, the first comprehensive reinterpretation of Courbet in a generation, Chu tells the fascinating story of how, in the initial age of mass media and popular high art, this important artist managed to achieve an unprecedented measure of artistic and financial independence by promoting his work and himself through the popular press. The Courbet who emerges in Chu's account is a sophisticated artist and entrepreneur who understood that the modern artist must sell--and not only make--his art. Responding to this reality, Courbet found new ways to "package," exhibit, and publicize his work and himself. Chu shows that Courbet was one of the first artists to recognize and take advantage of the publicity potential of newspapers, using them to create acceptance of his work and to spread an image of himself as a radical outsider. Courbet introduced the independent show by displaying his art in popular venues outside the Salon, and he courted new audiences, including women. And for a time Courbet succeeded, achieving a rare freedom for a nineteenth-century French artist. If his strategy eventually backfired and he was forced into exile, his pioneering vision of the artist's career in the modern world nevertheless makes him an intriguing forerunner to all later media-savvy artists.

"A groundbreaking biography of Sam Francis, one of the celebrated artists of the twentieth century, and the American painter who brought the vocabulary of abstract expressionism to Paris. Drawing on exclusive interviews and private correspondence, Gabrielle Selz traces the complex life of this magnetic, globe-trotting artist who first learned to paint as a former air-corps pilot encased in a full-body cast for three years. Selz writes an intimate portrait of a mesmerizing character, a man who sought to resolve in art the contradictions he couldn't resolve in life"--

"Austrian artist Egon Schiele comes to life in a narrative that defies convention, history, and identity. A self-professed genius and student of August Klimt, Scott's Schiele repeatedly challenges the boundaries of early twentieth-century Europe. Thrown in jail on charges of immorality, Schiele's Mephistophelean reputation only grows in stature until at the age of twenty-eight, the artist dies in the Great Flu Pandemic. Told from a crosscurrent of voices, viewpoints and times."--page 4 of cover.

The life of the painter Amedeo Modigliani (1884-1920) was chaotic and tragically brief. Consisting of a series of vignettes, mostly set in the painter's studio and peopled by his lover Jeanne Hébuterne (who ended her own life the day after Modigliani's death), the prostitutes who were his occasional models and several Bohemian visitors, the novel spans the last months of Modigliani's life, evoking the strange workings of the painter's troubled and often drug-fuelled mind and its expression in his paintings, ultimately succeeding in conveying something of the intense artistic life of Paris in the first decades of the twentieth century.