The Art And Practice Of Etching

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Excerpt from The Art and Practice of Etching: With Directions for Other Methods of Light and Entertaining Engraving It may well be supposed, that the example of the great artists of their respective times, was not lost upon the high-born and educated of the countries where Art was most esteemed. Whoever takes the trouble to examine the magnificent collection of Etch ings in the Print Room of the British Museum, and the portfolios of those who are curious and learned in. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from Etching, Its Principles and Practice: A Book for Students and Amateurs This little book is intended, as set forth in the title, for Students and amateurs; it will be found to inculcate a definite and limited range of effort in the early attempts of the student; some of these directions and limitations, may appear to the Skilled etcher, useless and even trivial. It must, however, be remembered that numbers of people practise art with a genuine love for it, and an earnest desire to follow its best traditions, who cannot, from circumstances, advance to the study of a special form of art, through that wide portal of general study and practice necessary to the professional artist. To those unable to give a life's devotion to, but who are not innocent of some preliminary training in art, the author thinks this work may be of service should they be desirous of acquiring the art of etching. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

First published in 1999, Chambers explores English etching changed that radically during the nineteenth century. This book looks into the freedom and directness of the etching process became a key plank in a sustained attempt to raise the status of etching in Britain spearheaded by artists such as Francis Seymour Haden and James McNeill Whistler and members of the Etching Club. An Indolent and Blundering Art? Opens with a description of the use of language and art criticism to redefine etching