The Art Of Albrecht D Rer

All of Dürer's works in three mediums are reproduced in this edition. Among them are his most famous works, Knight, Death and Devil; Melencolia I; and St. Jerome in His Study. Also included are portraits of his contemporaries, including Erasmus of Rotterdam and Frederick the Wise, as well as six engravings formerly attributed to Dürer.

Publisher Description

This classic text presents the life, times, and works of Albrecht Dürer. Through the skill and immense knowledge of Erwin Panofsky, the reader is dazzled not only by Dürer the artist but also Dürer in a wide array of other roles, including mathematician and scientific thinker. Originally published in 1943 in two volumes, The Life and Art of Albrecht Dürer met with such wide popular and scholarly acclaim that it led to three editions and then, in 1955, to the first one-volume edition. Without sacrifice of text or illustrations, the book was reduced to this single volume by the omission of the Handlist and Concordance. The new introduction by Jeffrey Chipps Smith reflects upon Panofsky the man, the tumultuous circumstances surrounding the creation of his masterful monograph, its innovative contents, and its early critical reception. Erwin Panofsky was one of the most important art historians of the twentieth century. Panofsky taught for many years at Hamburg University but was forced by the Nazis to leave Germany. He joined the faculty at the Institute for Advanced Study in 1935, where he spent the remainder of his career and wrote The Life and Art of Albrecht Dürer. He developed an iconographic approach to art and interpreted works through an analysis of symbolism, history, and social factors. This book, one of his most important, is a comprehensive study of painter and printmaker Albrecht Dürer (1471-1528), the greatest exponent of northern European Renaissance art. Although an important painter, Dürer was most renowned for his graphic works. Artists across Europe admired and copied his innovative and powerful prints, ranging from religious and mythological scenes to maps and exotic animals. The book covers Dürer's entire career in exacting detail. With multiple indexes and more than three hundred illustrations, it has served as an indispensable reference, remaining crucial to an understanding of the work of the great artist and printmaker. Subsequent Dürer studies have necessarily made reference to Panofsky's masterpiece. Panofsky's work continues to be admired for the author's immense erudition, subtlety of appreciation, technical knowledge, and profound analyses.

Hutchison's book is a complete guide on Durer and the research on his work, his historical import and his aesthetic legacy.

Focusing on the ways his art and persona were valued and criticized by writers, collectors, and artists subsequent to his death, this book examines the reception of the works of Albrecht D?rer. Andrea Bubenik's analysis highlights the intensive and international interest in D?rer's art and personality, and his developing role as a paragon in art historiography, in conjunction with the proliferation of portraits after his likeness. The author traces carefully how D?rer's paintings, prints, drawings and theoretical writings traveled widely, and were appropriated into new contexts and charged with different meanings. Drawing on inventories and correspondences and taking collecting practices into account, Bubenik establishes who owned what by D?rer in the 16th and 17th centuries, and characterizes the key locations where interest in D?rer peaked (especially the courts of Maximilian I in Munich, and Rudolf II in Prague). Bubenik treats the emergent artistic appropriations of D?rer-borrowings from or transformations of his originals-in conjunction with contemporary sources on art theory. The volume includes illustrations of numerous imitative works after D?rer. As well as being the first book to fully address the early reception of the most important of German Renaissance artists, Reframing Albrecht D?rer shows how appropriation is a crucial concept for understanding artistic practice during the early modern period.

The woodcuts of German Renaissance Master Albrecht Dürer are presented in this stunning collection of over 300 religious and secular masterpieces. This collection is a must for art lovers, artists, and students of art history.

While he was alive, D�rer has published several hundred engravings on which are appeared his initials. At least sixty of his paintings have also survived, and a few other which led art historians dispute whether they are from him. It is impossible today to know how many of his works are lost, but those that have survived, give us a relatively complete view of the range of his work. D�rer as rule spent much of his time as a printmaker and often complained that working in oils was time-consuming and badly paid. Finally, there are a thousand of his drawings and watercolors. The range and variety of his work is just amazing. His woodcarvings and engravings made him great and famous all over Europe, and he is commonly considered the best master in this area. As a painter, D�rer has the equal success as in the paintings of religious topics, also in those with secular topics. He painted portraits as well as altars. His drawings and watercolors even today strike us with a variety of techniques and were painted with an almost phenomenal precision.