The Art Of Compromise

Although the Russian novelist and playwright Leonid Leonov had published extensively before 1917 he considered that his literary career began only in 1922 with the short story Buryga. His talent developed rapidly in the comparatively free cultural climate of the first decade of the Revolution and by 1927 his characteristic style and themes were already formed. It was in this year, however, that the Communist Party began to impose its demands on the artists and intellectuals. Leonov's beliefs and values were incompatible with the Soviet version of Marxism but he tried to affirm them indirectly in his work through structure, imagery and allusion, while outwardly conforming to official demands. This manoeuvring inevitably led him into some questionable compromises which in turn damaged his reputation, both at home and abroad. Leonov himself was painfully conscious of the moral dilemmas involved and his later works return again and again to the question: is it possible to compromise without being compromised? There are fourteen chapters in the volume, each devoted to one or more of Leonov's works, setting the successive stages of his evolution against a background of changing cultural and political policies.

People think compromise is a good thing. Can anything be “good” that pushes everyone involved to sacrifice something they value? Compromise has long been accepted as the preferred way to resolve our differences. We do it at work, as entrepreneurs, to settle squabbles between spouses, or when a mother battles a teen. No matter the problem, we go for the compromise. You ever wonder why? In The Absurdity of Compromise, Donald Grady examines the drawbacks and challenges of conflict and explodes the myth that compromise is the win/win it’s proclaimed to be. • Avoid the pitfalls of talking past other people • Learn to listen intelligently and empathetically understand the perspective of others. • Stop fighting and compromising to everyone’s mutual dissatisfaction. Want better results but haven’t quite figured out how to get there? This is the book for you. “Today’s practices often present antagonists with one-sided solutions, leaving each feeling like losers. In Don Grady’s peace-building schemata, everyone comes away a winner. I recommend this lively book to anyone enmeshed in the field of conflict resolution, foreign or domestic.” Robert W. Farrand U.S. Ambassador and Deputy High Representative, Bosnia-Heregovina, 1997-2000

A strident argument about the dangers of compromise in art, politics, and everyday life On Compromise is an argument against contemporary liberal society’s tendency to view compromise as an unalloyed good—politically, ethically, and artistically. In a series of clear, convincing essays, Rachel Greenwald Smith discusses the dangers of thinking about compromise as an end rather than as a means. To illustrate her points, she recounts her stint in a band as a bass player, fighting with her bandmates about “what the song wants,” and then moves outward to Bikini Kill and the Riot Grrrl movement, the Iowa Writers’ Workshop, Poetry magazine, the resurgence of fascism, and other wide-ranging topics. Smith’s arguments are complex and yet have a simplicity to them, as she writes in a concise, cogent style that is eminently readable. By weaving examples drawn from literature, music, and other art forms with political theory and first-person anecdotes, she shows the problems of compromise in action. And even as Smith demonstrates the many ways that late capitalism demands individual compromise, she also holds out hope for the possibility of lasting change through collective action. Closing with a piercing discussion of the uncompromising nature of the COVID-19 pandemic and how global protests against racism and police brutality after the murder of George Floyd point to a new future, On Compromise is a necessary and vital book for our time.

"Art Without Compromise will inspire artists to change the way they think about their creative landscapes, from personal goals to cultural influences to technological realities. Author Wendy Richmond helps artists to look closely at what they see every day, both in their own art-making and in the world around them. Readers will learn to develop an uncompromising commitment to finding and protecting their own unique process for making their strongest art. This thought-provoking book covers such topics as: understanding the artist's unique identity in relation to the larger culture; building systems of support and collaboration; explaining how an artist's needs can lead to innovation and authenticity; responding to the Internet and changing concepts of what is public and private; and accepting digression as a creative necessity." "Artists will come away with a clearer perspective of their past and future work, a critical eye for personal relevance, and an abundance of inspiration." --Book Jacket.

Book Description: The Art of Compromise: Balancing Love and Differences Discover the intricate tapestry of compromise that weaves love, understanding, and unity within relationships. In "The Art of Compromise," journey through the pages that explore the delicate dance of finding common ground while preserving individuality. Uncover the strategies that transform disagreements into opportunities for growth, and major life decisions into shared triumphs. From defining the essence of compromise and its significance in maintaining harmony, to navigating the complex terrain of differences, this book is a comprehensive guide that illuminates the path to harmonious resolutions. Delve into the power of communication, the beauty of creative problem-solving, and the art of embracing change. As you journey through the pages, you'll learn to navigate the ups and downs of life's journey, adapting compromise strategies to the changing tides. Embrace the ongoing practice of compromise as an embodiment of love, and nurture a culture of collaboration that celebrates the unique journey of partnership. "The Art of Compromise: Balancing Love and Differences" is a timeless guide for anyone seeking to enrich their relationships, nurture connections, and celebrate the beauty of compromise as a testament to the power of unity and understanding.

The relationship between the fine art and the business sphere has never been harmonious; it has been rejected, fought about, ignored, exploited, criticised and questioned, but it is still omnipresent. Commonly assumed to be antagonistic, situating art and the business organisation sphere in the discourses of new knowledge creation and learning, however, holds the potential of exploring new ways of relating the two spheres. This book investigates such potentialities, discussing the limits and challenges of these new forms of relating. It does so by first outlining the changing discourses of the art and business spheres, and how they produce different ways of relating to their respective worlds. Second, it brings into conversation an ethnographic study of an art-business-collaboration organised by two artists with a Deleuzian concept of dialogue. Dialogue, here, is understood as a non-hierarchical encounter developing between two spheres; a source of creation no longer belonging to anyone. In what is here termed “a machinic research framework” – accounting for composition and movement on all scales – the book shows how making connections is a discursive and material practice with expectations and imaginaries playing a central role. It also addresses the paradoxical interplays between losing control and maintaining control in collaborative attempts, between reaching out for the Other and carrying out identity work, and between positions in the centre and in the margins of the highly stratified and codified areas of business organisations and fine art. Eventually, this book examines small dialogical instances that escape the stratifying forces dividing the two worlds, thereby creating a temporary space. It closes with a reflection on the role of research in thinking (and making) new ways of relating the world of fine art and the business organisation sphere.

Rachel Greenwald Smith's Affect and American Literature in the Age of Neoliberalism examines the relationship between contemporary American literature and politics. Through readings of works by Paul Auster, Karen Tei Yamashita, and others, Smith challenges the neoliberal notion that emotions are the property of the self.

Often the whipping boys of politicians and pundits, lobbyists are the recipients of lampooning stump portrayals and sensationalized news coverage. Little attention is given to how most lobbyists simply do their job or become effective at what they do. Whether it’s helping staff draft legislative language, providing members with quality policy and political information, or just being a good listener, lobbyists must build and maintain relationships. If they do, they’ll succeed in advancing their policy objectives within the give-and-take process of the American legislative system. The Art of Lobbying examines strategies and techniques from the perspective of those who are lobbied—the people who know what resonates and what falls upon deaf ears in congressional offices. A former longtime lobbyist himself, Levine has interviewed more than 40 current or former members of Congress, along with their staffers, to give a thorough review of the relevant academic literature and offer a behind-the-scenes perspective on what constitutes the art of lobbying.