The Art Of Curating Worship

The Art of Worship is about transitioning our understanding and practice of worship to one of design or curation. According to Mark Pierson, a pioneer in worship, worship needs to be seen as an art form rather than a linear task of filling in the gaps on an order of service. Many practical examples are used to illustrate ways in which worship in regular services as well as in specially designed spaces inside and outside the church building can be designed and delivered for spiritual formation and mission.

Curation: the act of imagining and overseeing an exhibition or art experience. Worship Curation: the act of imagining and overseeing a worship experience. Worship curator Jonny Baker introduces this original approach to the design and sharing of worship. Rather than simply presiding over liturgy or leading a worship team, Baker and a new generation of leaders are negotiating between institutions and artists, crafting beauty for God out of whatever they’ve got on hand, helping people to make connections between their own lives and stories and the life and story of God. Curating Worship is presented in two parts. The first considers the kind of thinking, skills and disciplines involved in good curation. The second part features in-depth interviews that tease out the ideas, theories and processes behind the creative approaches of people who are curating worship experiences around the world.

If we are willing to shift our approach to church, we will better connect with increasingly heterogeneous cultures. This shifting requires curation. Church leaders must learn to be curators! Churches in modernity were set up to facilitate a particular kind of experience with God. Church was its own (protected) culture. In the wake of postmodernity, facilitated by new forms of (digital) communication, we are entering a new epoch in the history of the church. Curators manage the tasks of connection, preservation, and transformation, in their care for cultural artifacts and communities. When someone serves as a curator, they make connections between different elements in the culture, preserving the best of cultural traditions, and promoting fresh ways of thinking and being in the world. What might this work of curation mean for us? In Curating Church, readers learn how curation can reorient and sharpen the ways and work of the church. Curation can inform how we connect with cultures beyond the church, preserve what is best in the rich history of Christian thought and expression, and nurture spaces where contemporary persons may be transformed by the gospel. This book helps readers to understand with new richness the church and the world, and it equips them to become active in making those connections—as curators—with and for others.

Worship is a dynamic, living encounter that should never be static. In the Church of England, although Common Worship provides texts for every season and occasion, the church constantly needs to refresh its worship, just as it reshapes its presence in local communities. In this comprehensive volume, a wide range of experienced liturgists, musicians and pastoral practitioners consider the principles that will determine the character and quality, as well as the content, of our worship in the future. It explores how new forms can meet new needs while remaining faithful to the church’s essential understanding of worship. Over twenty chapters consider how emerging forms of worship can be: - Relational, accessible and inclusive - Rooted in Scripture, the Creeds, and Spirit-filled - Sacramental, symbolic and multi-sensory - Transformative, pastoral and prophetic The contributors are all members of the Group for the Renewal of Worship, a broadly evangelical group within the Church of England and including senior clergy, musicians, theological college tutors in liturgy and former members of the Liturgical Commission.

Black British Gospel Music is a dynamic and multifaceted musical practice, a diasporic river rooted in the experiences of Black British Christian communities. This book examines gospel music in Britain in both historical and contemporary perspectives, demonstrating the importance of this this vital genre to scholars across disciplines. Drawing on a plurality of voices, the book examines the diverse streams that contribute to and flow out of this significant genre. Gospel can be heard resonating within a diverse array of Christian worship spaces; as a form of community music-making in school halls; and as a foundation for ‘secular’ British popular music, including R&B, hip hop and grime.

Kimberly Bracken Long, by focusing on what presiders do with their bodies, eyes, ears, lips, hands, feet, and heart, describes an attitude and style of worship leadership that is both firmly rooted and blessedly free. A wonderful offering for all worship presiders, seminarians, commissioned lay pastors, new pastors, and experienced pastors, The Worshiping Body is essential reading for anyone interested in how their presence and movement during worship make a difference.

If the future is creative, is it any wonder that sometimes the church seems stuck in the past? Now is the time for the church to reclaim its role as a center of creativity. Among your members are artists, musicians and other creatives whose gifts can enhance your worship, inform your theology and impact your community. Christian arts advocate J. Scott McElroy gives a comprehensive vision and manual for unleashing creativity in your congregation so you can connect with the more visual, aural, participatory and expressive generation that is rising up within the church today. In this handbook you'll find clear direction for: Mobilizing and managing artists and other creatives in your congregation Establishing structures and parameters for arts ministry Leading and supporting staff and church members in creative changes Enhancing the worship service Adding creative elements to your sermons Engaging the broader community Activate your church in every avenue of worship with this practical guide for arts ministry.

"Tikkun Olam"--To Mend the World is premised on the conviction that artists and theologians have things to learn from one another, things about the complex interrelationality of life and about a coherence of things given and sustained by God. The ten essays compiled in this volume seek to attend to the lives, burdens, and hopes that characterize human life in a world broken but unforgotten, in travail but moving towards the freedom promised by a faithful Creator. They reflect on whether the world--wounded as it is by war, by hatred, by exploitation, by neglect, by reason, and by human imagination itself--can be healed. Can there be repair? And can art and theology tell the truth of the world's woundedness and still speak of its hope?