The Art Of Reginald Heade

Reginald Heade is renowned amongst vintage paperback fans and collectors as the pre- eminent British pulp fiction cover artist of the 1940s and 1950s. His beautifully-realised, erotically-charged depictions of a parade of sexy, scantily-clad young virgins and vixens - the so-called 'Heade women', for some of whom he is rumoured to have used local ladies-of-the-night as models - are near-legendary amongst lovers of classic pin-up art; and the original books on which they appeared are now highly-sought-after rarities - in some cases, only a handful of copies are known still to survive. In the lavishly-illustrated The Art of Reginald Heade, packed with hundreds of superb colour and black-and-white images, noted researcher Stephen James Walker presents the most comprehensive overview ever published of Heade's life and work. This encompasses not only all of his iconic paintings for the famous Hank Janson range, but also dozens of other outstanding pulp fiction covers, plus his less-well-known but equally exceptional work for adult hardback fiction dustjackets, children's books and periodicals, and even the pieces he produced at the end of his life under the alternative name Cy Webb. The Art of Reginald Heade is a glorious celebration of the artist's work, and an absolutely essential addition to the bookshelves of anyone with a taste for classic pin-up and book cover artwork. This deluxe special edition of the book is extensively revised and greatly expanded. With almost double the page-count of the standard edition, it features over 400 additional, ultra-rare Heade artwork images, and presents many others in larger size than before.

It's no secret the sexy and racy cover art of femme fatales from the golden age of paperbacks and magazines exalts the female form in all its sexy and sultry allure. Still today, these lustful, passionate and sometimes lurid images are enticing and artistically inspiring. &break;&break;From sexy, semi-dressed pin-up dolls to dangerous bad girls and deadly dames, many of these rare covers were painted by some of the most talented and collectible artists of the last 50 years, including popular American artists Robert Bonfils, Robert Maguire, Gene Bilbrew and Bill Ward, and British artists Reginald Heade and H.W. Perl. &break;&break;Always titillating, often tawdry, definitely not politically correct nor for the faint of heart, the nearly 700 full-color pulp fiction paperback cover images in this book show women in all their sexy, sassy and sinful best. &break;&break;This dynamic book also features: &break; 700 covers with title, author, cover artist, publisher, book number, and date of publication for each book&break; Values for three grades of condition&break; A quick guide to collecting&break; A list of specialist book dealers and collector shows

In 1942 a group of sixty-five Australian Army nursing sisters was evacuated from Malaya a few days before the fall of Singapore. Two days later their ship was bombed and sunk by the Japanese. Of the fifty-three survivors who scrambled ashore, twenty-one were murdered and the remaining thirty-two taken prisoner. White Coolies is the engrossing record kept by one of the sisters, Betty Jeffrey, during the more than three gruelling years of imprisonment that followed. It is an amazing story of survival and deprivation and the harshest of conditions.

Louis Shabner began his career producing shop window advertising for brands such as Every Ready, Ovaltine and Chivers jams, amongst others, but is best known for his paintings of sultry sirens. During the 1960s and 1970s his prints, which were available through shops such as Boots chemists and by post through Freemans catalogues, adorned lounge walls up and down the UK. Many of his women made it onto hugely popular calendars during the same period. Under the pseudonym Sheldon, Shabner also produced numerous book cover paintings for Pan and other publishers. At the time, mass-produced art of this kind was viewed as having only 'throw away' value, but now Shabner's work - often mentioned in the same breath as that of contemporaries Vladimir Tretchikoff and J H Lynch - is highly sought-after by collectors, with copies of his original prints and calendars being snapped up for high prices. In The Art of Louis Shabner, researcher Stuart Webb presents the most comprehensive account ever published of Shabner's life and work, lavishly illustrated with beautiful colour images of a wealth of his paintings. A 'must buy' for aficionados of vintage art and book cover illustration. COMMENTS ON THE HARDBACK EDITION 'A fascinating look at the work of someone who may not be a household name but whose paintings had appeared in advertisements, on walls as calendar and as prints.' Tim Kitchen 'Such a beautiful book, by the dynamic Stuart Webb.' re sould vintage / classic / modern store, Australia 'It's absolutely fabulous, I love it.' Kirsty Hunter, Australia 'A beautiful work of art.' Nicola Beedon, Canada 'A gorgeous, beautiful book.' Candance Nelms, USA 'A feast for the eyes.' Helen Maguire, UK 'Beautifully presented, Stuart Webb's The Art of Louis Shabner is a fantastic history of a British artist only recently gaining recognition.' Circa 62 vintage shop, UK 'Stunning Book.' Sinead LaVey, UK 'It's a fabulous book, really thorough.' Gail Eagle, UK 'Fantastic book.' Sophie Barnes, UK 'Great book! I love it a lot.' Jens Bruenger, Germany 'It's gorgeous.' Jessica Willason, Australia

Peter Driben was one of the most prolific, and certainly one of the best, cover artists to work on the risque 'girlie pulp' magazines that flourished in the USA between the mid-1920s and the mid-1950s.This meticulously-researched, lavishly-illustrated book is a glorious celebration of his work, and an absolutely essential addition to the bookshelves of anyone with a taste for classic pin-up and magazine cover artwork.

Chicago Chronicle's ace reporter Hank Janson is back on the case as he is sent to investigate a bomb blast at an apartment and gets caught up in a web of intrigue and deception. The apartment's owner, the headstrong, independent young woman Beryl Pinder, gives Hank more trouble than he bargained for, as he finds himself having to save her - and himself! - from a series of murder attempts. When it first appeared in March 1952, this book was the final entry in the third series of classic Hank Janson novels. It is reissued here complete with its superb original Reginald Heade cover art.