The Art Of Tapestry Weaving

Put aside those preconceptions of dusty, medieval tapestries hanging on castle walls! Tapestry weaving has a whole new look, and fiber enthusiasts of all levels are eager to try their hand at creating images with yarn. Rebecca Mezoff, a renowned teacher of contemporary tapestry weaving, shares her techniques in this in-depth guide to every aspect of the process, from developing a color palette to selecting yarn, warping the loom, and weaving the image. Crafters can choose from inexpensive tabletop and hand-held looms to larger floor looms. Detailed step-by-step photos and inspiring examples from a range of weaver-artists make this a one-stop resource for tapestry weaving how-to. This publication conforms to the EPUB Accessibility specification at WCAG 2.0 Level AA.

Jean Pierre Larochette is a renowned top-level artist, making this opportunity to learn from him a treasure for all levels of weavers.

It's easy to learn tapestry weaving from start to finish with Nancy Harvey, one of America's best-known teachers of this exciting craft. Using the same clear step-by-step approach that makes her workshops so successful, Nancy leads you through building a simple frame loom, to mastering the basic techniques, to completing handsome pieces based on her designs. She even provides tips on how to prepare designs of your own. In this book, you will find: Beginning and intermediate samplers to help you learn the basics; Hundreds of highlighted tips for weavers of all levels of experience; Six practice designs for building skills; Ideas inspiring your own designs, even if you "can't draw"; Over 380 illustrations and photographs; With hundreds of diagrams, tips, and tapestry designs, Tapestry Weaving: A Comprehensive Study Guide is essential reading for tapestry artists and handweavers alike.

Kirsten Glasbrook demonstrates the ancient art of tapestry weaving using wool yarn, fine linen and cotton on simple rectangular frames with notches, or purpose-built looms for larger tapestries. She shows step by step how to weave gorgeous tapestries, from choosing colours and winding warps through to creating images and finishing off with tassels and beads. Readers will learn how to create horizontal and diagonal lines, curves, motifs, shading, outlines, borders and more. There is a gallery of beautiful finished works to inspire everyone from beginners to experienced weavers. This best-selling title has been re-issued to inspire a whole new generation.

Tapestries were among the most prestigious of art forms, created for the mightiest in the land and valued for centuries. Despite its illustrious history, tapestry weaving is actually a simple technique that requires little equipment or expenditure, and can be done anywhere. Written by a prominent tapestry weaver, this lavishly illustrated book gently leads you through the whole process with detailed diagrams and exciting work by contemporary weavers. It will be useful to the absolute beginner, but experienced weavers will also find new ideas and techniques to tempt and inspire them. The book includes a step-by-step guide to setting up a small frame loom and starting to weave; basic and more advanced techniques, and how to create shapes and textures; advice on taking your work into the third dimension, whether bas relief or fully sculptural; information on the qualities of different materials and how they can be used to create the effects you want; and design ideas for tapestry and how to follow supplied designs. This will be an essential source book for experienced and novice weavers, and is beautifully illustrated with 190 colour illustrations and diagrams.

Once ideas and images come to mind, the next step in weaving your tapestry--interpreting these into effective compositions--may be challenging. Learn here, in ways that relate specifically to tapestry art, the design basics you need to make your best work. Renowned master weaver Scanlin offers 60 step-by-step "explorations" that lead you from understanding design concepts in your head to using them on your loom. Be inspired to explore "weavable" ways to manage line, shape, color, texture, emphasis, balance, rhythm, and more for results that bring your tapestries to a new level. In Part 1, dive into the fundamentals of design. Parts 2 and 3 hold explorations--exercises with a tapestry twist. Part 4 teaches ways to turn designs into cartoons. A resource treasure trove offers ideas for finishing tapestries (essential to the design's completeness), helpful templates, glossaries, and other core information to carry forward on your creative path.

"I have been weaving tapestries for more than half a century. It is as much a part of my everyday as eating, sleeping - or dreaming. It is an utterly ordinary activity for me." One of the world's most influential tapestry weavers, renowned for bringing "pop" into the ancient art of tapestry, Archie Brennan (1931-2019) had an exceptionally long career. Beginning in the mid-1940s and continuing into the first two decades of the 21st century, he pushed the boundaries of the medium, he developed a unique approach to weaving and tapestry design, and he impacted many people with his teaching style and outsize personality. This memoir, compiled with the assistance of weaver and former Wednesday Group member Brenda Osborn, provides the opportunity to pass his insights and his creative voice to a new generation of weavers. Let his incomparable voice explain why weaving is worth dedicating your energies to, even though, as Brennan says, "In the first quarter of the 21st century, tapestry may be regarded as a very minor art form, even an archaic, redundant activity in a high speed, electronic age."

Outstanding among textile artists -- Theo Moorman is a British weaver who has taught extensively in the United States. Illustrated with beautiful colour and black-and-white examples of her work are her thoughts on the design and aesthetic expression embodied in a woven fabric. The technique of weaving that bears her name is explained with numerous ways the Moorman technique may be varied and used with further exploration. Her experiences with commissioned works are utilised in a special chapter relating the problems and opportunities these present.