The Art Of The Catapult

Calling all pumpkin chuckers, wannabe marauders, and tinkerers of all ages! Flinging things and playing at defending your own castle has never been more fun. Whether playing at defending their own castle or simply chucking pumpkins over a fence, wannabe marauders and tinkerers will become fast acquainted with Ludgar the War Wolf, Ill Neighbor, Cabulus, and the Wild Donkey—ancient artillery devices known commonly as catapults. Updated and improved instructions and diagrams illustrate how to build 10 authentic working model catapults, including an early Greek ballista, a Roman onager, and the apex of catapult technology, the English trebuchet. Additional projects include learning how to lash and make rope and how to construct and use a hand sling and a staff sling. Building these simple yet sophisticated machines introduces fundamentals of math and physics using levers, force, torsion, tension, and traction. The colorful history of siege warfare is explored through the stories of Alexander the Great and his battle of Tyre; Saladin, Richard the Lionheart, and the Third Crusade; pirate-turned-soldier Jon Crabbe and his ship-mounted catapults; and Edward I of England and his battle against the Scots at Stirling Castle. For the legions of Tolkien fans, budding backyard warriors, and engineering wizards, this book is a must-have.

This text is a compilation of step-by-step instructions for how to build nine different types of catapults and trebuchets. Each set of instructions includes dimensional drawings of all wooden parts, lists of required hardware and sources, an abundance of photos, diagrams, and detailed descriptions of the assembly process.

"In this delightful autofiction―the first book by Gainza, an Argentine art critic, to appear in English―a woman delivers pithy assessments of world–class painters along with glimpses of her life, braiding the two into an illuminating whole." ―The New York Times Book Review, Notable Book of the Year and Editors' Choice The narrator of Optic Nerve is an Argentinian woman whose obsession is art. The story of her life is the story of the paintings, and painters, who matter to her. Her intimate, digressive voice guides us through a gallery of moments that have touched her. In these pages, El Greco visits the Sistine Chapel and is appalled by Michelangelo’s bodies. The mystery of Rothko’s refusal to finish murals for the Seagram Building in New York is blended with the story of a hospital in which a prostitute walks the halls while the narrator’s husband receives chemotherapy. Alfred de Dreux visits Géricault’s workshop; Gustave Courbet’s devilish seascapes incite viewers “to have sex, or to eat an apple”; Picasso organizes a cruel banquet in Rousseau’s honor . . . All of these fascinating episodes in art history interact with the narrator’s life in Buenos Aires―her family and work; her loves and losses; her infatuations and disappointments. The effect is of a character refracted by environment, composed by the canvases she studies. Seductive and capricious, Optic Nerve marks the English–language debut of a major Argentinian writer. It is a book that captures, like no other, the mysterious connections between a work of art and the person who perceives it.

A Major Contribution to the History of Technology and Ancient Warfare The most recognized military device of ancient times and the source of continued fascination and popular appeal, the catapult represented a major shift in the conduct of warfare. In "The Catapult: A History" historian Tracey Rihll uses ancient sources and the latest archaeological findings to tell the story of this first machine of war. Dispelling any notion that the catapult was precision engineered in the modern sense, the author explains how a robust formulaic design allowed a variety of machines and missiles to be built and used for particular battlefield conditions or military tasks. Complete with original illustrations, maps, and two appendices detailing both the formulas for catapult construction and known catapult remains, "The Catapult" is essential reading for those interested in the history of warfare and technology.

Nominated for the Chicago Review of Books Award A work of unflinching honesty, Autoportrait is a hypnotic memoir of reflection, loss, and everyday joy from one of America's best contemporary novelists Jesse Ball has produced fourteen acclaimed works of deeply empathetic absurdism in poetry and fiction. Now, he offers readers his first memoir, one that showcases his “humane curiosity” (James Wood) and invites the reader into a raw and personal account of love, grief, and memory. Inspired by the memoir Édouard Levé put to paper shortly before his death, Autoportrait is an extraordinarily frank and intimate work from one of America's most brilliant authors. The subtle power of Ball's voice conjures the richness of everyday life. On each page, half-remembered moments are woven together with the joys and triumphs—and the mistakes and humiliations, too—that somehow tell us who we are, why we are here. Held at the same height as tragic accounts of illness or death are moments of startling beauty, banality, or humor: "I wake in the morning, I sit, I walk long distances. If there is somewhere to swim, I may swim. If I have a bicycle, I will ride it, especially to meet someone. There is no more preparing for me to do, other than preparing for death, and I do that by laughing. Not laughing at death, of course. Laughing at myself." An extraordinary memoir that reminds us what is possible and builds to the kind of power one might feel reading Anne Carson's Glass Essay, or Joe Brainard's I Remember. Autoportrait will leave you feeling utterly invigorated, inspired, and a little afraid.

An " enormously entertaining" (Smithsonian), " clever, subtle, and adroit" account (Wall Street Journal) of how the author and his friend constructed a medieval siege engine in a San Francisco backyard. " So funny that I could not put it down" (Los Angeles Times).