The Art Of The Patent

Most patents are what you would expect from a government doucment: downright boring. Yet the drawings on some are absolutely amazing, with beautiful line-art drawings that show in stunning detail the inner workings of everything from farming machines to airplanes to rockets. Join us on a tour of some of the best patent drawings ever created, as well as a glimpse of some of our most historically significant patents, spanning over 200 years of patent art.Since patent dratsman are not listed on patent documents, the artwork they create remains annonymous. This book brings out the best of those. With some interesting discussion on tools the draftsman use, and some of the more important patent drafting rules issued by the US Patent & Trademark Office, this book will be appreciated by anyone interested in mechanical drawings, line-art illustrations, and fascinating milestones in patent history. Kevin Prince, an inventor and US Patent Agent, has collected a unique set of patent art over five years as a patent researcher, taking note along the way of thoses patents having exceptional artwork. Now he's brought this collection to the public, showcasing masterfully illustrated inventions from over two centuries. You will be surprised at what some of these artists created--many with just a pen and paper--as far back as 1794 with Eli Whitney's Cotton Gin.

The Independent Inventor Most persons have at some time in their lives invented somethin- perhaps a gadget for making some task easier or a method for increas ing the economy of an everyday operation. Aside from a certain degree of personal satisfaction, the great majority of these inven tions have never yielded their creators any amount of real return. In many instances, the fault has been with the inventor himself, who made little or no effort beyond writing down the bright idea. In a significant number of cases, however, the problem has arisen from a general lack of knowledge of what to do about a promising idea. The individual who works full time in a non-technical job usually has no guidance for proceeding in a logical, professional way towards effec tive development and utilization of his invention. Several other factors are responsible for the considerable waste we see in the handling of inventions. Perhaps the most significant of these factors is an incomplete awareness of prior art. A stenographer dreams up a device to facilitate the distribution of incoming mail. She feels that the idea is so simple that others must have patented it long ago and so she goes no further with the concept. At the other extreme is the garage mechanic who invents a new type of wrench.

Excerpt from Progress in the Arts and Protection by Patent: With Some Information in Regard to the U. S Patent Office The working force of the Patent Office numbers about 600 persons, graded from the Commissioner, at per year, to laborer, at $360. The cash receipts of the office from fees and sale of copies, etc., amount to about for each working day. Expenses for all purposes, say per leaving a net revenue of about per year. Applications for patents average at the present time nearly per month, grant of patents, about two thirds as many. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Patents and the Useful Arts It has been deemed best to treat, in the outset, of the origin and growth of patent systems up to a time (the year 1800) when such systems had ceased to be experiments, and when their effect as stimulants of ingenuity had been determined. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Introduction -- Defining the public interest in the US and European patent systems -- Confronting the questions of life-form patentability -- Commodification, animal dignity, and patent-system publics -- Forging new patent politics through the human embryonic stem cell debates -- Human genes, plants, and the distributive implications of patents -- Conclusion

Whether you're a patent examiner, patent attorney, commercial patent searcher, patent liaison, IP librarian, law professor, or competitive intelligence analyst, you'll find Patent Searching: Tools and Techniques to be just the guide you have been waiting for, with a range of approaches to patent searching that will be useful to you regardless of your technical expertise or role in the intellectual property community.

The nineteenth century witnessed a series of revolutions in the production and circulation of images. From lithographs and engraved reproductions of paintings to daguerreotypes, stereoscopic views, and mass-produced sculptures, works of visual art became available in a wider range of media than ever before. But the circulation and reproduction of artworks also raised new questions about the legal rights of painters, sculptors, engravers, photographers, architects, collectors, publishers, and subjects of representation (such as sitters in paintings or photographs). Copyright and patent laws tussled with informal cultural norms and business strategies as individuals and groups attempted to exert some degree of control over these visual creations. With contributions by art historians, legal scholars, historians of publishing, and specialists of painting, photography, sculpture, and graphic arts, this rich collection of essays explores the relationship between intellectual property laws and the cultural, economic, and technological factors that transformed the pictorial landscape during the nineteenth century. This book will be valuable reading for historians of art and visual culture; legal scholars who work on the history of copyright and patent law; and literary scholars and historians who work in the field of book history. It will also resonate with anyone interested in current debates about the circulation and control of images in our digital age.