The Artificial White Man

Another dance of the bull through the china shop of cliches, The Artificial White Man proves the correctness of Tom Wolfe's observation that Stanley Crouch is "the jazz virtuoso of the American essay." This time out, Crouch focuses his attention on issues surrounding the often misdirected American hunger for "authenticity." Though the essays range in topic from segregation in contemporary fiction to the racial politics of filmmaker Quentin Tarantino, they are informed by a singular concern: our increasing difficulty in discerning the real from the counterfeit, the posture from the pose, in contemporary life.Crouch moves across literature, music, sports, film, race, sex, class, and religion with insights withering in one instance, celebratory and challenging in another. Long known as an independent thinker, Crouch takes further intellectual chances in this collection challenging us to live up to the potential of our social contract and our democratic arts. Pointed and provocative, The Artificial White Man is as witty and eye-opening as cultural criticism gets.

The author of "Notes of a Hanging Judge" offers a bracing examination of the problem of authenticity in America--in racial politics, in the arts, and in the media--in this first collection of his original essays.

Despite becoming increasingly politically and economically dominated by Canadian society, the Crees succeeded in staving off cultural subjugation. They were able to face the massive hydroelectric development of the 1970s with their language, practices, and values intact and succeeded in negotiating a modern treaty."--BOOK JACKET.

In the face of a new lightly romanticized view of Native Americans, Killing the White Man's Indian bravely confronts the current myths and often contradictory realities of tribal life today. Following two centuries of broken treaties and virtual government extermination of the "savage redmen," Americans today have recast Native Americans into another, equally stereotyped role, that of eternal victims, politically powerless and weakened by poverty and alcoholism, yet whose spiritual ties with the natural world form our last, best hope of salvaging our natural environment and ennobling our souls. The truth, however, is neither as grim , nor as blindly idealistic, as many would expect. The fact is that a virtual revolution is underway in Indian Country, an upheaval of epic proportions. For the first time in generations, Indians are shaping their own destinies, largely beyond the control of whites, reinventing Indian education and justice, exploiting the principle of tribal sovereignty in ways that empower tribal governments far beyond most American's imaginations. While new found power has enriched tribal life and prospects, and has made Native Americans fuller participants in the American dream, it has brought tribal governments into direct conflict with local economics and the federal government. Based on three years of research on the Native American reservations, and written without a hidden conservative bias or politically correct agenda, Killing the White Man's Indian takes on Native American politics and policies today in all their contradictory--and controversial-guises."

From the author of the smash hit #1 New York Times bestseller So You Want to Talk About Race, an "illuminating" (New York Times Book Review) history of white male identity in America What happens to a country that tells generations of white men that they deserve power? What happens when their identity is defined by status over women and people of color? Through the last 150 years of American history, Ijeoma Oluo exposes the devastating consequences of white male supremacy. She then envisions a new white male identity, one free from racism and sexism. Now with a new preface addressing the harrowing 2021 Capitol attack, Mediocre confronts our founding myths, in hopes that we will write better stories for future generations.

Morantz shows that with the imposition of administration from the south the Crees had to confront a new set of foreigners whose ideas and plans were very different from those of the fur traders. In the 1930s and 1940s government intervention helped overcome the disastrous disappearance of the beaver through the creation of government-decreed preserves and a ban on beaver hunting, but beginning in the 1950s a revolving array of socio-economic programs instituted by the government brought the adverse effects of what Morantz calls bureaucratic colonialism. Drawing heavily on oral testimonies recorded by anthropologists in addition to eye-witness and archival sources, Morantz incorporates the Crees' own views, interests, and responses. She shows how their strong ties to the land and their appreciation of the wisdom of their way of life, coupled with the ineptness and excessive frugality of the Canadian bureaucracy, allowed them to escape the worst effects of colonialism. Despite becoming increasingly politically and economically dominated by Canadian society, the Crees succeeded in staving off cultural subjugation. They were able to face the massive hydroelectric development of the 1970s with their language, practices, and values intact and succeeded in negotiating a modern treaty. This detailed portrait of twentieth-century Canadian colonialism will be of interest to native studies specialists, anthropologists, and political scientists generally.

White Male Nostalgia in Contemporary North American Literature charts the late twentieth-century development of reactionary emotions commonly felt by resentful, yet often goodhearted white men. Examining an eclectic array of literary case studies in light of recent work in critical whiteness and masculinity studies, history, geography, philosophy and theology, Tim Engles delineates five preliminary forms of white male nostalgia—as dramatized in novels by Sloan Wilson, Richard Wright, Carol Shields, Don DeLillo, Louis Begley and Margaret Atwood—demonstrating how literary fiction can help us understand the inner workings of deluded dominance. These authors write from identities outside the defensive domain of normalized white masculinity, demonstrating via extended interior dramas that although nostalgia is primarily thought of as an emotion felt by individuals, it also works to shore up entrenched collective power.

A challenging inquiry into the complex interrelationship between our ideas about race and color and the unconscious, provoking the reader to confront those unconscious attitudes that stand in the way of authentic multicultural relationships.