The Arts As Witness In Multifaith Contexts

In search of holistic Christian witness, missionaries have increasingly sought to take into account all the dimensions of people's cultural and religious lives—including their songs, dances, dramatic performances, storytelling, and visual arts. Missiologists, educators, and practitioners are cultivating new approaches for integrating the arts into mission praxis and celebrating creativity within local communities. And in an increasingly globalized and divided world, peacemaking must incorporate the use of artistic expressions to create understanding among peoples of diverse faiths. As Christians in all nations encounter members of other religions, how do they witness among these neighbors while respecting their distinct traditions? Building on sessions at the 2018 Missiology Lectures at Fuller Seminary, this book explores the crucial role of the arts in helping people from different cultures and faiths get caught up in the gospel story. Scholars and practitioners from throughout the world present historical and contemporary case studies and analyses. Their subjects include the use of Christian songs during the Liberian civil war and Ebola crisis, social critiques in contemporary Chinese art, interreligious dialogue through choir music in Germany, aesthetic practices of the Zapatista movement in Chiapas, Mexico, and how hip-hop music empowers urban young people in globalizing Mozambique. These essays foster a conversation about the work that missiologists, art critics, ethnodoxologists, and theologians can do together to help guide church leaders in promoting interfaith and intercultural relationships. While honestly identifying weaknesses in the church's practice, the contributors call all Christians to understand the power of art for expressing cultural and religious identity, opening spaces for transformative encounters, bridging divides, and resisting injustice. Missiological Engagements charts interdisciplinary and innovative trajectories in the history, theology, and practice of Christian mission, featuring contributions by leading thinkers from both the Euro-American West and the majority world whose missiological scholarship bridges church, academy, and society.

Veteran missionary-scholar Roberta King draws on a lifetime of study and firsthand mission experience to show how witness through contextualized global arts can dynamically reveal Christ to all peoples. King offers the global church biblical foundations, historical pathways, theoretical frameworks, and effective practices for communicating Christ through the arts in diverse contexts. Supplemented with stories from the field, illustrations, and discussion questions, this textbook offers innovative and dynamic approaches essential for doing mission in transformative ways through the arts. It also features a full-color insert of artwork discussed in the book.

We all understand the importance of constructive dialogue between people of diverse religions, and we can all appreciate the enjoyment received from viewing pictorial art. What, therefore, does the use of pictorial art for interreligious dialogue look like? PICTORIAL ART FOR INTERRELIGIOUS DIALOGUE, commissioned by the 2020 International Fellows Programme of the King Abdullah bin Abdulaziz International Centre for Interreligious and Intercultural Dialogue (KAICIID), explores the unique usage of pictorial art to undertake interreligious dialogue. It presents a practical guide to help educators learn and teach an effective and enjoyable interreligious dialogue within their academic settings. This book offers an alternative to prevailing approaches to interreligious dialogue through its Structured Arts-based Educational Dialogue (SAED). The SAED approach will transform pictorial art into a channel for dialogue through the artwork’s form, content, and subject matter, serving as speaking points in the dialogical process informing the life experiences and religious ideas of the dialogue partners. Herein lies a new power for interreligious dialogue, to know and love the religious other through a mediated, personal and arts-based dialogical approach.

The Georgetown Companion to Interreligious Studies provides fifty thought-provoking chapters on the history, priorities, challenges, pedagogies, and practical applications of this emerging field, written by an international roster of practitioners of or experts across diverse religious traditions.

The emergence of the field of interreligious studies is emerging as a response to critical issues within our religiously plural world. Religious conflicts, large and small, continue to plague our society, as the challenges of navigating religious difference emerge in daily encounters among people who would like to get along in the public square that they fashion together. These challenges unfold within families, congregations, college campuses, workplaces, communities, media, and cyberspace. This volume offers a comprehensive introduction to interreligious studies. Providing an overview of the history, terms, and characteristics of the field, Rachel Mikva explores the ethical, philosophical, and theological foundations for pluralism. She also presents guidelines and case studies that demonstrate how interreligious understanding and solidarity can be achieved. Designed for use in undergraduate and graduate courses, the volume also will be useful to medical doctors, social workers, police officers, corporate managers, and others whose work requires multi-cultural competence.

Outreach 2020 Recommended Resource of the Year (Cross-Cultural and Missional) Veteran missionary-scholar Roberta King draws on a lifetime of study and firsthand mission experience to show how witness through contextualized global arts can dynamically reveal Christ to all peoples. King offers the global church biblical foundations, historical pathways, theoretical frameworks, and effective practices for communicating Christ through the arts in diverse contexts. Supplemented with stories from the field, illustrations, and discussion questions, this textbook offers innovative and dynamic approaches essential for doing mission in transformative ways through the arts. It also features a full-color insert of artwork discussed in the book.

Challenging other narratives of mission history, Skreslet offers a new speech-act theory approach to the modern roots of World Christianity that differentiates between what a missionary might intend to communicate and the effects of what has been said or actions taken both in the moment and over time.

Indigenous peoples of Brazil have come to faith in Christ in large numbers in recent decades. As Christianity takes root in each culture, it may incorporate expressive forms of music and art, which can range from those identical to earlier cultural forms to those which are fully imported. But what happens when musicians and artists of a local indigenous community fuse elements from a variety of genres and create their own music? Are they just imitations of external forms? Or are they authentic creations from elements that have now become their own sounds, too? Christian musicians among the Xerente (pronounced Sheh- ́ren-teh) have created their own fusion genre(s) to express their faith, communicate the gospel, and edify their churches. Their music includes elements from their cultural tradition as well as from (secular) genres of the northeastern region of Brazil. Is it, then, authentically Xerente? As we discuss in this book, independent of tangible markers or its long history, the authenticity of an art form can be demonstrated through a number of connections with the community and signposted by its meaning and function among the people, as well as the competence and agency of the people in their artistic choices.