The Arts In The Middle Ages

Presents a chronological introduction to Medieval art, including stained glass, illuminated manuscripts, mural and panel paintings, metalwork, tapestries, sculpture, and architecture.

'Collaboration' is a complex cultural and political phenomenon: the combined practice of two or more artists, simultaneously or across time, or the willing (and therefore publicly reprehensible) collusion implied by the term's specifically historical meaning. These interdisciplinary essays propose collaboration as a strategy for ensuring creativity within a dynamic tradition, and as a means of mutual enrichment both between individuals and between disciplines. Writers from Chaucer to Wilde and Conrad are considered in this context, together with medieval iconography and German Romanticism. Yet collaboration as collusion and coercion are also implicated in diverse political and cultural agendas informed by xenophobic and exclusive, rather than inclusive, ideologies. Their impact spreads beyond the lives and minds of individual artists and individual texts to touch on the relationship between the citizen and the state, whether writers from the 'losing' side, the immigrant in Italy, writers who supported Fascisim, or the Roma in Britain.

Earliest Christian art - Saints and holy places - Holy images - Artistic production for the wealthy - Icons & iconography.

"Dismantles the religious, political, and geographic walls that have separated medieval art and architecture and treats not only western Europe but also the Byzantine Empire and the Islamicate world from ca. 200 CE to ca. 1450 CE. Includes a wide variety of art forms, from large architectural complexes to small amulets printed on paper"--

This collection explores the way in which these minor arts have fought back to gain wider acceptance in our holistic approach to studying the arts of the Middle Ages. Written by some of the most eminent scholars in the field, looks at minor media from a historiographical perspective and shows how they are gaining wider acceptance.

IntroductionPrefaceMalcolm JonesEditorialElaine C. BlockTechnical Aspects of the MisericordHugh HarrisonProfane Imagery on Misericords and Lead Badges1 Misericords as an Interpretative Tool in the study of Choir StallsCharles Tracy2 Misericords and the World of BruegelElaine C. Block3 TutivillusChrista Grössinger4 Where the Abbot Carries Dice : Gaming-Board Misericords in Context M.A. Hall5 Flying Low Down Under: Representations of Winged MammalsFowl and Birds on English MisericordsS.J. F.S. Philips6 The Mermaid in the ChurchTerry Pearson7 Romance among the Choir Stalls: Middle English Romance Motifs on English MisericordsJennifer Fellows8 Misinterpretation in the MarginsPaul Hardwick9 Passionate Pilgrims: Secular Lead Badges as Precursors of Emblemata AmatoriaStefanie StockhorstProfane Images in other marginal media10 Obscenity as the Woodworker's Last LaughNaomi Reed Kline11 Looking for Fun in All the Wrong Places: Humour and Comedy in Moralizing PrintsDiane G. Scillia12 A Sacred Tekst Profaned : Seven Women Fight for the BreechesWalter S. Gibson13 Iconographie des charniers des ossuaires et des aîtres à Travers la France médievale Sylvie Bethmont-Gallerand14 An Iconography of Shame: German Defamatory Pictures of the Early Modern EraSilke Meyer15 The Lost Print Collection of Ferdinand Columbus (1488-1539)Mark P. Mc DonaldThe Marginal Arts in the Mainstream16 Screening the Middle Ages: Costumes and Objects as Medieval Signifiers in The Adventures of Robin Hood (1938)Brian J. Levy17 Diabolus in musica dans les stalles médiévales: significations du désordre musical Frédéric Billiet18 Review of Averting Demons by Ruth MellinkoffMalcolm Jones19 Resumes in French and EnglishSylvie Bethmond-GallerandElaine C. BlockAppendix/ List of photographs by siteThe Authors.

This beautifully produced survey of over a thousand years of Western art and architecture introduces the reader to a vast period of history ranging from ancient Rome to the age of exploration. The monumental arts and the diverse minor arts of the Middle Ages are presented here within the social, religious, and political frameworks of lands as varied as France and Denmark, Spain and Turkey. Marilyn Stokstad also teaches her reader how to look at medieval art-which aspects of architecture, sculpture, or painting are important and for what reasons. Stylistic and iconographic issues and themes are thoroughly addressed with attention paid to aesthetic and social contexts.