The Arts Of India Southeast Asia And The Himalayas At The Dallas Museum Of Art

In recent years, the Dallas Museum of Art has expanded its collection of South Asian art from a small number of Indian temple sculptures to nearly 500 works, including Indian Hindu and Buddhist sculptures, Himalayan Buddhist bronze sculptures and ritual objects, artwork from Southeast Asia, and decorative arts from India's Mughal period. Artworks in the collection have origins from the former Ottoman empire to Java, and architectural pieces suggest the grandeur of buildings in the Indian tradition. This volume details the cultural and artistic significance of more than 140 featured works, which range from Tibetan thangkas and Indian miniature paintings to stone sculptures and bronzes. Relating these works to one another through interconnecting narratives and cross-references, scholars and curators provide a broad cultural history of the region. Distributed for the Dallas Museum of Art

"In recent years, the Dallas Museum of Art has expanded its collection of South Asian art from a small number of Indian temple sculptures to nearly 500 works, including Indian Hindu and Buddhist sculptures, Himalayan Buddhist bronze sculptures and ritual objects, artwork from Southeast Asia, and decorative arts from India's Mughal period. Artworks in the collection have origins from the former Ottoman empire to Java, and architectural pieces suggest the grandeur of buildings in the Indian tradition. This volume details the cultural and artistic significance of more than 140 featured works, which range from Tibetan thangkas and Indian miniature paintings to stone sculptures and bronzes. Relating these works to one another through interconnecting narratives and cross-references, scholars and curators provide a broad cultural history of the region"--Publisher's description.

Rachel Bryant Davies and Erin Johnson-Williams lead a cast of renowned scholars to initiate an interdisciplinary conversation about the mechanisms of power that have shaped the nineteenth-century archive, to ask: What is a nineteenth-century archive, broadly defined? This landmark collection of essays will broach critical and topical questions about how the complex discourses of power involved in constructions of the nineteenth-century archive have impacted, and continue to impact, constructions of knowledge across disciplinary boundaries, and beyond academic confines. The essays, written from a range of disciplinary perspectives, grapple with urgent problems of how to deal with potentially sensitive nineteenth-century archival items, both within academic scholarship and in present-day public-facing institutions, which often reflect erotic, colonial and imperial, racist, sexist, violent, or elitist ideologies. Each contribution grapples with these questions from a range of perspectives: Musicology, Classics, English, History, Visual Culture, and Museums and Archives. The result is far-reaching historical excavation of archival experiences.

For Non-Western Art, Humanities, or Culture and Religion courses. This one-volume survey provides students with detailed and systematic coverage of Non-Western art via coverage of the cultural and ideological contexts in which art was created. Michael Kampen-O’Riley created this text to serve as the market’s first dedicated survey of Non-Western art. Rather than mere descriptions of the various styles, Kampen-O’Riley provides detailed analysis of each major style within its cultural context, through which students can derive the meaning of works of art in each style. The text also provides students with an efficient educational tool with which to study art from nearly two thirds of the world.

The South Asia collection of the Asian Civilisations Museum, Singapore, is the most comprehensive in Southeast Asia. Begun in 1993 at the same time as the establishment of the Museum, the collection has grown steadily and is now over 250-object strong. Government grants, loans, donations from committed supporters and a dynamic team made it possible. Although the collections primary focus is south India because of its historical and cultural links with Singapore, it covers various regions and periods of South Asian history.This 288-page volume of detailed catalogue entries approaches the collection thematically weaving a web of interconnections. The catalogue covers a wide spectrum of artefacts from the ancient period to the 20th century, linking the threads of communication and historical development. Themes such as religion, architecture, festivals, rituals and visual and performing arts unveil the cultural richness and diversity of South Asia. Impressive stone sculptures and massive architectural fragments are set alongside exquisite textiles, jewellery and ritual objects.