The Astonished Heart

Characters: 4 male, 3 female Scenery: Interior One of the Tonight at 8:30 series produced in London and New York. In psychiatrist Christian Faber's drawing room sits his weeping wife and his sad assistants, waiting for the siren Leonora. In four flashbacks the story emerges: Leonora, a girlhood chum, visited Christian's wife and was introduced to him. She set out to capture her friend's husband but was captured herself. She threw him over because of his jealousy. He jumped out of the window. Leonora has come because Christian calls for her on his death bed. She returns slowly from his room to announce he has died and that his last words were tender ones to his wife, for whom he mistook Leonora. Also published in Tonight at 8:30.

Capon shows how the church has lost its astonishment over the Good News and has made Christianity into a religion that focuses on requirements and restrictions rather than on gospel. Recovery of astonishment is his saving remedy.

Written as a vehicle for Coward's own acting talents alongside his frequent stage partner Gertrude Lawrence, Tonight at 8:30 is Coward's ambitious series of ten one-act plays which saw him breathe new life into the one-act form. First performed in London in 1936, the plays perfectly showcase Coward's talents as a playwright, providing a sparkling, fast-paced and remarkably varied selection of theatrical gems. All ten plays are collected together into this volume that features both Coward's own preface and an introduction by Barry Day, editor of The Letters of Nöel Coward. Coward wrote of the first series of three plays with characteristic delight: 'They are all brilliantly written, exquisitely directed, and I am bewitching in all of them.' Gertrude Lawrence wrote to Coward in 1947, 'Dearest Noël, wherever I go . . . all I hear is "Please revive Tonight at 8.30!"' 'Tonight at 8.30 surprises as much as it delights as, in some of the plays, Coward takes us to a world far removed from that of the wealth and glamour of the debonair London socialites who dominated much of his earlier work. But The Master's polish and sparkle are never far away as music and song intertwine with the wit and insight of one of our greatest ever playwrights.' Chichester Festival Theatre, 2006.

This collection brings together three of Coward's most important screenplays – In Which We Serve (1942), Brief Encounter (1945) and The Astonished Heart (1950). The collection features the shooting scripts for each film alongside contextual notes for each play, and a general introduction, by Barry Day. In Which We Serve earned Coward an Academy Honorary Award in 1943 as well as the New York Film Critics Circle Award for Best Film. The film remains a classic of wartime British cinema. Brief Encounter, the most famous screenplay in this collection, is based on Coward's 1936 one-act play Still Life. It remains one of the greatest love stories of all time, coming second in a British Film Institute poll of the top 100 British films. The Astonished Heart tells the story of a psychiatrist's growing obsession for a good-time girl and the resulting tragedy this leads to. This collection features a foreword by Laurence Kardish, Senior Curator Emeritus, Film, at New York's MoMA, and an eight-page black and white plate section of production stills.

“A narrative composed of brutal honesty, tenderness, and an aching love for God. I could not put it down.” —Sue Monk Kidd, author of The Secret Life of Bees In the middle of her life, acclaimed memoirist Beverly Donofrio thought she’d found a safe haven in a beautiful town in Mexico—until she was awakened in her bed by a rapist. As she writes in this fierce, unflinching account: “This was not supposed to happen. I was supposed to have escaped: I had hot flashes and liver spots and was in the final stretch.” Here Donofrio wrestles with anger toward her attacker and toward life, yet realizes her despair is not unlike that of other friends who are struggling with grave illnesses, loss of jobs, deaths of loved ones. Hoping to heal from trauma, Donofrio turns to prayer while journeying to five very different monasteries. A testimony to how anyone who is broken can move away from fear and anger toward grace, Astonished will not only be read and shared by fans of Donofrio’s previous books, but also by anyone who hopes to be inspired by Donofrio’s strength and her search for faith, healing, and identity.

Updated with bonus material, including a new foreword and afterword with new research, this New York Times bestseller is essential reading for a time when mental health is constantly in the news. In this astonishing and startling book, award-winning science and history writer Robert Whitaker investigates a medical mystery: Why has the number of disabled mentally ill in the United States tripled over the past two decades? Interwoven with Whitaker’s groundbreaking analysis of the merits of psychiatric medications are the personal stories of children and adults swept up in this epidemic. As Anatomy of an Epidemic reveals, other societies have begun to alter their use of psychiatric medications and are now reporting much improved outcomes . . . so why can’t such change happen here in the United States? Why have the results from these long-term studies—all of which point to the same startling conclusion—been kept from the public? Our nation has been hit by an epidemic of disabling mental illness, and yet, as Anatomy of an Epidemic reveals, the medical blueprints for curbing that epidemic have already been drawn up. Praise for Anatomy of an Epidemic “The timing of Robert Whitaker’s Anatomy of an Epidemic, a comprehensive and highly readable history of psychiatry in the United States, couldn’t be better.”—Salon “Anatomy of an Epidemic offers some answers, charting controversial ground with mystery-novel pacing.”—TIME “Lucid, pointed and important, Anatomy of an Epidemic should be required reading for anyone considering extended use of psychiatric medicine. Whitaker is at the height of his powers.” —Greg Critser, author of Generation Rx

“A landmark work of lesbian fiction” and the basis for the acclaimed film Desert Hearts (The New York Times). Against the backdrop of Reno, Nevada, in the late 1950s, award-winning author Jane Rule chronicles a love affair between two women. When Desert of the Heart opens, Evelyn Hall is on a plane that will take her from her old life in Oakland, California, to Reno, where she plans to divorce her husband of sixteen years. A voluntary exile in a brave new world, she meets a woman who will change her life. Fifteen years younger, Ann Childs works as a change apron in a casino. Evelyn is instantly drawn to the fiercely independent Ann, and their friendship soon evolves into a romantic relationship. An English professor who had always led a conventional life, Evelyn suddenly finds all her beliefs about love, morality, and identity called into question. Peopled by a cast of unforgettable characters, this is a novel that dares to ask whether love between two women can last.