The Astounding The Amazing And The Unknown

Based on an incredible true episode of World War II history, Paul Malmont’s new novel is a rollicking blend of fact and fiction about the men and women who were recruited to defeat the Nazis and ended up creating the future. In 1943, when the United States learns that Germany is on the verge of a deadly innovation that could tip the balance of the war, the government turns to an unlikely source for help: the nation’s top science fiction writers. Installed at a covert military lab within the Philadelphia Naval Yard are the most brilliant of these young visionaries. The unruly band is led by Robert Heinlein, the dashing and complicated master of the genre. His “Kamikaze Group,” which includes the ambitious genius Isaac Asimov, is tasked with transforming the wonders of science fiction into science fact and unlocking the secrets to invisibility, death rays, force fields, weather control, and other astounding phenomena—and finding it harder than they ever imagined. When a German spy washes ashore near the abandoned Long Island ruins of a mysterious energy facility, the military begins to fear that the Nazis are a step ahead of Heinlein’s group. Now the oddball team, joined by old friends from the Pulp Era including L. Ron Hubbard (court-martialed for attacking Mexico), must race to catch up. The answers they seek may be locked in the legendary War of Currents, which was fought decades earlier between Nikola Tesla and Thomas Edison. As the threat of an imminent Nazi invasion of America grows more and more possible, events are set in motion that just may revolutionize the future—or destroy it—while forcing the writers to challenge the limits of talent, imagination, love, destiny, and even reality itself. Blazing at breathtaking speed from forgotten tunnels deep beneath Manhattan to top-secret battles in the North Pacific, and careening from truth to pulp and back again, The Astounding, the Amazing, and the Unknown is a sweeping, romantic epic—a page-turning rocket ship ride through the history of the future.

Hugo and Locus Award Finalist An Economist Best Book of the Year A Milwaukee Journal Sentinel Best Book of 2018 “An amazing and engrossing history...Insightful, entertaining, and compulsively readable.” — George R. R. Martin Astounding is the landmark account of the extraordinary partnership between four controversial writers—John W. Campbell, Isaac Asimov, Robert A. Heinlein, and L. Ron Hubbard—who set off a revolution in science fiction and forever changed our world. This remarkable cultural narrative centers on the figure of John W. Campbell, Jr., whom Asimov called “the most powerful force in science fiction ever.” Campbell, who has never been the subject of a biography until now, was both a visionary author—he wrote the story that was later filmed as The Thing—and the editor of the groundbreaking magazine best known as Astounding Science Fiction, in which he discovered countless legendary writers and published classic works ranging from the I, Robot series to Dune. Over a period of more than thirty years, from the rise of the pulps to the debut of Star Trek, he dominated the genre, and his three closest collaborators reached unimaginable heights. Asimov became the most prolific author in American history; Heinlein emerged as the leading science fiction writer of his generation with the novels Starship Troopers and Stranger in a Strange Land; and Hubbard achieved lasting fame—and infamy—as the founder of the Church of Scientology. Drawing on unexplored archives, thousands of unpublished letters, and dozens of interviews, Alec Nevala-Lee offers a riveting portrait of this circle of authors, their work, and their tumultuous private lives. With unprecedented scope, drama, and detail, Astounding describes how fan culture was born in the depths of the Great Depression; follows these four friends and rivals through World War II and the dawn of the atomic era; and honors such exceptional women as Doña Campbell and Leslyn Heinlein, whose pivotal roles in the history of the genre have gone largely unacknowledged. For the first time, it reveals the startling extent of Campbell’s influence on the ideas that evolved into Scientology, which prompted Asimov to observe: “I knew Campbell and I knew Hubbard, and no movement can have two Messiahs.” It looks unsparingly at the tragic final act that estranged the others from Campbell, bringing the golden age of science fiction to a close, and it illuminates how their complicated legacy continues to shape the imaginations of millions and our vision of the future itself. "Enthralling…A clarion call to enlarge American literary history.” — Washington Post “Engrossing, well-researched… This sure-footed history addresses important issues, such as the lack of racial diversity and gender parity for much of the genre’s history.” — Wall Street Journal “A gift to science fiction fans everywhere.” — Sylvia Nasar, New York Times bestselling author of A Beautiful Mind

Partners in Wonder revolutionizes our knowledge of women and early science fiction. Contrary to accepted interpretations, women fans and writers were a welcome and influential part of pulp science fiction from the birth of the genre. Davin finds that at least 203 female authors, under their own female names, published over a thousand stories in science fiction magazines between 1926 and 1965. This work explores the distinctly different form of science fiction that females produced—one that was both more utopian and more empathetic than that of their male counterparts. Partners in Wonder presents, for the first time, a complete bibliography of every story published by women writers in science fiction magazines from 1926 to 1965 and brief biographies on 133 of these women writers. It is thus the most comprehensive source of information on early women science fiction writers yet available and of great importance to scholars of women's studies, popular culture, and English literature as well as science fiction.

From Stonewall Award winner Bill Konigsberg, a remarkable, funny, sexy, heartbreaking story of two teen boys finding each other in New York City at the height of the AIDS epidemic. The first thing I noticed about C.J. Gorman was his plexiglass bra. So begins Destination Unknown -- it's 1987 in New York City, and Micah is at a dance club, trying to pretend he's more out and outgoing than he really is. C.J. isn't just out -- he’s completely out there, and Micah can't help but be both attracted to and afraid of someone who travels so loudly and proudly through the night. A connection occurs. Is it friendship? Romance? Is C.J. the one with all the answers... or does Micah bring more to the relationship than it first seems? As their lives become more and more entangled in the AIDS epidemic that’s laying waste to their community, and the AIDS activism that will ultimately bring a strong voice to their demands, whatever Micah and C.J. have between them will be tested, strained, pushed, and pulled -- but it will also be a lifeline in a time of death, a bond that will determine the course of their futures. In Destination Unknown, Bill Konigsberg returns to a time he knew well as a teenager to tell a story of identity, connection, community, and survival.

John W. Campbell was the man who made modern science fiction what it is today. As editor of Astounding Stories (later Analog), Campbell brought into the field such all-time greats as Asimov, Heinlein, Sturgeon and many others, while his own writing blazed new trails in science fiction reading pleasure. The Moon is Hell is this great writer-editor's vision of the first men on the moon - written 18 years before Neil Armstrong made history. This is the story of the American space programme - not as it happened, but as it might have been.

When physicist Robert Goddard, whose career was inspired by H. G. Wells's War of the Worlds, published "A Method of Reaching Extreme Altitudes," the response was electric. Newspaper headlines across the country announced, "Modern Jules Verne Invents Rocket to Reach Moon," while people from around the world, including two World War I pilots, volunteered as pioneers in space exploration. Though premature (Goddard's rocket, alas, was only imagined), the episode demonstrated not only science's general popularity but also its intersection with interwar popular and commercial culture. In that intersection, the stories that inspired Goddard and others became a recognizable genre: science fiction. Astounding Wonder explores science fiction's emergence in the era's "pulps," colorful magazines that shouted from the newsstands, attracting an extraordinarily loyal and active audience. Pulps invited readers not only to read science fiction but also to participate in it, joining writers and editors in celebrating a collective wonder for and investment in the potential of science. But in conjuring fantastic machines, travel across time and space, unexplored worlds, and alien foes, science fiction offered more than rousing adventure and romance. It also assuaged contemporary concerns about nation, gender, race, authority, ability, and progress—about the place of ordinary individuals within modern science and society—in the process freeing readers to debate scientific theories and implications separate from such concerns. Readers similarly sought to establish their worth and place outside the pulps. Organizing clubs and conventions and producing their own magazines, some expanded science fiction's community and created a fan subculture separate from the professional pulp industry. Others formed societies to launch and experiment with rockets. From debating relativity and the use of slang in the future to printing purple fanzines and calculating the speed of spaceships, fans' enthusiastic industry revealed the tensions between popular science and modern science. Even as it inspired readers' imagination and activities, science fiction's participatory ethos sparked debates about amateurs and professionals that divided the worlds of science fiction in the 1930s and after.

Set in the colorful world of the 1930s and peopled with writers H.P. Lovecraft, L. Ron Hubbard, Lester Dent, and Walter Gibson, this swashbuckling literary thriller propels the characters into a genuine pulp adventure in which they try to thwart a madman intent on creating a new global empire.

Published for the first time in 1940 in "Astounding" magazine, "Final Blackout" "is set in a world ravaged by 30 years of war. . . [and] chronicles the rise, in England, of the charismatic leader, strategist and statesman known only as the Lieutenant" ("Publishers Weekly"). "Hubbard spins a masterful tale of suspense and nonstop action."--Harold Robbins