The Attraction Of Adeline

The Proposal: Adeline Rigby will live with Accountant Jack Foster and pretend to be his fake fiancée for one month in order for him to seal a promotion to partner. In return, Accountant Jack Foster will intimately tutor Adeline Rigby in French before she leaves for Paris where she will fulfill her dream of attending Le Cordon Bleu. The Terms: 1. Maintain distance. Three get-to-know-you dates before announcing their engagement will be tempting enough. 2. No kissing. Okay, fine. Three kisses. Maybe four. And neck kisses don’t count. 3. No touchy feely stuff. Or at least not too many public displays of touchy-feely stuff. 4. No sex. 5. All right, all right. One night of sex in order to be a believable engaged couple. 6. Two nights of mind-blowing sex to make sure first night wasn’t a fluke. 7. Absolutely, positively, no falling in love. Each book in the Off-the-Wall Proposal series is a standalone, full-length story that can be enjoyed out of order. Series Order: Book #1 The Seduction of Kinley Foster Book #2 The Attraction of Adeline

As British women writers in the late eighteenth and early nineteenth centuries sought to define how they experienced their era's social and economic upheaval, they helped popularize a new style of bourgeois female sensibility. Building on her earlier work in Romantic Androgyny, Diane Long Hoeveler now examines the Gothic novels of Charlotte Smith, Ann Radcliffe, Jane Austen, Charlotte Dacre Byrne, Mary Shelley, and the Bront&ës to show how these writers helped define femininity for women of the British middle class. Hoeveler argues that a female-created literary ideology, now known as &"victim feminism,&" arose as the Gothic novel helped create a new social role of professional victim for women adjusting to the new bourgeois order. These novels were thinly disguised efforts at propagandizing a new form of conduct for women, teaching that &"professional femininity&"&—a cultivated pose of wise passiveness and controlled emotions&—best prepared them for social survival. She examines how representations of both men and women in these novels moved from the purely psychosexual into social and political representations, and how these writers constructed a series of ideologies that would allow their female characters&—and readers&—fictitious mastery over an oppressive social and political system. Gothic Feminism takes a neo-feminist approach to these women's writings, treating them not as sacred texts but as thesis-driven works that attempted to instruct women in a series of strategic poses. It offers both a new understanding of the genre and a wholly new interpretation of feminism as a literary ideology.

When Adeline Mowbray puts her mother Editha’s radical theories into practice by eloping with, but not marrying, a notorious writer, the mother and daughter are estranged for many years, but finally reconciled. As its subtitle suggests, Adeline Mowbray, or The Mother and Daughter begins and ends with their story, but its complex plot encompasses almost every other human relationship. This engaging novel explores many issues important in the Romantic period, from women’s education to the ethics of slavery and colonialism. This Broadview Edition uses the first edition of 1805 as its copy text, but also includes important variants from the 1810 and 1844 editions. The appendices include contemporary reviews and material expanding on the novel’s themes of women’s education, marriage, slavery, and the tension between feeling and reason.

This fascinating study explores the multifarious erotic themes associated with the magic lantern shows, which proved the dominant visual medium of the West for 350 years, and analyses how the shows influenced the portrayals of sexuality in major works of Gothic fiction.