The Audition

Bunheads meets The Kicks in this first novel in a brand-new middle grade trilogy from New York Times bestselling author, dancer, model, and actress Maddie Ziegler! Twelve-year-old Harper has been dancing practically since she could walk. She loves her dance studio and team, and just won her first ever top junior solo in a regional competition. But right before the school year starts, Harper’s parents drop a bombshell—the family has to relocate from their cozy town in Connecticut to sunny Florida for their jobs. That means goodbye to her friends, dance team, trips to see shows in NYC—and did she mention dance team? When she arrives at her new dance school and new team, it feels like everyone has better feet, quicker turns and faster taps than Harper. And it doesn’t help that a group of girls, who nicknamed themselves The Bunheads, wonder how the heck she made the team if she can’t even do a simple turn sequence in front of the class. Thankfully, Harper befriends Lily, a fellow newbie in the studio who is just as eager to make her mark and find a friendly face. With a big competition coming up for the dance team, Harper is determined to show everyone—especially those Bunheads—what she’s made of. And when a very badly timed injury threatens all of the work they have done, The Bunheads, Lily, and Harper must learn to truly work together to give them their best shot at the top spot!

Since the death of his wife seven years ago, documentary maker Aoyama has not dated anyone else. Now even his teenage son, Shige, thinks that he should remarry and his best friend Yoshikawa comes up with a plan: to hold fake film auditions from which, he can choose a new bride. Of the thousands who apply, it is a beautiful ballerina, Yamasaki Asami, who captivates Aoyama. Infatuated by her fragile nature and nervous smile, he ignores his increasing sense of unease, putting aside his doubts about his new love, until it may be too late... In Audition, Ryu Murakami delivers his most subtly disturbing novel yet, confirming him as Japan's master of the psycho-thriller.

The casting director for Chicago, Pippin, Becket, Gypsy, The Graduate, the Sound of Music and Jesus Christ Superstar tells you how you can find your dream role! Absolutely everything an actor needs to know to get the part is here: What to do that moment before, how to use humour; create mystery; how to develop a distinct style; and how to evaluate the place, the relationships and the competition. In fact, Audition is a necessary guide to dealing with all the "auditions" we face in life. This is the bible on the subject.

When high school junior Sara wins a coveted scholarship to study ballet, she must sacrifice everything for her new life as a professional dancer-in-training. Living in a strange city with a host family, she's deeply lonely-until she falls into the arms of Remington, a choreographer in his early twenties. At first, she loves being Rem's muse, but as she discovers a surprising passion for writing, she begins to question whether she's chosen the right path. Is Rem using her, or is it the other way around? And is dancing still her dream, or does she need something more? This debut novel in verse is as intense and romantic as it is eloquent.

The fastest, easiest, most comprehensive way to learn Adobe Audition CC Classroom in a Book®, the best-selling series of hands-on so ware training workbooks, offers what no other book or training program does–an official training series from Adobe, developed with the support of Adobe product experts. Adobe Audition CC Classroom in a Book contains 17 lessons that cover the basics and beyond, providing countless tips and techniques to help you become more productive with the program. You can follow the book from start to finish or choose only those lessons that interest you. Purchasing this book includes valuable online extras. Follow the instructions in the book’s “Getting Started” section to unlock access to: • Downloadable lesson files you need to work through the projects in the book • Web Edition containing the complete text of the book, interactive quizzes, videos that walk you through the lessons step by step, and updated material covering new feature releases from Adobe What you need to use this book: Adobe Audition CC software, for either Windows or macOS. (Software not included.) Note: Classroom in a Book does not replace the documentation, support, updates, or any other benefits of being a registered owner of Adobe Audition CC software.

As a casting director for twenty-three years, Holly Powell witnessed the casting world from three different points of view: As an independent casting director, as Head of Casting for a Studio, and as a Network Casting Executive. From this unique perspective, she formed Holly Powell Studios, with her mission being to demystify the audition process for actors. Through using her “The 6 Audition Tools Method,” actors are guided into adopting the mental focus of the athlete and learn to control sabotaging thoughts that can derail an audition. THE AUDITION BIBLE: Secrets Every Actor Needs To Know, originally written as a companion piece to Holly’s audition workshops, covers not only audition techniques and tools but answers many common questions about audition protocol. Anecdotal audition stories exemplify what works and what doesn’t during the casting process. Part 1: The Audition is a handbook for any actor auditioning for any venue, be it television, film, theater, a commercial or a webisode. The actor travels through waiting in the lobby, walking into the audition room, the audition itself, the people he encounters in the room, and finally exiting the audition room. Part 2: Auditioning For A Series-Regular Role guides the actor through the four steps it typically takes to book a series-regular role on a network television series: The Pre-Read with the Casting Director, The Callback for Producers, Reading for Studio Executives, and Testing at the Network. Even though the format in Part 2 is specifically geared toward auditioning for television, all actors in every medium will find invaluable information here that will apply to their individual audition circumstances. An audition is an audition is an audition.

Frustrating, nerve-wracking, job-winning or job-losing, flawed yet necessary - auditioning is a maddening business for everyone involved. The people behind the audition desk are looking for a killer audition (often under tremendous pressure), but most of the auditionees walk into the room feeling nervous, unprepared, and unable to control their own performance. Although the idea of creating 'winning performance strategies' is common in business and sports studies, no one has ever really attempted to bring the psychology of creating a winning performance to a book on auditioning. Drawing on some fascinating, cutting-edge research into how the brain copes and responds in high-stress situations, Mastering the Audition looks closely at the effects of fear, at our flawed ability to assess or really know ourselves, at what really drives us, and at what it really takes to master the audition experience. Applicable to all areas of performing, including reality television, musicals, stage, film and commercials, this book helps you hone your performing skills and develop the mental toughness that can keep you going through the inevitable ups and downs of the audition process. Where other books advise you to 'be confident' and 'be prepared', Mastering the Audition tells you exactly HOW.

The aim of this book is to offer advice and tips to working actors, and new graduates alike, on ways in which they can improve upon their position or get started on their chosen path. There is pragmatic guidance to aid actors to get into the audition room itself then, once in those fateful auditions, how to make the most of the allotted time. The text is filled with practical and sage words of wisdom from a number of renowned industry professionals – actors, directors, casting directors, radio producers, voice artists, authors and acting coaches. Actors should treat this book as a helpful insider within the audition room, someone who wants to help them with their chosen career. They are an important aspect of the theatre industry, but have to keep on their toes because there are always another hundred actors, or more, stood behind just as hungry for work, if not hungrier!