The Bandit

'Raw, poetic and compulsively readable ... I can't wait to buy a copy for everyone I know.' Kathryn Stockett, author of The Help The summer she turned thirteen, Molly Brodak's father was arrested for robbing eleven banks. In time, the image she held of him would unravel further, as more and more unexpected facets of his personality came to light. Bandit is her attempt to discover what, exactly, is left, when the most fundamental relationship of your life turns out to have been built on falsehoods. It is also a scrupulously honest account of learning how to trust again, and to rebuild the very idea of family from scratch. Refusing to fence off the trickier sides of her father's character, Brodak tries to find, through crystalline, spellbinding prose, a version of him that does not rely on the easy answers but allows him to be: an unknowable and incomprehensible whole – who is also her father. Unforgettable, moving, and utterly relatable, Bandit is a story of the unpredictable complexity of family.

A missing legacy, a stolen son, and one dangerous secret changed everything for them... SHE STOLE MY PROPERTY I'll never forget the night I caught her sneaking around my place. She thought she could steal from me and get away with it, but I have no intention of letting her get away at all. Mian Ross has a lesson to learn, and I'm going to be the one to teach it to her. HE STOLE MY SON I'll never forget the night I made the second biggest mistake of my life. It was supposed to be a simple job, but it quickly became so much more--one that cost my freedom and cost my son. Angel Knight became my worst nightmare... and now, he'll never let us go.

Legions of bluegrass fans know the name Otto Wood (1893–1930) from a ballad made popular by Doc Watson, telling the story of Wood's crimes and violent death. However, few know the history of this Appalachian figure beyond the larger-than-life version heard in song. Trevor McKenzie reconstructs Wood's life, tracing how a Wilkes County juvenile delinquent became a celebrated folk hero. Throughout his short life, Wood was jailed for numerous offenses, stole countless automobiles, lost his left hand, and made eleven escapes from five state penitentiaries, including four from the North Carolina State Prison after a 1923 murder conviction. An early master of controlling his own narrative in the media, Wood appealed to the North Carolina public as a misunderstood, clever antihero. In 1930, after a final jailbreak, police killed Wood in a shootout. The ballad bearing his name first appeared less than a year later. Using reports of Wood's exploits from contemporary newspapers, his self-published autobiography, prison records, and other primary sources, Trevor McKenzie uses this colorful story to offer a new way to understand North Carolina—and arguably the South as a whole—during this era of American history.

South Austin redneck meets Mayan surrealism. Disillusioned by the complacency of modern American society and generally bored, Dylan King and his traveling companion, Sam ODonnel head for Mexico seeking adventure and fortune. Through a sequence of events that is being choreographed by ancient deities through dreams, the travelers become deeply involved in a violent revolution in Mexico that eventually alters the balance of power in the Western Hemisphere forever. Kings association with the mysterious and beautiful Marcella Springs, who is actually the embodiment of a pre-Columbian goddess, and Alvarez, her chosen warrior, provide the backdrop for a tale that shakes our traditional world views and explores the world of metaphysics and separate realities from a perspective refreshed by recent discoveries in the field of quantum physics and laced with an ample supply of down home sex and humor.

En route to stay with her uncle in Texas in the late 1860s, twelve-year-old Jo experiences a stagecoach robbery and becomes involved with a reluctant young outlaw aiming to change his ways.

More information to be announced soon on this forthcoming title from Penguin USA

Tristan d'Arcenne is what he always wished to be -- Vianne di Rocancheil's Consort. But Vianne is no more a noblewoman, she is the Queen of Arquitaine, faced with treachery, invasion, war, and a Consort whose secrets may well shatter their marriage. For before Tristan was hers, he belonged to a King. . .and that King died by Tristan's hand. Arquitaine needs them both. The country is locked in a deadly game whose rules change by the moment. The Queen is an adept player, but hardly ruthless enough. The contest requires a man who has nothing to lose, a man who has already done the worst and will continue to do so for his wife, his country, and his own salvation. The Bandit King approaches. . .