The Bangladesh Environmental Humanities Reader

This volume analyses Bangladesh’s human-nature/environment relationships in terms of development victimhood, environmental injustices, and resistance of the marginalized. It demonstrates how the popular GDP-based economic growth model helps governments undertake “development” projects, threatening the environment and livelihood of the poor while benefiting the affluent. It represents the extant environmentalism in the literary works in Bangla, and tales of pollution, depletion; and human-nature/environment symbiosis that shows ways to resist victimhood. Against current environmental challenges and other environmental issues, this volume presents the epitome of how politics, biodiversity, and technology meet in many cross-cutting pathways.

The Emerging Role of Geomedia in the Environmental Humanities, edited by Mark Terry and Michael Hewson, provides the latest scholarship on the various methods and approaches being used by environmental humanists to incorporate geomedia into their research and analyses. Chapters in the book examine such applications as geographic information systems, global positioning systems, geo-doc filmmaking, and related geo-locative systems all being used as new technologies of research and analysis in investigations in the environmental humanities. The contributors also explore how these new methodologies impact the production of knowledge in this field of study as well as promote the impact of First Nation people perspectives.

In Environmental Legacies of the Copernican Universe, Jean-Marie Kauth shows how counter-ecological metaphors sprung from the cosmology of the Copernican Revolution influence us still in unexpected, maladaptive ways, nurturing conceptions of the world that are not only incorrect but enabling of ecocide. She argues that grasping these underlying paradigms may help us to alter our thinking and make the radical transformations needed to counter the forward motion of our capitalist, post-industrial society.

Anticipatory Environmental (Hi)Stories from Antiquity to the Anthropocene studies the interplay of environmental perception and the way societies throughout history have imagined the future state of “nature” and the environments in which coming generations would live. What sorts of knowledge were and are involved in outlining future environments? What kinds of texts and narrative strategies were and are developed and modified over time? How did and do scenarios and narratives of the past shape (hi)stories of the future? This book answers these questions from a diachronic as well as a cross-cultural perspective. By looking at a diverse range of historical evidence that transcends stereotypical utopian and dystopian visions and allows for nuanced insights beyond the dichotomous reservoir of pastoral motifs and apocalyptic narratives, the contributors illustrate the multifaceted character of environmental anticipation across the ages.

The Social Life of Unsustainable Mass Consumption draws on a variety of theories and research to contribute to our understanding of unsustainable mass consumption. It addresses the role of identities, social relations, interactions, belonging, and status comparison, and how perceived time scarcity is both a cause and an effect of consumption. It examines the power of consumer norms and how overconsumption is normalized and shows how consumption is embedded in the time-space arrangements of everyday life. Magnus Boström contextualizes such drivers within the larger institutional and infrastructural forces underlying mass consumption, including the economy, growth politics, and the problematic promises of consumer culture. Boström further draws on lessons from lived experiments of consuming less and discuss how insights about the flaws of consumer culture can help shape a growing critique and countermovement – a collective detox from consumerism.

In Earth Polyphony, Suhasini Vincent analyzes the theory of ecocriticism in its entirety, and its existence in the global paradigm of climate change. Vincent shows how a polyphony of voices can affect law and decision making in the era of the Anthropocene, and aptly shows how voices can coexist as in Bakhtinian polyphony where multiple perspectives coexist despite contradictions and differences. Vincent argues that both material and non-material worlds are endowed with storied forms of knowledge that prompt ecocritical writers to engage in new experimental modes of expression. She explores the ‘material turn’, the ‘animal turn’ and the ‘narrative turn’ to highlight how law meets literature, prompts eco-activism, and how these crisscrossing narratives influence each other to spark judicial activism in forums around the planet.

Everyday Life Ecologies: Sustainability, Crisis, Resistance is about those complex, sticky, but also open arrangements of bodies, objects, and plants that make up daily existence. The multiple and interlocking lines of a long capitalist crisis disrupt their normal flow: sometimes, they open opportunities for transformation, sometimes else, they foreclose horizons of change. In contrast with approaches that respond to environmental crisis by advocating “sustainable lifestyles” and “responsible behaviors,” Alice Dal Gobbo suggests that it is necessary to address the complex socio-material relationalities that constitute everyday ecologies. Beyond that, the book argues for their politicization, illuminating daily existence as embedded in capitalist relations of re/production. Combining political ecology and new materialist sensitivities, this book investigates the ways in which ecologically damaging logics are inscribed in everyday assemblages through their habitual rehearsal and libidinal hold. But it also points to how apparently banal acts of resistance embody and promote different logics, such as a logic of care and an ecological “aesth-ethics” of desire. Based on ethnographic fieldwork in the Northeast of Italy, this journey through the concrete matters and beings of daily life in crisis talks beyond this emplaced reality and dialogues with emerging forms of contestation and prefiguration that put socio-ecological reproduction at their center.

Covering nearly 225 years, this volume tries to capture a broad spectrum of the situation of women performers from Gerasim Lebedeff's time (1795), who are considered to be the first performers in modern Bengali theatre, to today's time. The moot question is whether the role of women as performers evolved down the centuries. Whether this question will lead us to their subjugation to their male counterparts, producers, and directors has been explored here to give readers an understanding of when, where, by whom the politics began, and, by tracing the footprints, we have tried to understand if the politics has changed, or remains unchanged, or metamorphosed with regard to the woman's question in the performance discourse. We have explored, in this regard, how her body, mind, and sexuality interacted with and negotiated the phallocentric hierarchy. The essays included are on (i) Baiji/Tawaif culture in eastern and western Bengal; (ii) prostitute/'fallen' women/ patita, beshya performers; (iii) IPTA and the Naxalbari movement; (iv) group and commercial/professional theatre of Kolkata; (v) women's position in the theatre of Bangladesh; (vi) Cabaret (with an interview with Miss Shefali) (vii) Jatra; (viii) Baul tradition. (ix) Besides, there are chapters on English, Anglo-Indian, Jew, Nachni performers and the illustrious dancer Amala Shankar, and film-music-dance in general.