The Barefoot Woman

LONGLISTED FOR THE NATIONAL BOOK AWARD FOR TRANSLATED LITERATURE A moving, unforgettable tribute to a Tutsi woman who did everything to protect her children from the Rwandan genocide, by the daughter who refuses to let her family's story be forgotten. The story of the author's mother, a fierce, loving woman who for years protected her family from the violence encroaching upon them in pre-genocide Rwanda. Recording her memories of their life together in spare, wrenching prose, Mukasonga preserves her mother's voice in a haunting work of art.

Friendship, deceit, fear, and persecution at an elite boarding school for young women in Rwanda, fifteen years before the 1994 genocide of the Tutsi . . . “Mukasonga’s masterpiece” (Julian Lucas, NYRB) Scholastique Mukasonga drops us into an elite Catholic boarding school for young women perched on the edge of the Nile. Parents send their daughters to Our Lady of the Nile to be molded into respectable citizens and to escape the dangers of the outside world. Fifteen years prior to the 1994 Rwandan genocide, we watch as these girls try on their parents’ preconceptions and attitudes, transforming the lycée into a microcosm of the country’s mounting racial tensions and violence. In the midst of the interminable rainy season, everything unfolds behind the closed doors of the school: friendship, curiosity, fear, deceit, prejudice, and persecution. With masterful prose that is at once subtle and penetrating, Mukasonga captures a society hurtling towards horror.

FINALIST FOR THE NATIONAL BOOK AWARD FOR TRANSLATED LITERATURE A moving, unforgettable tribute to a Tutsi woman who did everything to protect her children from the Rwandan genocide, by the daughter who refuses to let her family's story be forgotten. The story of the author's mother, a fierce, loving woman who for years protected her family from the violence encroaching upon them in pre-genocide Rwanda. Recording her memories of their life together in spare, wrenching prose, Mukasonga preserves her mother's voice in a haunting work of art.

Mukasonga unsparingly resurrects the horrors of the Rwandan geocide while lyrically recording the quieter moments of daily life with her family—a moving tribute to all those who are displaced, who suffer. Mukasonga’s extraordinary, lyrical, and heartbreaking book … is indispensable reading for anyone who cares about the endurance of the human spirit and who hopes for a better world. — Lynne Sharon Schwartz, Los Angeles Review of Books Scholastique Mukasonga’s Cockroaches is a compelling chronicle of the author’s childhood in the years leading up to the 1994 Rwandan genocide. In a spare and penetrating tone, Mukasonga brings to life the scenes of her family’s forced displacement from Rwanda to neighboring Burundi. With a view made lucid through time and pain, Mukasonga erodes the distance between her present and her past, resurrecting and paying homage to her family members who were massacred in the genocide, but also, in movingly simple language, the beauty present in quiet, daily moments with her loved ones. As lyrical as it is tragic, Cockroaches is Mukasonga’s tribute to her family’s suffering and to the lingering grip of the dead on the living.

Fifteen-year-old Margharita is toiling in her family's meager field when a handsome gentleman rides in with a proposal of marriage. After only a few words with her father,Master Domenico Vasari tears Margharita away from the family she cherishes and the farm boy she loves-and hauls her off to a foreign, violent life, full of strangers and strange customs.

"Walk barefoot and the thorns will hurt you…" —Iraqi-Turkmen proverb A riveting story of hope and despair, of elation and longing, Barefoot in Baghdad takes you to the front lines of a different kind of battle, where the unsung freedom fighters are strong, vibrant—and female. An American aid worker of Arab descent, Manal Omar moves to Iraq to help as many women as she can rebuild their lives. She quickly finds herself drawn into the saga of a people determined to rise from the ashes of war and sanctions and rebuild their lives in the face of crushing chaos. This is a chronicle of Omar's friendships with several Iraqis whose lives are crumbling before her eyes. It is a tale of love, as her relationship with one Iraqi man intensifies in a country in turmoil. And it is the heartrending stories of the women of Iraq, as they grapple with what it means to be female in a homeland you no longer recognize. "Manal Omar captures the complex reality of living and working in war-torn Iraq, a reality that tells the story of love and hope in the midst of bombs and explosions."—Zainab Salbi, founder and CEO of Women for Women International, and author (with Laurie Becklund) of the national bestselling book Between Two Worlds: Escape from Tyranny: Growing Up in the Shadow of Saddam "A fascinating, honest, and inspiring portrait of a women's rights activist in Iraq, struggling to help local women while exploring her own identity. Manal Omar is a skilled guide into Iraq, as she understands the region, speaks Arabic, and wears the veil. At turns funny and tragic, she carries a powerful message for women, and delivers it through beautiful storytelling."—Christina Asquith, author of Sisters in War: A Story of Love, Family and Survival in the New Iraq "At turns funny and tragic…a powerful message for women, [delivered] through beautiful storytelling."—Christina Asquith, author of Sisters in War

2022 Pura Belpré Honor Book NYPL Best Book of 2021 Texas Bluebonnet Master List Selection NPR Best Book of 2021 Based on a true story, the tale of one girl's perilous journey to cross the U.S. border and lead her family to safety during the Mexican Revolution. "Wrenching debut about family, loss, and finding the strength to carry on."—Booklist, starred review "Blazes bright, gripping readers until the novel's last page."—Publishers Weekly, starred review "Vital and perilous and hopeful."—Alan Gratz, New York Times bestselling author of Refugee It is 1913, and twelve-year-old Petra Luna's mama has died while the Revolution rages in Mexico. Before her papa is dragged away by soldiers, Petra vows to him that she will care for the family she has left—her abuelita, little sister Amelia, and baby brother Luisito—until they can be reunited. They flee north through the unforgiving desert as their town burns, searching for safe harbor in a world that offers none. Each night when Petra closes her eyes, she holds her dreams close, especially her long-held desire to learn to read. Abuelita calls these barefoot dreams: "They're like us barefoot peasants and indios—they're not meant to go far." But Petra refuses to listen. Through battlefields and deserts, hunger and fear, Petra will stop at nothing to keep her family safe and lead them to a better life across the U.S. border—a life where her barefoot dreams could finally become reality. "Dobbs' wrenching debut, about family, loss, and finding the strength to carry on, illuminates the harsh realities of war, the heartbreaking disparities between the poor and the rich, and the racism faced by Petra and her family. Readers will love Petra, who is as strong as the black-coal rock she carries with her and as beautiful as the diamond hidden within it."—Booklist, starred review

The stories in Igifu summon phantom memories of Rwanda and radiate with the fierce ache of a survivor. From the National Book Award finalist who Zadie Smith says, "rescues a million souls from the collective noun genocide." Scholastique Mukasonga's autobiographical stories rend a glorious Rwanda from the obliterating force of recent history, conjuring the noble cows of her home or the dew-swollen grass they graze on. In the title story, five-year-old Colomba tells of a merciless overlord, hunger or igifu, gnawing away at her belly. She searches for sap at the bud of a flower, scraps of sweet potato at the foot of her parent's bed, or a few grains of sorghum in the floor sweepings. Igifu becomes a dizzying hole in her stomach, a plunging abyss into which she falls. In a desperate act of preservation, Colomba's mother gathers enough sorghum to whip up a nourishing porridge, bringing Colomba back to life. This elixir courses through each story, a balm to soothe the pains of those so ferociously fighting for survival. Her writing eclipses the great gaps of time and memory; in one scene she is a child sitting squat with a jug of sweet, frothy milk and in another she is an exiled teacher, writing down lists of her dead. As in all her work, Scholastique sits up with them, her witty and beaming beloved.