The Battle Begins Underworlds 1

An action-packed, mythological chapter book series from Tony Abbott! There's something lurking under Owen's school. . . .Owen Brown is your average fourth grader. Or he was, until his best friend, Dana, disappeared. Right in front of his face. Through the floor of the school.Owen's average life has turned upside down.He's determined to find Dana -- before anyone realizes she's missing. Owen sets out on a mysterious, mythological rescue mission with his friends Jon and Sydney. But what none of them know is that Dana's disappearance is part of a much larger riddle.And they're at the center of it.

Owen Brown, a fourth grader, watches his best friend Dana disappear through the floor of the school, and he sets out with Jon and Sydney to find her.

This book offers an original and exciting analysis of the concept of the criminal underworld. Print culture, policing and law enforcement, criminal networks, space and territory are explored here through a series of case studies taken from the eighteenth, nineteenth and twentieth centuries.

Urban Underworlds is an exploration of city spaces, pathologized identities, lurid fears, and American literature. Surveying one hundred years of history, and fusing sociology, urban planning, and criminology with literary and cultural studies, it chronicles how and why marginalized populations-immigrant Americans in the Lower East Side, gays and lesbians in Greenwich Village and downtown Los Angeles, the black underclass in Harlem and Chicago, and the new urban poor dispersed across American cities-have been selectively targeted as "urban underworlds" and their neighborhoods.

Underworlds of Memory argues persuasively that the literary works of the expatriate German author W. G. Sebald can best be understood through the lens of the classical genre of epic. Scholars often read Sebald’s work as a project of cultural memory that aims to reevaluate Europe's past in the wake of the traumatic and complex events of the twentieth century. Sebald’s characters seek out the traces of Europe’s destructive history in strange places. They linger in disused train stations, pause before works of art, and return to childhood homes that turn out to be more foreign than any place they have visited. Underworlds of Memory demonstrates that these strange encounters with the past are based on central tropes of classical epic: the journey to the underworld, the encounter with a work of art, and the return to the homeland. Sebald thus follows in the footsteps of German Jewish authors, including Peter Weiss, Siegfried Kracauer, and Jean Améry, who use these same epic tropes to reconsider the cultural memory of the Holocaust. Underworlds of Memory reads Sebald's works together with the works of these German Jewish authors and the classical epics of Homer and Virgil in order to describe and trace the origins of the unique intervention into cultural memory they embody.

Spiritual healer and teacher Dr. Laura Dunham shows people of diverse beliefs and understanding how to approach 2012 with confidence. Her vast knowledge, experience and engaging style make the book appealing to a wide readership. Dunham helps readers to: -recognize the signs of changing times -understand the major prophecies and probabilities about 2012 -practice the art of discernment -participate in the Great Shift to the consciousness of unity and love The book offers practical guidance on: -strengthening your vital spiritual connection -choosing an Earth-friendly lifestyle -thriving in a new economy -creating intentional, sustainable community -developing a community action plan

Miracle and Machine is a sort of "reader's guide" to Jacques Derrida's 1994-95 essay "faith and knowledge," his most important work on the nature of religion in general and on the unprecedented forms it is taking today through science and the media. It provides essential background for understanding Derrida's essay, commentary on its unique style and its central figures (e.g., Kant, Hegel, Bergson, and Heidegger), and assessment of its principal philosophical claims about the fundamental duplicity of religion and the ineluctably autoimmune relationship among religion, science, and the media. Along the way it offers in-depth analysis of Derrida's treatment of everything from the nature of religious revelation, faith, prayer, sacrifice, testimony, messianicity, fundamentalism, and secularism to the way religion is today being transformed by globalization, technoscience, and worldwide telecommunications networks. But Miracle and Machine is much more than a commentary on a single Derrida text. Through references to scores of other works by Derrida, both early and late, it also provides a unique introduction to Derrida's work in general. It demonstrates that one of the very best ways to understand the terms, themes, claims, strategies, and motivations of Derridean deconstruction from the early 1960s through 2004 is to read critically and patiently, in its spirit and in its letter, an exemplary text such as "Faith and Knowledge." Finally, Miracle and Machine attempts to put Derrida's ideas about religion to the test by reading alongside "Faith and Knowledge" an already classic work of American fiction that is more or less contemporaneous with it, Don DeLillo's 1997 Underworld, a novel that explores the same relationship between faith and knowledge, religion and science, religious revelation and the World Wide Web, messianicity, and weapons of mass destruction--in a word, in two words, miracles and machines.

This is the fifth volume from the International Sparta Seminar, in the series founded by Anton Powell and Stephen Hodkinson. Thomas J. Figueira is here the editor of sixteen papers; fifteen are new, the other is newly translated from the French. Among the authors are most of the world's leading authorities on the history of Sparta. There are particular concentrations of papers on Spartan women; the economy of Sparta; helots and Messenians; Xenophon and Sparta; and the modern reception of Sparta.