The Battle Of The Frogs And The Mice

"A virtuosic, witty, charming translation of the greatest epic ever written about mice, with wonderful illustrations by Grant Silverstein. Stallings’ elegant rhyming couplets are the perfect choice to honor the mousy Muse."—Emily Wilson, Professor of Classics, University of Pennsylvania From the award-winning poet and translator A. E. Stallings comes a lively new edition of the ancient Greek fable The Battle between the Frogs and the Mice. Originally attributed to Homer, but now thought to have been composed centuries later by an unknown author, The Battle is the tale of a mouse named Crumbsnatcher who is killed by the careless frog King Pufferthroat, sparking a war between the two species. This dark but delightful parable about the foolishness of war is illustrated throughout in striking drawings by Grant Silverstein. The clever introduction is written from the point of view of a mouse who argues that perhaps the unknown author of the fable is not a human after all: “Who better than a mouse, then, to compose our diminutive, though not ridiculous, epic, a mouse born and bred in a library, living off lamp oil, ink, and the occasional nibble of a papyrus, constantly perched on the shoulder of some scholar or scholiast of Homer, perhaps occasionally whispering in his ear? Mouse, we may remember, is only one letter away from Muse.” "[Stallings] couplets . . . have a lively, nimble music that should captivate modern ears . . . Providing an earthy, oboe-like obligato to Ms. Stallings's airs are the illustrations of Grant Silverstein, cross-hatched sketches that multiply like mice on the page . . . The Battle, in which beans are happily worn rather than eaten, still has the power to delight."—Wall Street Journal A. E. Stallings is an American poet who has lived in Athens, Greece since 1999. She studied Classics at the University of Georgia, and later at Oxford University. She has published four collections of poetry, Archaic Smile (which won the 1999 Richard Wilbur Award), Hapax (recipient of the Poets’ Prize), Olives (a finalist for the National Book Critics Circle Award), and Like (a finalist for the Pulitzer Prize in Poetry). Her translation of Lucretius (into rhyming fourteeners), The Nature of Things, was called by Peter Stothard in the TLS “One of the most extraordinary classical translations of recent times.” Grant Silverstein is an American artist who specializes in etchings of a narrative character and in studies of figures, landscapes, and animals. With his wife and two cats, he spends winters holed up in his studio in rural Pennsylvania, where he uses a catch and release system for visiting mice and the occasional frog. Come spring, he ventures forth to display his work at outdoor festivals; he feels fortunate to have made his living this way for forty years. He has illustrated two previous Paul Dry Books titles, Davey McGravy by David Mason and The Verb 'To Bird' by Peter Cashwell.

You will never see war the same way after reading this extraordinary retelling of an ancient Greek fable about a tragically unnecessary battle between mice and frogs. With haunting illustrations, this miniature masterpiece ranks with Animal Farm as one of the greatest parables of human foibles. Originally published in 1962, The Battle of the Frogs and the Mice tells in words and pictures a classic tale of the foolhardiness of war. When Crum-snatcher, a Mouse, cautiously mounts the back of Puff-jaw, King of the Frogs, to explore the Frogs’ pond, the Mouse meets with a disaster which soon brings the two nations into mortal conflict. The course of this tempest in a teapot is developed with wit to assume heroic proportions, and the battle of this small world becomes the story of wars through the ages. George Martin has made an imaginative, free adaptation of a fable originally ascribed to Homer, but now believed to have been written about three hundred years after him by an unknown author. The book’s events are brilliantly depicted by the drawings of Fred Gwynne, a versatile artist known for his role as Herman Munster in the sit-com hit The Munsters. Gwynne’s haunting and unsparingly illustrations portray this chronicle from its pastoral beginning to its bitter end. Together, Martin and Gwynne have made a book of grim delight for adults and young readers alike.

You will never see war the same way after reading this extraordinary retelling of an ancient Greek fable about a tragically unnecessary battle between mice and frogs. With haunting illustrations, this miniature masterpiece ranks with Animal Farm as one of the greatest parables of human foibles. Originally published in 1962, The Battle of the Frogs and the Mice tells in words and pictures a classic tale of the foolhardiness of war. When Crum-snatcher, a Mouse, cautiously mounts the back of Puff-jaw, King of the Frogs, to explore the Frogs’ pond, the Mouse meets with a disaster which soon brings the two nations into mortal conflict. The course of this tempest in a teapot is developed with wit to assume heroic proportions, and the battle of this small world becomes the story of wars through the ages. George Martin has made an imaginative, free adaptation of a fable originally ascribed to Homer, but now believed to have been written about three hundred years after him by an unknown author. The book’s events are brilliantly depicted by the drawings of Fred Gwynne, a versatile artist known for his role as Herman Munster in the sit-com hit The Munsters. Gwynne’s haunting and unsparingly illustrations portray this chronicle from its pastoral beginning to its bitter end. Together, Martin and Gwynne have made a book of grim delight for adults and young readers alike.

From its ancient incarnation as a song to recent translations in modern languages, Homeric epic remains an abiding source of inspiration for both scholars and artists that transcends temporal and linguistic boundaries. The Cambridge Guide to Homer examines the influence and meaning of Homeric poetry from its earliest form as ancient Greek song to its current status in world literature, presenting the information in a synthetic manner that allows the reader to gain an understanding of the different strands of Homeric studies. The volume is structured around three main themes: Homeric Song and Text; the Homeric World, and Homer in the World. Each section starts with a series of 'macropedia' essays arranged thematically that are accompanied by shorter complementary 'micropedia' articles. The Cambridge Guide to Homer thus traces the many routes taken by Homeric epic in the ancient world and its continuing relevance in different periods and cultures.

Funny, fresh and very modern, this update on the fable of the lion and the mouse is a marvelous tale of a relationship between two unlikely friends. One day, the mouse marches into the lion’s den without an invitation. Before the lion can eat him for breakfast, the mouse begs for mercy. “If you let me go, I might be able to return the favor.” The lion laughs at the idea of such a small, insignificant creature helping him out ... until the next day when the mouse frees the lion from a hunter’s trap. Jairo Buitrago and Rafael Yockteng, one of the great creative teams in picture books, have fun in this simple and never-didactic story about how it’s possible to get along through negotiation, acceptance and learning to put up with a friend’s eccentricities. You can be good to one another not because you expect anything in return but just because you are friends. Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.K.2 CCSS.ELA-LITERACY.RL.1.2 Retell stories, including key details, and demonstrate understanding of their central message or lesson. CCSS.ELA-LITERACY.RL.2.2 Recount stories, including fables and folktales from diverse cultures, and determine their central message, lesson, or moral. CCSS.ELA-LITERACY.RL.2.6 Acknowledge differences in the points of view of characters, including by speaking in a different voice for each character when reading dialogue aloud. CCSS.ELA-LITERACY.RL.3.2 Recount stories, including fables, folktales, and myths from diverse cultures; determine the central message, lesson, or moral and explain how it is conveyed through key details in the text. CCSS.ELA-LITERACY.RL.4.6 Compare and contrast the point of view from which different stories are narrated, including the difference between first- and third-person narrations. CCSS.ELA-LITERACY.RL.4.9 Compare and contrast the treatment of similar themes and topics (e.g., opposition of good and evil) and patterns of events (e.g., the quest) in stories, myths, and traditional literature from different cultures.