The Beatle Man

"It all came back. With a bang. Another one." Danny McColl's career as a Glasgow lawyer doesn't start too well. A broken nose and a trip to the hospital. It will get worse. He doesn't yet realise the havoc his personal search for retribution will unleash. Taking revenge on his assailants, and driven by a need to make up for his part in the death of his alcoholic father, he takes on the Finches, a family of thugs that terrorise his new neighbours. In doing so he reveals the truth behind the mysterious life of The Beatle Man with tragic, violent consequences...

Drawing on methodologies and approaches from media and cultural studies, sociology, social history and the study of popular music, this book outlines the development of the study of men and masculinities, and explores the role of cultural texts in bringing about social change. It is against this backdrop that The Beatles, as a cultural phenomenon, are set, and their four live action films, spanning the years 1964-1970, are examined as texts through which to read changing representations of men and masculinity in 'the Sixties'. Dr Martin King considers ideas about a male revolt predating second-wave feminism, The Beatles as inheritors of the possibilities of the 1950s and The Beatles' emergence as men of ideas: a global cultural phenomenon that transgressed boundaries and changed expectations about the role of popular artists in society. King further explores the chosen Beatle texts to examine discourses of masculinity at work within them. What emerges is the discovery of discourses around resistance, non-conformity, feminized appearance, pre-metrosexuality, the male star as object of desire, and the emergence of The Beatles themselves as a text that reflected the radical diversity of a period of rapid social change. King draws valuable conclusions about the legacy of these discourses and their impact in subsequent decades.

Based on exclusive first-hand interviews, a chronicle of Paul McCartney's struggles in the first decade after the Beatles' breakup discusses his reclusive life, substance abuses, arrests, and efforts to launch his band Wings.

The title does not exaggerate: In the six years that he devoted to their careers, their creative freedom and their personal happiness, Brian Epstein did make the Beatles, and soon after his sudden death in 1967 at age 32, the group split up. Based on interviews with Epstein's family, friends and associates, this biography, by a man who knew him well, sensitively describes and tries to explain the charming, artistic, resourceful manager who realized the potential of his four young fellow-Liverpudlians. Having made the Beatles famous internationally, and amassed a fortune for them and for himself, Epstein nevertheless was restless, depressed, capricious, easily bored and increasingly irrational. From a middle-class, orthodox Jewish family, Epstein suffered the ``dreadful inner conflict of reluctant homosexuality'' at odds with his deep desire to marry and be a father. Coleman, biographer of Eric Clapton and John Lennon, writes fluently, objectively and with warmth but, in an attempt to provide as detailed a picture as possible, strings along more quotations and opinions than are necessary. Photos not seen by PW. (July) -Publishers Weekly.

An intimate journey through John Lennon's final years. Including photos of Lennon and family.

WITH AN INTRODUCTION BY CRAIG BROWN, BESTSELLING AUTHOR OF ONE TWO THREE FOUR Everybody knows the Beatles: John, Paul, George, Ringo ... and Brian. The Fab Four's meteoric rise is one of the most famous rags-to-riches stories ever told. And behind it all was Brian Epstein, the 'fifth Beatle' and legendary manager, who transformed the group from a small-time club band into global superstars. What was his secret? How did one man lead these scruffy Liverpool lads to change the world of popular music forever? A Cellarful of Noise is Brian Epstein's original 1964 memoir of a life spent making music history. It includes thirty contemporary photographs which offer a glimpse of Brian and the Beatles on their way to phenomenal success. Eye-opening, moving and constantly entertaining, this is essential reading for every Beatles fan.

The national bestseller that Newsday called “the most authoritative and candid look yet at the personal lives…of the oft-scrutinized group,” from the author of All You Need Is Love: The Beatles in Their Own Words. In The Love You Make, Peter Brown, a close friend of and business manager for the band—and the best man at John and Yoko’s wedding—presents a complete look at the dramatic offstage odyssey of the four lads from Liverpool who established the greatest music phenomenon of the twentieth century. Written with the full cooperation of each of the group’s members and their intimates, this book tells the inside story of the music and the madness, the feuds and the drugs, the marriages and the affairs—from the greatest heights to the self-destructive depths of the Fab Four. In-depth and definitive, The Love You Make is an astonishing account of four men who transformed the way a whole generation of young people thought and lived. It reigns as the most comprehensive, revealing biography available of John, Paul, George, and Ringo. Includes 32 pages of rare and revealing photos A Literary Guild® Alternate Selection

In his commanding new book, the eminent NPR critic Tim Riley takes us on the remarkable journey that brought a Liverpool art student from a disastrous childhood to the highest realms of fame. Riley portrays Lennon's rise from Hamburg's red light district to Britain's Royal Variety Show; from the charmed naiveté of "Love Me Do" to the soaring ambivalence of "Don't Let Me Down"; from his shotgun marriage to Cynthia Powell in 1962 to his epic media romance with Yoko Ono. Written with the critical insight and stylistic mastery readers have come to expect from Riley, this richly textured narrative draws on numerous new and exclusive interviews with Lennon's friends, enemies, confidantes, and associates; lost memoirs written by relatives and friends; as well as previously undiscovered City of Liverpool records. Riley explores Lennon in all of his contradictions: the British art student who universalized an American style, the anarchic rock 'n' roller with the moral spine, the anti-jazz snob who posed naked with his avant-garde lover, and the misogynist who became a househusband. What emerges is the enormous, seductive, and confounding personality that made Lennon a cultural touchstone. In Lennon, Riley casts Lennon as a modernist hero in a sweeping epic, dramatizing rock history anew as Lennon himself might have experienced it.