The Beauty Of The Triune God

The seventeenth-century Puritan theologian Jonathan Edwards has become popular again in contemporary theological discussion. Central to Edwards' theology is his concept of beauty. Delattre wrote the standard work on this topic half a century ago. However, Delattre approaches Edwards mainly as a philosopher, and he does not address how Edwards employs the concept of beauty to explain and defend traditional Reformed doctrines. Recent writings by McClymond, Holmes, and others have shown that defending the Reformed tradition is a fundamental concern of Edwards. This work reveals how Edwards, starting with the common notion that beauty means the appropriate proportional relationship, develops a theological aesthetic that contributes to a rational understanding of major doctrines such as the Trinity, Christology, and eschatology. It shows that Edwards is both an innovative speculative theologian and a staunch defender of Reformed orthodoxy.

In this brief and winsome book, Michael Reeves presents an introduction to the Christian faith that is rooted in the triune God. He takes cues from preachers and teachers down through the ages, setting key doctrines of creation, the person and work of Christ, and life in the Spirit into a simple framework of the Christian life.

The Triune God, together with the forthcoming second volume, The Works of God, develops a compendious statement of Christian theology in the tradition of a medieval summa, or of such modern works as those of Schleiermacher and Barth. Theology, as it is understood here, is the Christian church's continuing discourse concerning her specific communal purpose; it is the hermeneutic and critical reflection internal to the church's task of speaking the gospel, to the world as message and to God in petition and praise. This volume and its successor are thus dedicated to the service of the one church of the creeds; it is for no particular denomination or confession. The interlocutors of this work's analyses and proposals are drawn from wherever in the ecumenical tradition a question may lead: to theologians and traditions ancient, medieval, or modern; Eastern or Western; Catholic or Protestant.

Catholic theology, philosophy, and spirituality have long taught that the joy of Christian contemplation is to delight in the splendor of the divine love for us in all things. John Navone explains that Happiness Itself - God - is forever knowing its truth and loving its goodness and delighting in its beauty. The gift of the beatific vision is communion with Happiness Itself.

Under the broad umbrella of the Christian religion, there exists a great divide between two fundamentally different ways of thinking about key aspects of the Christian faith. Eugene Webb explores the sources of that divide, looking at how the Eastern and Western Christian worlds drifted apart due both to the different ways they interpreted their symbols and to the different roles political power played in their histories. Previous studies have focused on historical events or on the history of theological ideas. In Search of the Triune God delves deeper by exploring how the Christian East and the Christian West have conceived the relation between symbol and experience. Webb demonstrates that whereas for Western Christianity discussion of the doctrine of the Trinity has tended toward speculation about the internal structure of the Godhead, in the Eastern tradition the symbolism of the Triune God has always been closely connected to religious experience. In their approaches to theology, Western Christianity has tended toward a speculative theology, and Eastern Christianity toward a mystical theology. This difference of focus has led to a large range of fundamental differences in many areas not only of theology but also of religious life. Webb traces the history of the pertinent symbols (God as Father, Son of God, Spirit of God, Messiah, King, etc.) from the Hebrew Bible and New Testament through patristic thinkers and the councils that eventually defined orthodoxy. In addition, he shows how the symbols, interpreted through the different cultural lenses of the East and the West, gradually took on meanings that became the material of very different worldviews, especially as the respective histories of the Eastern and Western Christian worlds led them into different kinds of entanglement with ambition and power. Through this incisive exploration, Webb offers a dramatic and provocative new picture of the history of Christianity.

Rarely do theologians take up the theme of God's beauty--even more rarely do they consider how God's beauty should shape the task of theology itself. But the psalmist says that the heart of the believer's desire is to behold the beauty of the Lord. In The Beauty of the Lord Jonathan King restores aesthetics as not merely a valid lens for theological reflection, but an essential one. Jesus, our incarnate Redeemer, displays the Triune God's beauty in his actions and person, from creation to final consummation. How can and should theology better reflect this unveiled beauty? The Beauty of the Lord is a renewal of a truly aesthetic theology and a properly theological aesthetics. --

Abstract theology is overrated, for God can be found in even the most ordinary of things. Jesus used things like a lily, sparrow, and sheep to teach about the kingdom of God. And in the Old Testament, God repeatedly describes himself and his saving work in relation to physical things such as a rock, horn, or eagle. In God of All Things, pastor and author Andrew Wilson invites you to rediscover God in this way, too--through ordinary, everyday things. He explores the idea of a material world and presents a variety of created marvels that reveal the gospel in everyday life and fuel worship and joy in God--marvels like: Dust: the image of God Horns: the salvation of God Donkeys: the peace of God Water: the life of God Viruses: the problem of God Cities: the kingdom of God God of All Things will leave you with a deeper understanding of Scripture, the world you live in, and the God who made it all.