The Best American Comics 2016

Jillian Tamaki, co-author of This One Summer, picks the best graphic pieces of the year. Jillian Tamaki, coauthor of the New York Times bestseller This One Summer, selects the best graphic pieces of the year. The Best American Comics 2019 showcases the work of established and up-and-coming artists, collecting work found in the pages of graphic novels, comic books, periodicals, zines, online, in galleries, and more, highlighting the kaleidoscopic diversity of the comics form today.

“There’s something thrilling about seeing people invent new ways to tell their story. To me, it’s proof that the art form of comics is healthy: it lives and grows and reinvents itself. It’s alive!” –Roz Chast, from the Introduction FEATURING Lynda Barry, Kate Beaton, Cece Bell, Geneviève Elverum, Ben Katchor, John Porcellino, Joe Sacco, Adrian Tomine, Chris Ware, Julia Wertz, and others Roz Chast, guest editor, was born in Brooklyn, New York. Her cartoons began appearing in The New Yorker in 1978. Since then she has published hundreds of cartoons and written or illustrated more than a dozen books. Her memoir Can’t We Talk About Something More Pleasant? was a #1 New York Times bestseller and a 2014 National Book Award Finalist. Bill Kartalopoulos, series editor, is a comics critic, educator, curator, and editor. He teaches courses about comics at Parsons and at the School of Visual Arts. He lives in Brooklyn, New York. For more information please visit: on-panel.com.

Award-winning cartoonist Ben Katchor picks the best graphic pieces of the year.

Collects original comic strips from American authors and illustrators published in 2012 in comic and graphic novel format.

Best-selling New Yorker cartoonist Roz Chast picks the best graphic pieces of the year.

“When it comes to infographics…the best work in this field grabs those eyes, keeps them glued, and the grip is sensual—and often immediate. A good graphic says ‘See what I see!’ and either you do or you don’t. The best ones…pull you right in, and won’t let you go.” —From the introduction by Robert Krulwich The year’s most “awesome” (RedOrbit) infographics reveal aspects of our world in often startling ways—from a haunting graphic mapping the journey of 15,790 slave ships over 315 years, to a yearlong data drawing project on postcards that records and cements a trans-Atlantic friendship. The Best American Infographics 2016 covers the realms of social issues, health, sports, arts and culture, and politics—including crisp visual data on the likely Democratic/Republican leanings of an array of professions (proving that your urologist is far more likely to be a Republican than your pediatrician). Here once again are the most innovative print and electronic infographics—“the full spectrum of the genre—from authoritative to playful” (Scientific American). ROBERT KRULWICH is the cohost of Radiolab and a science correspondent for NPR. He writes, draws, and cartoons at Curiously Krulwich, where he synthesizes scientific concepts into colorful, one-of-a-kind blog posts. He has won several Emmy awards for his work on television, and has been called “the most inventive network reporter in television” by TV Guide.

An anthology of top-selected graphic pieces published in American periodicals in 2013 showcases the work of both established and up-and-coming contributors.

A comprehensive history of a small, but important, comic book publisher, this work reflects the reading tastes of tens of millions of Americans during the Golden and Silver ages of comics (1934-1970). The earlier Sangor Shop reinvented itself as the American Comics Group and by 1967 had published over one thousand issues. ACG was a microcosm of the larger industry, publishing magazines in every major comic book genre. Best known titles include Herbie and Forbidden Worlds. It was ACG's Adventures into the Unknown that sparked a new genre—horror—which led to the Comics Code Authority, and industry-wide self censorship.