The Best American Science And Nature Writing 2015

Presents a collection of nature and science essays published in American periodicals in 2014.

A collection of the best science and nature writing published in North America in 2019, guest edited by New York Times best-selling author and ground-breaking physicist Dr. Michio Kaku. "Scientists and science writers have a monumental task: making science exciting and relevant to the average person, so that they care," writes renowned American physicist Michio Kaku. "If we fail in this endeavor, then we must face dire consequences." From the startlingly human abilities of AI, to the devastating accounts of California's forest fires, to the impending traffic jam on the moon, the selections in this year's Best American Science and Nature Writing explore the latest mysteries and marvels occurring in our labs and in nature. These gripping narratives masterfully translate the work of today's brightest scientists, offering a clearer view of our world and making us care. THE BEST AMERICAN SCIENCE AND NATURE WRITING 2020 INCLUDES RIVKA GALCHEN - ADAM GOPNIK - FERRIS JABR - JOSHUA SOKOL - MELINDA WENNER MOYER - SIDDHARTHA MUKHERJEE - NATALIE WOLCHOVER and others

Sy Montgomery, New York Times best-selling author and recipient of numerous awards, edits this year's volume of the finest science and nature writing. New York Times best-selling author of How to Be a Good Creature, The Soul of an Octopus, The Good Good Pig, and more, Sy Montgomery, selects the year's top science and nature writing from writers who balance research with humanity, and, in the process, uncover riveting stories of discovery across the disciplines.

This anthology of essays and articles explores topics ranging from untouched wilderness to scientific ethics—and the nature of curiosity itself. Scientists and writers are both driven by a dogged curiosity, immersing themselves in detailed observations that, over time, uncover larger stories. As Rebecca Skloot says in her introduction, all the stories in this collection are “written by and about people who take the time, and often a substantial amount of risk, to follow curiosity where it may lead, so we can all learn about it.” The Best American Science and Nature Writing 2015 includes work from both award-winning writers and up-and-coming voices in the field. From Brooke Jarvis on deep-ocean mining to Elizabeth Kolbert on New Zealand’s unconventional conservation strategies, this is a group that celebrates the growing diversity in science and nature writing alike. Altogether, the writers honored in this volume challenge us to consider the strains facing our planet and its many species, while never losing sight of the wonders we’re working to preserve for generations to come. This anthology includes essays and articles by Sheri Fink, Atul Gawande, Leslie Jamison, Sam Kean, Seth Mnookin, Matthew Power, Michael Specter and others.

Showcasing more than fifty of the most provocative, original, and significant online essays from 2011, The Best Science Writing Online 2012 will change the way we think about science— from fluids to fungi, poisons to pirates. Featuring noted authors and journalists as well as the brightest up-and-comers writing today, this collection provides a comprehensive look at the fascinating, innovative, and trailblazing scientific achievements and breakthroughs of 2011, along with elegant and thoughtprovoking new takes on favorite topics. This is the sixth anthology of online essays edited by Bora Zivkovic, the blogs editor at Scientific American, and with each new edition, Zivkovic expands his fan base and creates a surge of excitement about upcoming compilations. Now everyone's favorite collection will reach new horizons and even more readers. Guest-edited and with an introduction by the renowned science author and blogger Jennifer Ouellette, The Best Science Writing Online 2012 marries cutting-edge science with dynamic writing that will inspire us all.

This anthology collects some of the year’s best science and nature writing—from climate change to killer beetles, an exposé of nail salons, and more. As guest editor Amy Stewart says in her introduction, “science writers get into the game with all kinds of noble, high-minded ambitions. We want to educate. To enlighten…But at the end of the day, we’re all writers. We’re just like novelists, memoirists, and poets. We’re entertainers.” The writers in this anthology pull off that wonderful feat of turning hard research into page-turning narrative. From a Pulitzer Prize–winning essay on the earthquake that could decimate the Pacific Northwest to the astonishing work of investigative journalism that transformed the nail salon industry, this is a collection of hard-hitting and beautifully composed writing on the wonders, dangers, and oddities of scientific innovation and our natural world. The Best American Science and Nature Writing 2016 includes Kathryn Schulz, Sarah Maslin Nir, Charles C. Mann, Oliver Sacks, Elizabeth Kolbert, Gretel Ehrlich, and others.

In his introduction to The Best American Science Writing 2003, Dr. Oliver Sacks, "the poet laureate of medicine" New York Times writes that "the best science writing . . . cannot be completely 'objective' -- how can it be when science itself is so human an activity? -- but it is never self-indulgently subjective either. It is, at best, a wonderful fusion, as factual as a news report, as imaginative as a novel." Following this definition of "good" science writing, Dr. Sacks has selected the twenty-five extraordinary pieces in the latest installment of this acclaimed annual. This year, Peter Canby travels into the heart of remote Africa to track a remarkable population of elephants; with candor and tenderness, Floyd Skloot observes the toll Alzheimer's disease is taking on his ninety-one-year-old mother, and is fascinated by the memories she retains. Gunjan Sinha explores the mating behavior of the common prairie vole and what it reveals about the human pattern of monogamy. Michael Klesius attempts to solve what Darwin called "an abominable mystery": How did flowers originate? Lawrence Osborne tours a farm where a genetically modified goat produces the silk of spiders in its milk. Joseph D'Agnese visits a home for retired medical research chimps. And in the collection's final piece, Richard C. Lewontin and Richard Levins reflect on how the work of Stephen Jay Gould demonstrated the value of taking a radical approach to science. As Dr. Sacks writes of Stephen Jay Gould -- to whose memory this year's anthology is dedicated -- an article of his "was never predictable, never dry, could not be imitated or mistaken for anybody else's." The same can be said of all of the good writing contained in this diverse collection.

This is the official text for the National Association of Science Writers. In the eight years since the publication of the first edition of A Field Guide for Science Writing, much about the world has changed. Some of the leading issues in today's political marketplace - embryonic stem cell research, global warming, health care reform, space exploration, genetic privacy, germ warfare - are informed by scientific ideas. Never has it been more crucial for the lay public to be scientifically literate. That's where science writers come in. And that's why it's time for an update to the Field Guide, already a staple of science writing graduate programs across the country. The academic community has recently recognized how important it is for writers to become more sophisticated, knowledgeable, and skeptical about what they write. More than 50 institutions now offer training in science writing. In addition mid-career fellowships for science writers are growing, giving journalists the chance to return to major universities for specialized training. We applaud these developments, and hope to be part of them with this new edition of the Field Guide. In A Field Guide for Science Writers, 2nd Edition, the editors have assembled contributions from a collections of experienced journalists who are every bit as stellar as the group that contributed to the first edition. In the end, what we have are essays written by the very best in the science writing profession. These wonderful writers have written not only about style, but about content, too. These leaders in the profession describe how they work their way through the information glut to find the gems worth writing about. We also have chapters that provide the tools every good science writer needs: how to use statistics, how to weigh the merits of conflicting studies in scientific literature, how to report about risk. And, ultimately, how to write.