The Best Of Journal Of Men Masculinities And Spirituality

​​Masculinities in a Global Era extends the conversation of masculinity studies by analyzing global masculinities from a psychological perspective. Canvassing a broad array of psychological aspects such as the construction of identity, the negotiation of power, coping with trauma, and sexuality, this volume shows how masculinities are experienced, performed and embodied in geographically dispersed communities. Importantly, Masculinities in a Global Era fulfills a much-needed but elusive need within the study of masculinities: a forum in which the often polarized approaches of pro-feminists and men’s rights advocates can begin to move beyond their entrenched historical positions towards a more fruitful and nuanced future.​

Since the early 1990s there have been various movements designed to encourage 'masculine spirituality'. All these movements share a concern that spirituality has become too feminine and that men's experiences of the spiritual are being marginalized. The task of masculine spirituality is to promote 'authentic' masculine characteristics within a spiritual context. Numen, Old Men examines these characteristics to argue that masculine spirituality is thinly veiled patriarchy. The mythopoetic, evangelical, and Catholic men's movements are shown to promote a hetero-patriarchal spirituality by appealing to either combative and oppressive neo-Jungian archetypes or biblical models of man as the leader of the family. Numen, Old Men examines spiritualities that aim to honour and transcend both the masculine and feminine, and offers gay spirituality as an example of masculine spirituality that resists patriarchy.

This ground-breaking book takes an interdisciplinary approach to language, religion and media using an audience-response study. In this book, the author investigates how the three Abrahamic faiths - Christianity, Judaism and Islam - are represented in mainstream British media and analyses how members of each religious group and those with no religion receive those representations. Employing Critical Discourse Analysis, Al-Azami considers the way the media use their power of language to influence the audience’s perceptions of the three religions through newspaper articles, television documentaries and television dramas. Chapter 3 presents the results of an original investigation into the responses of members of the three religious groups and those with no religion when exposed to those same media materials. The author applies the encoding/decoding model and also considers people’s views in face-to-face interactions compared to comments on online newspapers. Comprehensive in its analysis, this book will be of interest to students of Linguistics, Media Studies, Religious Studies, and Journalism.

What if the biggest conspiracy in human history had gone completely unnoticed? What if that conspiracy was responsible for some of the biggest problems the world faces today? Wouldn't you want to know? Wouldn't you want to do something about it? Well guess what: You can. The Masculinity Conspiracy argues that nearly every assumption about masculinity in contemporary society is wrong. The result is nothing short of exposing a worldwide conspiracy that has been preventing humanity from reaching its fullest potential.

In Between Biblical Criticism and Poetic Rewriting, Samuel Tongue offers an account of the aesthetic and critical tensions inherent in the development of the Higher Criticism of the Bible. Different ‘types’ of Bible are created through the intellectual and literary pressures of Enlightenment and Romanticism and, as Tongue suggests, it is this legacy that continues to orientate the approaches deemed legitimate in biblical scholarship. Using a number of ancient and contemporary critical and poetic rewritings of Jacob’s struggle with the ‘angel’ (Gen 32:22-32), Tongue makes use of postmodern theories of textual production to argue that it is the ‘paragesis’, a parasitical form of writing between disciplines, that best foregrounds the complex performativity of biblical interpretation.

A groundbreaking collection of writings that place queer ritual at the center of the theological conversation. In this collection of essays, leading scholars in queer theology and liturgical studies explore the ways in which the distinctive theological voices of LGBTQIA+ Christians challenge and expand thinking and practice around worship in new directions. This challenge has expanded in the past decades, as obstacles to the full participation of queer Christians—particularly in marriage and ordination—have fallen. Organized into three main parts, the volume begins with an introduction to queer engagement with ritual practices, continues with a series of case studies that examine queer texts and contexts, and concludes with an examination of the horizons of queer liturgical theology and practice. Throughout the volume, Queering Christian Worship provides new imagination and tools to those who study and curate Christian worship across traditions.

As part of its effort to forge a new secular Jewish nation, the nascent Israeli state tried to limit Jewish religiosity. However, with the steady growth of the ultraorthodox community and the expansion of the settler community, Israeli society is becoming increasingly religious. Although the arrival of religious discourse in Israeli politics has long been noticed, its cultural development has rarely been addressed. Directed by God explores how the country’s popular media, principally film and television, reflect this transformation. In doing so, it examines the changing nature of Zionism and the place of Judaism within it. Once the purview of secular culture, Israel’s media initially promoted alternatives to traditional religious expression; however, using films such as Kadosh, Waltz with Bashir, and Eyes Wide Open, Yaron Peleg shows how Israel’s contemporary film and television programs have been shaped by new religious trends and how secular Israeli culture has processed and reflected on its religious heritage. He investigates how shifting cinematic visions of Jewish masculinity and gender track transformations in the nation’s religious discourse. Moving beyond the secular/religious divide, Directed by God explores changing film and television representations of different Jewish religious groups, assessing what these representations may mean for the future of Israeli society.