The Best Ten Minute Plays 2013

The Director as Collaborator teaches essential directing skills while emphasizing how directors and theater productions benefit from collaboration. Good collaboration occurs when the director shares responsibility for the artistic creation with the entire production team, including actors, designers, stage managers, and technical staff. Leadership does not preclude collaboration; in theater, these concepts can and should be complementary. Students will develop their abilities by directing short scenes and plays and by participating in group exercises. New to the second edition: updated interviews, exercises, forms, and appendices new chapter on technology including digital research, previsualization and drafting programs, and web-sharing sites new chapter on devised and ensemble-based works new chapter on immersive theater, including material and exercises on environmental staging and audience–performer interaction

(Applause Books). For over 70 years, The Best American Short Plays has been the standard of excellence for one-act plays in America. From its inception, it has identified cutting-edge playwrights who have gone on to establish award-winning careers, including Tennessee Williams, Edward Albee, and more. In this volume, the plays capture the struggle between "hot tempers and cold decrees." Humans love to think of themselves as rational beings well in control of their lives and surroundings from sunup to sundown, sundown to sunrise. We learn to follow rules of proper behavior and more than happily issue out advice to our friends who just can't get a handle on themselves. Restraint and order, after all, are the cornerstones of human society and civilization. The problem is that human nature bucks and bridles at every attempt to socialize and civilize. Shakespeare got it right when he penned the observation, "The brain may devise laws for the blood, but a hot temper leaps o'er a cold decree." In those few words he has managed to capture precisely why it is so difficult to be human; if it were okay simply to let our hot tempers prevail, life would be so much easier. But cold decrees are what prevent us from self-destruction, and so we endure the struggle.

The Best New Ten-Minute Plays, 2021 presents thirty new ten-minute plays, selected by renowned editor Lawrence Harbison. This volume is ideal for theatre enthusiasts looking for new and compelling short pieces from some of the finest playwrights of our time. Selections include: The Architecture of Desire by Brian Leahy Doyle Count Dracula's Café by Scot Walker Extended Play by B.V. Marshall Go to the Light by Laurie Allen Greater than Nina by Bruce Bonafede The Home for Retired Canadian Girlfriends by John Bavoso Judas Iscariot's Day Off by David Macgregor Last Dance with MJ by Lindsay Partain The Lobster Quadrille by Don Nigro Meanwhile at the Pentagon by Jenny Lyn Bader Most Wonderful by Jennifer O'grady Reconcile, Bitch by Desi Moreno-Penson Trumpettes Anonymous by Rex Mcgregor You Are Here by Nandita Shenoy

(Best American Short Plays). For more than 70 years, The Best American Short Plays has been the standard of excellence for one-act plays in America. From its inception, it has identified cutting-edge playwrights Tennessee Williams, Edward Albee, and others who have gone on to establish award-winning careers. The Best American Short Plays 2013-2014 takes a look at our changing times. "Uncertain" seems to be the watchword of today's world, full of surprises, shocks, and even a few delights. Uncertainty brings with it fear and insecurity, as well as nostalgic longing for the good old days, but for some, uncertainty means opportunity and along with it the prospect of change for the better. This volume explores various experiences of uncertainty and includes a series of nine plays gathered by Daniel Gallant, entitled Nine Signs of the Times , as well as short plays by Neil LaBute, John Guare, Laura Shaine Cunningham, Daniel F. Levin, Quincy Long, Halley Feiffer, Caridad Svich, and Clay McLeod Chapman. This collection will be complemented by a range of plays from around the country by playwrights likewise observing and digesting the signs of the times. Together the plays of this volume work as a time capsule, capturing the fears and longings of a world on the verge and in the midst of big changes, hopefully for the better but quite possibly for the worse.

In this volume you'll find fifty terrific new 10-minute plays Plays for Two Actors: Absent Grace (Claudia Barnett) Animal/Animal (Libby Emmons) Anniversary Season (Jenny Lyn Bader) Aposiopesis (John McEneny) Black Coffee (Deanna Alisa Ableser) Customer Service (Philip Hall) Draw a Lion (Dan O'Neill) Fair Shake (Jeffrey Gold) Give and Take (Bara Swain) Green Sound (John Patrick Bray) In Memory of Calvinball (Erin Moughon) Intentional Deception (Greg Freier) Lack of Moisture (Debbie Lamedman) Magic 8 Ball (Kimberly Pau) The Memory Box (Chris Shaw Swanson) Minutiae (Barry Eitel) Missed Connections (Marj O'Neill Butler) The Ninth Circus of Hell (C.J. Ehrlich) Numbers (Gregg Kreutz) Perspective (James McLindon) Reinventing the Wheel (Megan Lohne) She's Bound to Know (Michael Weems) This Flight Tonight (Wendy MacLeod) Unintelligent Life (John McKinney) Your Kiss is on My List (Christopher Lockheardt Plays for Three or More Actors: All My Problems (Laurie Graff) Battle Tactics (Andy Haynes) Black and White (Donna Hoke) The Date (Scene) (Mike Salomon) Captain Rockets Versus the Intergalactic Brain-Eaters (Don Nigro) The Corporate Ladder (Lisa Soland) Erosion (Scott McCrea) He's Really a Good Guy (Rory Leahy) Hurt (Saviana Stanescu) Mendacity of The Hear of Elephants in the Room (Carlos Murillo) Museum Place @2 (William Fowkes) Organic Seed (Patrick Gabridge) Pass Go: A Monopoly Play (Brian James Polak) Pocket Universe (Duncan Pflaster) The Promise (Jeffrey Strausser) Rat-Tat-Tat (David Guaspari) The Slasher's Lament (Michael Puzzo) A Small Fishing Nation Wedged Between Estonia and Latvia (Andrew Black) Standing Room Only (Aren Haun) Switzerland (Mayank Keshaviah) True Enough (Sonya Sobieski) Twenty-Three Hundred (Mark Rigney) What are You Going to Be? (Steven Korbar) Where were You When I Was Coming? (C.S. Hanson) Zombie Love (Earl T. Roske)

In this volume you will find fifty terrific new ten-minute plays all successfully produced during the 2014-2015 theatrical season. They are written in a variety of styles. Some realistic plays, some are not, some comic, some are dramatic. -- Amazon.com.

A ten-minute play is a streak of theatrical lightning. It doesn't last long, but its power can stand your hair on end. This splendid anthology contains enough wattage to light up a small city. For in its pages, thirty-two of our finest playwrights hone their skills on a form that has been called the haiku of the American stage. The plays that Nina Shengold and Eric Lane have collected in this volume range from monologues to an eight-character farce. Eminently producible, ideally suited for the classroom and audition, Take Ten is a marvelous resource for teachers and students of drama, as well as a stimulating read for lovers of the theatre. Contributors include: John Augustine, Cathy Celesia, Laura Cunningham, Joe Pintauro, Mary Sue Price, Megan Terry, Jose Rivera, Romulus Linney, David Mamet, Jane Martin, David Ives, and many others.

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