The Bfi Companion To The Western

A social history of the Western which looks at three hundred Westerns, with entries on television, Western series, actors, directors and cameramen. Originally published in 1988.

Addresses the perennial appeal of the Western, exploring its 19th century popular culture, and its relationship to the economic structure of Hollywood. This work considers the defining features of the Western and traces its main cycles, from the epic Westerns of the 1920s and singing cowboys of the 1930s to the Spaghetti Westerns of the 1960s.

Examines the ways in which the frontier myth influences American culture and politics, drawing on fiction, western films, and political writing

The Western is arguably the most popular and longlived form in cinematic history, and the acknowledged master of that genre was John Ford. His Westerns, including The Searchers, Stagecoach, and The Man Who Shot Liberty Valance, have had an enormous influence on contemporary U.S. filmmakers, and on everything from Star Wars to Taxi Driver.In nine majors essays from some of the most prominent scholars of Hollywood film, John Ford Made Westerns: Filming The Legend in The Sound Era situates the sound era westerns of John Ford within contemporary critical contexts and regards them from fresh perspectives. These range from examining Ford's relation to other art forms (most notably literature, painting and music) to exploring the development of the director's public reputation as a director of Westerns. Articles also address the intricacies of Ford's shifting approach to storytelling and the subtle techniques whereby Ford's films guide spectator interpretation and emotional engagement.While giving attention to film style and structure, the volume also explores the ways in which these much loved films engage with notions of masculinity and gender roles, capitalism and community, as well as racial and sexual identity. Authors also examine how Ford's sound-era Westerns create a complex relationship to the genre's traditional project of "defining an American nation" and how they uphold up but also question popular culture depictions of history and nationhood, to offer a commentary that engages with both the past, the present and the future.In addition to new scholarship, the volume also offers a dossier section of out of the way magazine articles that illuminate the issues raised by essays, including the director's tribute to John Wayne as well as a moving posthumous appraisal of the director published by the Director's Guild of America.

John Ford's Stagecoach, starring John Wayne in the part that made him a star, remains the most famous Western ever made. Shedding new light on an old favourite, this is an enjoyable account of how the film got made, combined with a careful scene-by-scene analysis, a wealth of illustrations and the most complete credits yet assembled.

This book comprises a selection of interdisciplinary essays in American literature and culture written by Clive Bush over some forty years. They fall into four sections: Classic American Literature; Literary and Cultural Modernism; Literature and Politics; and American Cultural Studies. The topics range from literature to architecture, from the history of linguistics to analyses of the commodity culture, from poetry to film. The essays themselves extend from American linguistics to Beat literature. There is, however, an identifiable series of common themes and perspectives throughout. The first is the question of the relation of discourse itself to the practices of power: personal, social and political. The second is the attention paid to the particular and general historical context in which both texts and quasi-texts are situated. The third is that a European perspective, making use of comparative texts, has been used throughout. The author demonstrates a commitment both to close reading and to the value judgement in the reading of texts.