The Billie Holiday Companion

One of the most troubling, and troubled, artists in the history of jazz, Billie Holiday remains an enigma despite numerous attempts to eulogize, analyze, and criticize her life and career. This new addition to Schirmer's Companion Series provides an objective assessment of "Lady Day's" life, talent, and of her place among the legends of jazz.

One of the most troubling, and troubled, artists in the history of jazz, Billie Holiday remains an enigma despite numerous attempts to eulogize, analyze, and criticize her life and career. This new addition to Schirmer's Companion Series provides an objective assessment of "Lady Day's" life, talent, and of her place among the legends of jazz.

Eleanora Fagan rocketed to fame like a shooting star during the two decades spanning 1937 and 1957. She soared to stardom on the wings of a unique voice and songs sung sad. As Billie Holiday, she overcame personal crises and racial bigotry to become what many consider to be America’s premier jazz vocalist of the twentieth century. Then, like a flamed–out meteor, she crashed and burned in the throes of alcohol and drug addiction. Lady Day, as Billie was known to her friends and admirers, joined a handful of jazz musicians who can truly be called legendary. Her voice was one of a kind; her lyrical interpretations, intimate—and often sensually expressive or disturbingly bitter. She profoundly influenced her fellow musicians, not only in jazz, but in every other musical genre. Billie’s life and legacy are emblematic of both triumph and tragedy: She overcame more than her share of adversities, but she could not conquer her urge to self-destruct.

Billie Holiday is one of the most beloved American musicians to this day, and a prominent artist of the Harlem Renaissance. Learn about the challenges she faced and the fame she gained as a result of her unique sound.

Eleanora "Lady Day" Fagan, better known as Billie Holiday, played a primary role in the development of American jazz culture and in African American history. Devoted to the enduring jazz icon, covering many aspects of her career, image and legacy, these fresh essays range from musical and vocal analyses, to critical assessments of film depictions of the singer, to analysis of the social movements and protests addressed by her signature songs, including her impact on contemporary movements such as #BlackLivesMatter. More than a century after her birth, Billie Holiday's abiding relevance and impact is a testament to the power of musical protest. This collection pays tribute to her creativity, bravery and lasting legacy.

Soulful jazz singer Billie Holiday is remembered today for her unique sound, troubled personal history, and a catalogue that includes such resonant songs as “Strange Fruit” and “God Bless the Child.” Holiday and her music were also strongly shaped by religion, often in surprising ways. Religion Around Billie Holiday examines the spiritual and religious forces that left their mark on the performer during her short but influential life. Mixing elements of biography with the history of race and American music, Tracy Fessenden explores the multiple religious influences on Holiday’s life and sound, including her time spent as a child in a Baltimore convent, the echoes of black Southern churches in the blues she encountered in brothels, the secular riffs on ancestral faith in the poetry of the Harlem Renaissance, and the Jewish songwriting culture of Tin Pan Alley. Fessenden looks at the vernacular devotions scholars call lived religion—the Catholicism of the streets, the Jewishness of the stage, the Pentecostalism of the roadhouse or the concert arena—alongside more formal religious articulations in institutions, doctrine, and ritual performance. Insightful and compelling, Fessenden’s study brings unexpected materials and archival voices to bear on the shaping of Billie Holiday’s exquisite craft and indelible persona. Religion Around Billie Holiday illuminates the power and durability of religion in the making of an American musical icon.

This book explores the relationship between three African American women's dance-art-music sensibilities within the context of a Pan African aesthetic. Its purpose is three-fold: to show commonalities between Bessie Smith, Billie Holiday and Nina Simone's lives and original compositions; to codify, examine and evaluate their selected song performances in accordance with the Pan African aesthetic "Nzuri theory/model;" and to illuminate the vast sources of transformational values that aesthetic analysis of African American song performance can foster. Following concordant procedures and principles of Afrocentricity, the study focuses on Smith, Holiday and Simone's performances as part of a whole African artistic and cultural value system. The goal of the Afrocentric methodological structure is to locate relevant African dynamics in songs and to promote knowledge for cultural transformation and continuity. Its use in this study provides meta-criteria for analyzing African American music, which the author has used to uniquely argue connections between African cultural memory and African-derived cultural expression.

"In this innovative book, Stacy Holman Jones presents torch singing as a much more complicated phenomenon than the familiar trope of a woman lamenting her victimhood. With an ethnographer's eye, she observes the bluesy torch singers, asking if they are possibly performing critiques of the very lyrics they are singing. From this perspective, we see the singer giving expression not only to desire but also to an incipient determination to resist and change. Holman Jones also reveals points of contact in the opposition between spectators and performers, emotion and intellect, and love and power. Instead of interpreting the expression of love as a woman's violent mistake - as willing deception and passive fate - Holman Jones allows us to hear an active search for hope."--BOOK JACKET.